And in the end, the love you take is equal to the love you make
Ok, so it is about the songs, is it? Not John’s cockiness and dry wit, not Paul’s technical skill, not the fact that death is the best career step a musician can have. (John Lennon would have laughed and agreed, so shut the fuck up. ) The fact is that John Lennon’s death put a blanket over Paul McCartney’s reputation and legacy (especially his work in The Beatles) and he will not be taken seriously until they meet in rock’n roll heaven. It is only about the songs? yeah right…
Yes, I am saying that Paul suffered in critical regard because he didn’t get murdered. But…
The pair wrote songs together from 1958 until 1969 and I sincerely think it was the synergy between them that provided the magic. Each provided more of something than the other had, and counteracted some of the other’s weaknesses.
As Egil said in his post, there are many books doing the math on how much each of them did on the songs, but that doesn’t tell the whole story. Even on songs like Hey Jude (100% Paul) John was asked about the song, the melody and the lyrics and he gave his advice to Paul. The same happened the other way around with John’s songs.
fact from The Beatles Wiki:
It was John Lennon that suggested that all songs written by either one of the pair (whether written individually or in a collaborative effort) should be credited to both of them, in an effort to emulate the familiarity of the Leiber–Stoller partnership.
Between 1962 and 1970 all songs either of them published with the exception of Lennon’s 1969 solo single “Cold Turkey” were jointly credited. On The Beatles’ first album, Please Please Me, as well as the “From Me to You” single, the credit appeared as “McCartney−Lennon”; on all later albums and singles Lennon’s name appeared first. As a result of this mutual agreement, songwriting royalties for the bulk of The Beatles’ catalogue were shared equally between the two.
Anyway, here are my favourite Beatles songs:
1. Golden Slumber/Carry That Weight/The End (suite/medley form Abbey Road)
2. A Day in the Life (from Sgt. Pepper)
3. Hey Jude (single)
4. Strawberry Fields Forever (single)
5. In My life (from Rubber Soul)
6. Penny Lane (single)
7. Eleanor Rigby (from Revolver)
8. Here Comes The Sun (from Abbey Road)
9. Let it Be (from Let it Be)
10. I’ve Got a Feeling (from Let it Be)
Based on my (and Egil’s) investigations, and this can not be facts but good estimates we believe:
I’ve used the same books as Egil and added one:
In conclusion:
We have here two of the greatest, maybe THE greatest songwriters of all time, and we have one very good songwriter, Harrison. A top ten list is perhaps too short to give a the whole truth and I’m certain that a list of 25 songs would have given us a clearer picture. But even with so few songs my choice is relatively clear, and it comes as no surprise to me.
They’re both fantastic and they were best when working together.
But the greatest of them all is Paul McCartney!
Golden Slumber / Carry That Weight / The End:
Penny Lane :
Eleanor Rigby:
Hey Jude:
Let it Be:
We can work it out:
Paperback Writer:
Helter Skelter:
I’ve just seen a face:
Yesterday:
Back in the USSR:
Blackbird:
I’m looking through you:
I’ll follow the sun:
Mother’s Nature son:
I will:
Michelle:
I saw her standing there (with important contribution from John):
Here, there and everywhere:
For no One:
I could name 20 more equally good. McCartney was/is the best melody maker in rock history.
– Hallgeir
…and don’t get me started on the solo stuff 😉
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