Thank you. I suppose you’ve been reading the newspapers and watching the TV? And you see how much trouble this world is in. Madmen running loose everywhere. Anyway we, we’re not worried about that though — it doesn’t bother us — because we know this world is going to be destroyed. Christ will set up his kingdom for a thousand years in Jerusalem where the lion will lie down with the lamb — we know this is true. No doubt about it. So, it’s a slow train coming. It’s been coming for a long time, but it’s picking up speed.
~Bob Dylan(before Slow Train – Santa Monica first show 1979)
The first gospel tour (Nov 1, 1979 – Dec 9, 1979) might be the best of the the three gospel tours, here is a wonderful show from – first of four @ Santa Monica.
And we love the Gospel tours !
Civic Auditorium
Santa Monica, California
18 November 1979
Bob Dylan (vocal & guitar)
Fred Tackett (guitar)
Spooner Oldham (keyboards)
Tim Drummond (bass)
Terry Young (keyboards)
Jim Keltner (drums)
Regina Mcrary , Helena Springs , Mona Lisa Young (background vocals)
My thoughts, my personal needs have always been expressed through my songs; you can feel them there even in ‘Mr Tambourine Man’.
~Bob Dylan (to Sandra Jones – June 1981)
Even a song like Mr. Tambourine Man really isn’t a fantasy. There’s substance to the dream. Because you’ve seen it, you know? In order to have a dream, there’s something in front of you. You have to have seen something or have heard something for you to dream it. It becomes your dream then.
~Bob Dylan (to Bill Flanagan – March 1985)
Spotify:
@ #12 on my list of Dylan’s 200 best songs. The original version from “Bringing It All Back Home” was recorded on January 15 – 1965 @ the third recording session.
….and proceeded to record the final versions of “Mr. Tambourine Man”, “It’s Alright, Ma” & “Gates Of Eden” in a single take* with no playback between songs… it’s as though all three songs came out of him in one breath, easily the greatest breath drawn by an American artist since Ginsberg & Kerouac exhaled “Howl” & “On The Road” a decade earlier..
~Paul Williams (BD Performing Artist 1960-73)
*although this has been found not to be entirely true (after PW wrote his book).. It’s still a GREAT quote.
The specific Tambourine Man he had in mind was Bruce Langhorne, the magnificent multi-instrumentalist who would usher in Dylan’s electric era with some spellbinding guitar playing on Bringing It All Back Home (notably on “Mr. Tambourine Man” itself).
~Clinton Heylin (Revolution in the air)
The Supper Club New York City, New York 16 & 17 November 1993
Bob Dylan (vocal & guitar & harmonica)
Bucky Baxter (pedal steel guitar & electric slide guitar)
John Jackson (guitar, banjo)
Tony Garnier (bass)
Winston Watson (drums & percussion)
–
The early show performance [of “Ring Them Bells – Supper Club 17 Nov]…. may well be the single finest moment of the Never Ending Tour..
~Clinton Heylin (Still On The Road)
Here are some audio & a video.
One Too Many Mornings and Queen Jane Approximately for the Supper Club performances (video):
A mixture of old classics, songs he hadn’t played for a while and tracks from World Gone Wrong were all treated to the true authentic voice of Bob Dylan. Not only that but each show seemed better than the previous one and some songs, such as, “Queen Jane” & “Ring Them Bells” , were performed nearly as well as they have ever been, either before or since.
-Andrew Muir (Razor’s Edge)
Well, I had to go down and see a guy named Mr. Goldsmith
A nasty, dirty, double-crossin’, backstabbin’ phony I didn’t wanna have to be dealin’ with
But I did it for you and all you gave me was a smile
Well, I cried for you—now it’s your turn to cry awhile
Manchester Arena Manchester, England 16 November 2005