Category Archives: Film

Documentary: Johnny Cash – The Last Great American

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This a very fine documentary profiling the life of Johnny Cash. There are quite a few films about Cash, this is one of the very best.

It is a  major retrospective of Cash’s life, times and music. It features contributions from Rosanne Cash(daughter) and John Carter Cash (son), his longtime manager Lou Robin and many musicians including Little Richard, Cowboy Jack Clement, Kris Kristofferson, Merle Haggard and Elvis Costello.

Johnny Cash was the son of a sharecropper from Arkansas, who sang folk, gospel and country songs to himself while picking cotton in the fields. In the 50s he signed to Sam Phillips’ Sun Records, the rest is great music history.

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This is the centre-piece of an extensive Johnny Cash Night on BBC Four. A major retrospective of Cash’s life, times and music, it includes contributions from his daughter, Rosanne Cash, and son, John Carter Cash; his long-time manager, Lou Robin; and fellow musicians, including Little Richard, Cowboy Jack Clement, Kris Kristofferson, Merle Haggard and Elvis Costello.

Cash was the son of a sharecropper from Kingsland, Arkansas, who sang folk, spiritual and country songs to himself while picking cotton in the fields. In the Fifties he signed to Sam Phillips’s Sun Records, scored his first hits and was part of the “Million Dollar Quartet” with Elvis Presley, Jerry Lee Lewis and Carl Perkins.

In the Sixties he created his famous Man In Black persona and became a huge country music star with hits such as Folsom Prison Blues, Ring Of Fire, I Walk The Line and A Boy Named Sue. At that time he was also torn between drug dependency, hell-raising and a powerful spirituality. Cash had long since established himself as a man of the people with his prison concerts, beginning with an incendiary performance in San Quentin.

He ended the decade by finally marrying June Carter, daughter of the legendary Carter family, launching his own national TV series from Nashville, duetting with Bob Dylan, befriending the Native American movement and opposing the war in Vietnam while playing concerts for the soldiers in the field.

Although plagued by ill-health, Cash reignited his career with a new, young audience in the Nineties, when he began to record with Def Jam’s producer, Rick Rubin.

Cash won numerous Grammys and other awards for his last studio album, 2003’s The Man Comes Around, and the extraordinary video for the Nine Inch Nails song, Hurt, which revealed Cash as a white-haired old man contemplating his mortality.

Cash died in September 2003 shortly after the retrospective Unearthed, a five CD-set of the acoustic performances with which he resurrected his career in the last decade of his life, and after losing his wife in June 2003.
– docuwiki.net

– Hallgeir

Jeff Buckley – Everybody Here Wants You full length documentary and full concert

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“He quite clearly had his feet on the ground and his head and his imagination was flying way, way out there, beyond, beyond.”
– Jimmy Page

I remember when I first heard Jeff Buckley at a record store, I bought Grace that day. After that I’ve gotten everything that was released by him.

This 2002 documentary, revisits the short life and times of the young artist. The movie has stories and testimonies from Jimmy Page, Patti Smith, Chrissie Hynde and many more of the people who were close to Jeff Buckley. It tells the story of  his early work as a guitarist in Los Angeles and his emergence as a singer and songwriter in New York.  There are 4 or 5 Jeff Buckley docus out there, but this is my favorite.

Everybody Here Wants You (documentary):

I’ve included a full set from Frankfurt in 1992, great quality, intense concert (as expected):

Setlist Jeff Buckley live in Sudbahnhof the 24/02/1995

01 – 00:03 – Chocolate
02 – 05:20 – Mojo Pin
03 – 12:15 – Band introduction
04 – 12:56 – So real
05 – 19:10 – Last Goodbye
06 – 24:00 – Jeff speaking
07 – 24:37 – What will you say (first time ever sung)
08 – 32:30 – Jeff speaking
09 – 33:47 – Lilac Wine (incredible version)
10 – 40:35 – Jeff speaking
11 – 42:05 – Grace

Enjoy!

– Hallgeir

Video of the day: St. Louis Blues by Bessie Smith

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I hate to see that evening sun go down
I hate to see that evening sun go down
‘Cause, my baby, he’s gone left this town

Released in 1929, St. Louis Blues is a short film featuring blues legend Bessie Smith and an all-African-American cast.  Songwriter W.C. Handy was the musical director of the film.  To my knowledge it is Bessie Smith’s only known film appearance.

Bessie Smith – St. Louis Blues (Smith’s performance):

The power and pure feeling  in her singing voice as she belts out the title track  of the movie St. Louis Blues is incredible.

Wikipedia:

Saint Louis Blues” is a popular American song composed by W. C. Handy in the blues style. It remains a fundamental part of jazz musicians’ repertoire. It was also one of the first blues songs to succeed as a pop song. It has been performed by numerous musicians of all styles from Louis Armstrong and Bessie Smith to Count Basie, Glenn Miller, Guy Lombardo, and the Boston Pops Orchestra. It has been called “the jazzman’s Hamlet“.  Published in September 1914 by Handy’s own company, it later gained such popularity that it inspired the dance step the “Foxtrot”.

