The band looks great, and they sound great as well! The video has the lovely Noomi Rapace in the lead role (along with the band of course) and it’s directed by Jonas Åkerlund (who won a Grammy for Madonna’s “Ray of Light” video).
Doom And Gloom is taken from GRRR! the Stones’ latest greatest hits collection released earlier this month.
“I’ll always be a rocker, but there’s nothing like a great country song and this is a well-written, great country song. My fans love it, too. They even sing the words along with me when we perform it live on stage.” – Wanda Jackson to NPR.org
Justin Townes Earle is the producer on rock’n roll queen, Wanda Jackson’s new album Unfinished Business. Wanda Jackson know how to pick’em, last year, Jack White and now, Justin Townes Earle. And the results are splendid!
Here’s the first video off the record, Am I even a memory? written by singer/songwriter honky-tonk revivalist Greg Garing. It’s a wonderful country ballad.
Director Seth Graves set the song’s video in the “trendy dive bar” Santa’s Pub in Nashville. He framed the singers’ interaction as two lives crossing for just a moment on the dive bar’s stage, as Earle mourns one lost love (played by Mindy White, singer for the band States), and Jackson beckons toward another.
“Frankly … it’s a breakup song … sung between a 74-year-old woman and a 30-year-old man,” wrote Graves. “I’m no champion for social norms, but the Kid Rock/Sheryl Crow approach (the back and forth literal approach) seemed like it could potentially come off weird if taken literally. Not weird in a good way, anyway. That’s not the kind of video I wanted to make. It seemed necessary, inspiring and way more interesting to find a way to create and use images that would give them each a different take on the song. So. I just thought of two lonely people, singing the same song for different reasons.”
Booker T. Washington “Bukka” White (November 12, 1906– February 26, 1977) was a delta blues guitarist and singer born in Aberdeen, Mississippi. Even though he didn’t like the spelling “Bukka”, he was best known by that name. “Bukka” was not a nickname, but a phonetic misspelling of White’s given name Booker, by his second (1937) record label (Vocalion).
He is also known for giving his more famous cousin B.B. King his first guitar, a Stella.
A selection of “Bukka” White performances part 1:
White started his career playing fiddle at square dances. He met Charley Patton early on, although some doubt has been cast upon this; regardless, Patton was a large influence on White. He typically played slide guitar, in an open tuning. He was one of the few, along with Skip James, to use a crossnote tuning in Em, which he may have learned, as James did, from Henry Stuckey. (Lastfm)
A selection of “Bukka” White performances part 2:
Booker T. Washington “Bukka” White was active from the 30s all up to the mid 70s (he died in 1977).
Allmusic.com
by Uncle Dave Lewis
Blues purists will tell you that nothing Bukka White recorded after 1940 is ultimately worth listening to. This isn’t accurate, nor fair. White was an incredibly compelling performer who gave up of more of himself in his work than many artists in any musical discipline. The Sky Songs albums for Arhoolie are an eminently rewarding document of Bukka’s charm and candor, particularly in the long monologue “Mixed Water.” “Big Daddy,” recorded in 1974 for Arnold S. Caplin’s Biograph label, likewise is a classic of its kind and should not be neglected.
Now, we get another one (via Paste), and it’s safe to say that it is something different. The Title track of the compilation is a cover of an old Johnny Marks Christmas song, it is a nostalgic 8mm home movie style film with footage of Sufjan’s nephew Gavin running on a beach, playing with a kite. It’s a lovely video. The lyrics are in stark contrast to the pictures.
This album, American Beauty, was released 42 years ago today. It is one of the two best Grateful Dead albums, the other is of course, Workingman’s Dead.
There are many good songs on this record, my favourite is Friend of the Devil. It is a refinement of their country rock sound from Workingman’s Dead.
I lit up from Reno I was trailed by twenty hounds Didn’t get to sleep that night Till the morning came around
I set out running but I’ll take my time A friend of the Devil is a friend of mine If I get home before daylight I just might get some sleep tonight
I ran into the Devil, babe He loaned me twenty bills I spent that night in Utah In a cave up in the hills