| Bob Dylan: Blonde On Blonde (released May 16, 1966) (read more)The closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It’s that thin, that wild mercury sound. It’s metallic and bright gold, with whatever that conjures up. That’s my particular sound. ~Bob Dylan (to Ron Rosenbaum – Nov 1977) |
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| Bob Dylan & The Hawks: Gaumont Theatre, Sheffield, England 16 May 1966 (read more) |  |
| Beach Boys: Pet Sounds (May 16, 1966) (read more)[Pet Sounds] blew me out of the water. I love the album so much. I’ve just bought my kids each a copy of it for their education in life…I figure no one is educated musically ’til they’ve heard that album…it may be going overboard to say it’s the classic of the century…but to me, it certainly is a total, classic record that is unbeatable in many ways…I’ve often played Pet Sounds and cried. I played it to John [Lennon] so much that it would be difficult for him to escape the influence. ~Paul McCartney (recalling his first impressions of Pet Sounds) |
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| The Who released “Live At Leeds” May 16, 1970 (read more) Rolling Stone [Magazine] hailed it as the best ever live album, and they may still be right… ~Chris Jones (BBC – 2007) |
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| Jean “Django” Reinhardt; 23 January 1910 – 16 May 1953) was a pioneering virtuoso jazz guitarist and composer. Reinhardt is often regarded as one of the greatest guitar players of all time and is the first important European jazz musician who made major contributions to the development of the idiom. Using only the index and middle fingers of his left hand on his solos (his third and fourth fingers were paralyzed after an injury in a fire), Reinhardt invented an entirely new style of jazz guitar technique (sometimes called ‘hot’ jazz guitar) that has since become a living musical tradition within French gypsy culture. With violinist Stéphane Grappelli, he co-founded the Quintette du Hot Club de France, described by critic Thom Jurek as “one of the most original bands in the history of recorded jazz.” Reinhardt’s most popular compositions have become jazz standards, including “Minor Swing”, “Daphne”, “Belleville”, “Djangology”, “Swing ’42″, and “Nuages”. |  |
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