Tag Archives: W.C. Handy

Video of the day: St. Louis Blues by Bessie Smith

stlouis_blues_1929

I hate to see that evening sun go down
I hate to see that evening sun go down
‘Cause, my baby, he’s gone left this town

Released in 1929, St. Louis Blues is a short film featuring blues legend Bessie Smith and an all-African-American cast.  Songwriter W.C. Handy was the musical director of the film.  To my knowledge it is Bessie Smith’s only known film appearance.

Bessie Smith – St. Louis Blues (Smith’s performance):

The power and pure feeling  in her singing voice as she belts out the title track  of the movie St. Louis Blues is incredible.

Wikipedia:

Saint Louis Blues” is a popular American song composed by W. C. Handy in the blues style. It remains a fundamental part of jazz musicians’ repertoire. It was also one of the first blues songs to succeed as a pop song. It has been performed by numerous musicians of all styles from Louis Armstrong and Bessie Smith to Count Basie, Glenn Miller, Guy Lombardo, and the Boston Pops Orchestra. It has been called “the jazzman’s Hamlet“.  Published in September 1914 by Handy’s own company, it later gained such popularity that it inspired the dance step the “Foxtrot”.

The version with Bessie Smith and Louis Armstrong on cornet was inducted in the Grammy Hall of Fame in 1993.

The Movie, St. Louis Blues  (it’s a two-reel short).

Bessie Smith finds her gambler lover Jimmy messin’ with a pretty, younger woman.  He leaves and this makes Bessie to pour herself a drink and sing the title song.  It is a small but entertaining movie. Well worth your time.
Continue reading Video of the day: St. Louis Blues by Bessie Smith

Today: Dan Penn is 71

At the dark end of the street
That’s where we always meet
Hiding in shadows where we don’t belong
Livin in darkness to hide a wrong
You and me
At the dark end of the street
You and me

Dan Penn was an important player in the development of the “Southern Soul scene” in Memphis in the early 60’s.

Here he performs one of the greatest soul songs ever, which he wrote together with Chips Moman in 1966:

Dark End of The Street:

I also need to include the best version of this fantastic song – James Carr:

From Wikipedia:

Dan Penn (born Wallace Daniel Pennington, 16 November 1941) is an American singer, musician, songwriter, and record producer who co-wrote many soul hits of the 1960s including “Dark End Of The Street” and “Do Right Woman, Do Right Man” with Chips Moman as well as “Out Of Left Field” and “Cry Like a Baby” with Spooner Oldham. Penn also produced many hits including “The Letter” by The Box Tops. Though considered to be one of the great white soul singers of his generation, Penn has released relatively few records featuring his own vocals and musicianship preferring the relative anonymity of songwriting and producing.

I’m Your Puppet (Penn/Spooner Oldham):

Steve Kurutz (allmusic.com):
Songwriter/producer Dan Penn has been a quiet force behind Southern soul music for over thirty years. Always moving just out of view of the limelight, Penn has produced and written hits for the Box Tops, Solomon Burke, Aretha Franklin and Ronnie Milsap, among others.
Originally from Vernon, Alabama, Penn began his career as a performer, leading several white R&B bands around the Muscle Shoals area. Achieving early success by selling a hit song to Conway Twitty (“Is a Bluebird Blue?”), the songwriter eventually moved to Memphis, joining producer Chips Moman at his American Studios. Together the two, along with Penn’s writing partner, organist Spooner Oldham, wrote and/or produced several hits for the Box Tops, such as “The Letter” and “Cry Like a Baby,” throughout the late ’60s.
…read more over @ allmusic.com

Album of the day:

Do Right Man (1994):


From allmusic.com (Chris Nickson):
If James Brown is Soul Brother Number One, you can make a very credible case for Dan Penn being number two. The Alabama native has had a hand in writing a fair number of classic soul songs, and here he commits his versions of them to tape for the first time, recording, of course, in Muscle Shoals, with their fabulous house band, and a horn section including former Memphis Horn member Wayne Jackson. It’s a tall order Penn sets himself, offering himself up for comparison with greats like James Carr, Aretha Franklin, and James and Bobby Purify, who have sung his songs — and that’s just the start of the list. However, he comes out very well, beginning with a quiet take on”The Dark End of the Street,” coming across like a note to a secret lover, rather than a cry of pain.
…read more – allmusic.com 

Other November 16:

Continue reading Today: Dan Penn is 71