The version with Bessie Smith and Louis Armstrong on cornet was inducted in the Grammy Hall of Fame in 1993.

The Movie, St. Louis Blues  (it’s a two-reel short).

Bessie Smith finds her gambler lover Jimmy messin’ with a pretty, younger woman.  He leaves and this makes Bessie to pour herself a drink and sing the title song.  It is a small but entertaining movie. Well worth your time.
Continue reading Video of the day: St. Louis Blues by Bessie Smith

New documentary: Muscle Shoals

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“You’re in rock’n roll heaven, man”
– Keith Richards

We can hardly wait, this is really the stuff of legends. The new documentary, “Muscle Shoals” will soon be released, it was shown on The Sundance festival 26th of January. The film was inspired by a magical visit to the town of the same name in Alabama. Camalier a self-taught filmmaker expresses his passion using his instinct, sensibility, and great appreciation of the art form. His original approach to this music documentary is clear in the mystical and evocative way he tells the story of Muscle Shoals.

From Rolling Stone Magazine:

Filled with interviews with a wide array of artists and never-before-seen footage, Muscle Shoals tells the story of this Northern Alabama town and the many hits that came out of its legendary recording spaces: Rick Hall’s FAME Studios and Muscle Shoals Sound Studio, which was started by FAME’s former rhythm section, the Swampers. “Being there does inspire you to do it slightly differently,” says Mick Jagger in the trailer. “It was really funky; you know, that was the whole idea of it.”

The Muscle Shoals Sound Studio was formed in Muscle Shoals, Alabama, in 1969 when musicians Barry Beckett (keyboards), Roger Hawkins (drums), Jimmy Johnson (guitar) and David Hood (bass) (called The Swampers) left FAME Studios to create their own studio. The Muscle Shoals Sound Rhythm Section, as they became known, was the first rhythm section to own its own studio and, eventually, its own publishing and production companies.

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The distinctive accompaniment and arrangements have been heard on a tremendous amount legendary recordings, including those from Wilson Pickett, Aretha Franklin, and the Staple Singers among others. Many artists have recorded hit songs and complete albums at the studio. (read more on Wikipedia)

A short clip of director  Greg Camalier  explaining why he made the movie:

Back in 2008, he was driving from the East Coast to New Mexico with a friend when Camalier saw a road sign for Muscle Shoals. Camalier was a music fan who had heard bits of information about the place for years, but didn’t know much about it. They decided to spend the night in Muscle Shoals, and he and his friend talked about why they had never seen a film about that small yet crucial slice of music history.

FAME (Florence Alabama Music Enterprises) Studios are located at 603 East Avalon in Muscle Shoals, Alabama. They have been an integral part of American popular music from the late 1950s to the present. Artists who recorded there included Wilson Pickett, Aretha Franklin, Otis Redding, Joe Tex, Duane Allman, The Hour Glass, Clarence Carter, Candi Staton, Mac Davis, Paul Anka, Tom Jones, Etta James, Andy Williams, The Osmonds, Shenandoah, and many others. The studio was added to the Alabama Register of Landmarks and Heritage on December 15, 1997. (read more, Wikipedia)

From the recording of Saved
From the recording of Saved

From www.muscleshoalsmovie.com:
Located on the banks of the Tennessee River, Muscle Shoals, Alabama is the unlikely breeding ground for some of the most creative and defiant music in American history.
Continue reading New documentary: Muscle Shoals

Today: Bob Dylan’s film Renaldo And Clara was released in 1978

Renaldo and Clara

This nearly four-hour surrealist odyssey (232 m.)  is written, directed and starring Bob Dylan himself.

Directed by Bob Dylan
Produced by Mel Howard
Written by Bob Dylan, Sam Shepard
Starring Bob Dylan, Sara Dylan, Joan Baez
Music by Various artists
Cinematography Howard Alk, David Meyers, Paul Goldsmith
Editing by Bob Dylan, Howard Alk
Distributed by Circuit Films
Release date(s) January 25, 1978
Running time 232 minutes
Country United States
Language English

There is a myth about this film, it is considered to be incoherent and confusing, well, it isn’t. Everytime I see it, it strikes me as a unified vision, one man’s vision, where he puts different kind of film stocks and styles together to create an entertaining and, yes, demanding movie.  The film is a mixture of fantastic concert footage, documentary style film (dealing with the Hurricane Carter case), and ficitonal, seemingly improvised  footage.

Never let me go:

Drawing structural and thematic influences from the classic  film Les Enfants du Paradis, Dylan infuses Renaldo & Clara with lots of shifting styles, tones, and narrative ideas. Similarities between the two films include the use of whiteface , the recurring flower, the woman in white (Baez), the on-stage and backstage scenes, and the dialogue of both films’ climactic scenes.

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Also evident is the Cubist approach of the two films, allowing us to see the main characters from the different perspectives of various lovers. This also echoes some of the songs from this Dylan period (Simple twist of faith and Tangled up in blue coming to mind). Running time is also relatively similar.

It’s a free associating epic that feels pulled straight from Bob Dylan’s brain, Renaldo and Clara is a work of misunderstood genius.

Continue reading Today: Bob Dylan’s film Renaldo And Clara was released in 1978