[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Clouds so swift
Rain won’t lift
Gate won’t close
Railings froze
Get your mind off wintertime
You ain’t goin’ nowhere
Whoo-ee! Ride me high
Tomorrow’s the day
My bride’s gonna come
Oh, oh, are we gonna fly
Down in the easy chair![/vc_message][/vc_column][/vc_row]
Bournemouth International Centre
Bournemouth, England
1 October 1997
Bob Dylan (vocal & guitar)
Bucky Baxter (pedal steel guitar & electric slide guitar)
The whole performance, with the sound so well mixed and the band so good that night, argues that the mid-1990s Bob Dylan can stand in the same room with the Dylans of the past. He is alive, alert, fully into his jazz-improvisational vocals and making some wonderful noises: and not imitating himself but singing—phrasing—afresh. Woodstock II is a real performance.
-Michael Gray (The Bob Dylan Encyclopedia)
This is a quirky album, from a Dylan not pointing a way for anyone, but from a great artist remaining at his work knowingly in the face of not being creatively on top form in the phenomenal way he had been in the period 1964–68.Warm and abiding, it sounds better and better as the years go by.
~Michael Gray (The Bob Dylan Encyclopedia)
Wikipedia: Dylan ultimately decided to re-record “If Not for You” and “Time Passes Slowly”, holding one final session on August 12. During that session, he also recorded “Day of the Locusts,” which by now had been finished.For the album’s final sequence, the three August 12 recordings were placed at the beginning of New Morning, while covers of “Ballad of Ira Hayes” and “Mr. Bojangles” were dropped.
Studio E Columbia Recording Studios New York City, New York 12 August 1970 8th and last New Morning recording session, produced by Bob Johnston.
August 10: Bob Dylan released Shot of Love in 1981
I hear the ancient footsteps like the motion of the sea Sometimes I turn, there’s someone there, other times it’s only me I am hanging in the balance of the reality of man Like every sparrow falling, like every grain of sand
Shot of Love is Bob Dylan’s 21st studio album, it was released by Columbia Records in August 1981.
It is generally considered to be Dylan’s last of a trilogy of overtly religious, Christian albums. Also, it was his first since becoming born-again to focus on secular themes, from straight-ahead love songs to an ode to the deceased comedian Lenny Bruce. Arrangements are rooted more in rock’n’roll, less in gospel than on Dylan’s previous two albums. So maybe it is more of a new start than a gospel-tinged end?
)
)
