Joseph Hass: Can you explain why you were booed at the Newport Folk Festival last summer when
you came on stage with an electric guitar and began singing your new material? Bob Dylan: Like, I don’t even know who those people were. Anyway, I think there’s always a little boo in all of us. I wasn’t shattered by it. I didn’t cry. I don’t even understand it. I mean, what are they going to shatter, my ego? And it doesn’t even exist, they can’t hurt me with a boo.
(Joseph Hass interview – Nov 1965)
“They certainly booed, I’ll tell you that. You could hear it all over the place. I don’t know who they were… they’ve done it just about all over… I mean, they must be pretty rich to go some place and boo. I mean, I couldn’t afford it if I was in their shoes.”
~Bob Dylan ( San Francisco press conference in December ‘65)
“The reason they booed is because he only played for fifteen minutes, when everybody else played for forty-five minutes or an hour. They were feeling ripped off. Wouldn’t you? They didn’t give a shit about us being electric. They just wanted more.”
On July 25, 1965, Dylan performed with a rock band at the Newport Folk Festival. Some sections of the audience booed Dylan’s performance. Leading members of the folk movement, including Irwin Silber and Ewan MacColl criticised Dylan for moving away from political songwriting, and performing with an electric band. (wikipedia)
Freebody Park Newport, Rhode Island 25 July 1965 Newport Folk Festival
“I still say that some of the biggest criminals are those that turn their heads away when they see wrong and know it’s wrong. I’m only 21 years old and I know that there’s been too many wars… You people over 21 should know better. The first way to answer these questions in the song is by asking them. But lots of people have to first find the wind.”
~Bob Dylan (The Freewheelin’ Bob Dylan Liner Notes – 1963)
The version of “Blowin’ in the Wind” that eventually appeared on The Freewheelin’ Bob Dylan was recorded at this July 9 session. Of all the available performances of this song from 1962 and 1963, this “official” recording is my favorite. It has a presence, a magic, as if Dylan took a deep breath and thought, “Okay, this one’s for posterity.” I don’t think Dylan ever put quite as much of himself into the song again. He didn’t have to. The song itself was in the wind at that point.
~Paul Williams (Bob Dylan: Performing Artist 1960-1973 The Early Years)
..Dylan, who is interviewed backstage at Wembley by Martha Quinn for MTV. The interview lasts over half an hour. Dylan is extremely talkative, discussing such matters as his early days at the Cafe Wha, the recording of Infidels, and his attitude toward videos. MTV broadcasts very little of the interview. At the end of the interview, Dylan tells Quinn that she asked some really good questions.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)
Martha Quinn: Will this tour help you reach a new generation? Bob Dylan: I don’t reach anybody. They find me. They find me. It’s not for me to go out and reach somebody. If they can find me, they find me, and if they don’t, they don’t. That’s the way it’s always been. I don’t think it’s gonna change now just because I’m such an old man and it’s nineteen-eighty… what is it?
7 July 1984
Martha Quinn interview for MTV,
Wembley Stadium backstage, London, England