Classic footage: The Old Laughing Lady – Neil Young Busking in Glasgow 1976

The Story Behind the Footage (from the YouTube channel, Nemo Wieener):
“The day was April 2, 1976. Neil Young was flying into Glasgow, and a local camera crew was waiting at the airport to meet him. Director Murray Grigor and cinematographer David Peat had been hired by Young through his record company. As they waited there, at the airport, they had no idea what to expect.

“The irony,” Peat told Open Culture, “is that neither Murray or myself were particularly knowledgeable about the rock world, and we knew little of this guy Neil Young. So we turned up at the airport in sports jackets and ties to meet him!”

Young’s scheduled flight from London arrived, but he wasn’t on it. When a second flight came in, Peat and Grigor watched anxiously as all the passengers cleared the terminal. Still no Young. Finally, said Peat, “this tall bloke in a long coat came ambling down the corridor.” The filmmakers introduced themselves to Young and asked what he wanted.

“Just give me some funky shit footage,” said Young.

“Nae bother, as we say in Scotland,” Peat said. So the filmmakers tagged along as the musician and his band, Crazy Horse, headed into the city. At this point Murray Grigor picks up the story: “Our filming got off to a tricky start. When Neil and the band finally made it to their lunch in the Albany Hotel’s penthouse, one of them set fire to the paper table decorations, which we filmed. ‘Just like Nam,’ another one said as he warmed his hands over the small inferno lapping up towards the inflammable ceiling.”

At that moment, Peat added, “this very Scottish floor manager leapt in and completely cowed them with her rage.” The woman turned to the nearest person and demanded to know what was going on. “That happened to be our sound recordist, Louis Kramer,” said Grigor. “She then shouted at them to get everything burning into the bathroom–and generally gave them all a dressing down.”

As Grigor explained, “Neil and the band were all stoned out of their skulls.”

When the smoke had cleared at the Albany Hotel, the crew followed Young out onto the streets, where he began accosting passersby. “Excuse me,” he said. “Could you tell me where the Bank of Scotland is?” He soon settled on a different destination. “It was entirely Neil’s idea,” Grigor told us, “to flop down at the entrance to Glasgow’s Central Station and then wait and see who would recognize him.”

With a scarf wrapped around his neck and a deerstalker hat pulled down over his face, Young took out his banjo and harmonica and sat on the pavement. Peat, whose forté is observational filmmaking, panned his camera back and forth between the famous street musician and the people passing by. Kramer’s sound recording provided the continuity that made it possible for Peat to move around and cover the scene from different angles. He noticed that Young was singing about an “Old Laughing Lady,” so when he saw one, he filmed her. The whole thing lasted only a few minutes.

Later that evening, Young and Crazy Horse opened their show at the Glasgow Apollo with “The Old Laughing Lady.” It was the last concert of their European tour. The film crew documented the crowd going into the Apollo and the show itself. When it was over, Young asked Grigor to synchronize the sound and film for later editing. Local editor Bert Eeles did the synch work, Grigor sent in the film, and that was about the last they ever heard of it. “I always understood Neil commissioned it for his own use as a kind of ‘home movie,’” said Peat.”

Great story and classic footage!

– Hallgeir