Oh all the money that in my whole life I did spend
Be it mine right or wrongfully
I let it slip gladly past the hands of my friends
To tie up the time most forcefully
But the bottles are done
We’ve killed each one
And the table’s full and overflowed
And the corner sign
Says it’s closing time
So I’ll bid farewell and be down the road
–
Dylan is part of an all-star cast who have convened at the Shrine to celebrate Frank Sinatra’s eightieth birthday. While cameras roll and Sinatra is seated in A 18, DyIan unveils a remarkable version of” Restless Farewell,” all five verses sung with a nervy precision, accompanied by his usual musical misfits and a string quartet. The whole thing is actually rather moving, as is Sinatra’s seemingly genuine enthusiasm for the performance, which is subsequently broadcast on cable TV.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)
Shrine Auditorium Los Angeles, California 19 November 1995 Frank Sinatra 80th Birthday Tribute
Bob Dylan (vocal & guitar)
Bucky Baxter (pedal steel guitar & electric slide guitar)
John Jackson (guitar)
Tony Garnier (bass)
Winston Watson (drums & percussion)
….. and a string quartet with unidentified musicians
2001 was a fine year for Bob Dylan’s “Never Ending Tour”.
.. the show was superbly recorded and much of the atmosphere does come across. “Forever Young” sounds like a benediction on the self-healing residents of the suffering city. “A Hard Rain’s A-Gonna Fall” and, especially, “Blowin’ In The Wind” with its line “and too many people have died” have a special feel to them; a feeling that you can sense is being supplied almost as much by the audience as the performers. “Searching For A Soldier’s Grave” and Fred Rose’s song “Wait For The Light To Shine” cannot help but do the same, and the carefully-controlled lighting effects all added to the ambience.
~Andrew Muir (One More Night: Bob Dylan’s Never Ending Tour)
A great & very special New York concert only 2 months after 9/11.
Thank you. I suppose you’ve been reading the newspapers and watching the TV? And you see how much trouble this world is in. Madmen running loose everywhere. Anyway we, we’re not worried about that though — it doesn’t bother us — because we know this world is going to be destroyed. Christ will set up his kingdom for a thousand years in Jerusalem where the lion will lie down with the lamb — we know this is true. No doubt about it. So, it’s a slow train coming. It’s been coming for a long time, but it’s picking up speed.
~Bob Dylan(before Slow Train – Santa Monica first show 1979)
The first gospel tour (Nov 1, 1979 – Dec 9, 1979) might be the best of the the three gospel tours, here is a wonderful show from – first of four @ Santa Monica.
And we love the Gospel tours !
Civic Auditorium
Santa Monica, California
18 November 1979
Bob Dylan (vocal & guitar)
Fred Tackett (guitar)
Spooner Oldham (keyboards)
Tim Drummond (bass)
Terry Young (keyboards)
Jim Keltner (drums)
Regina Mcrary , Helena Springs , Mona Lisa Young (background vocals)
The Supper Club New York City, New York 16 & 17 November 1993
Bob Dylan (vocal & guitar & harmonica)
Bucky Baxter (pedal steel guitar & electric slide guitar)
John Jackson (guitar, banjo)
Tony Garnier (bass)
Winston Watson (drums & percussion)
–
The early show performance [of “Ring Them Bells – Supper Club 17 Nov]…. may well be the single finest moment of the Never Ending Tour..
~Clinton Heylin (Still On The Road)
Here are some audio & a video.
One Too Many Mornings and Queen Jane Approximately for the Supper Club performances (video):
A mixture of old classics, songs he hadn’t played for a while and tracks from World Gone Wrong were all treated to the true authentic voice of Bob Dylan. Not only that but each show seemed better than the previous one and some songs, such as, “Queen Jane” & “Ring Them Bells” , were performed nearly as well as they have ever been, either before or since.
-Andrew Muir (Razor’s Edge)
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