Tag Archives: 16 shells from a thirty-ought-six

December 7: Tom Waits is 65 Happy Birthday

 

[He’s got a voice sounding] “like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car.”
~Daniel Durchholz

“I like beautiful melodies telling me terrible things.”
― Tom Waits

“We are buried beneath the weight of information, which is being confused with knowledge; quantity is being confused with abundance and wealth with happiness.
We are monkeys with money and guns.”
― Tom Waits

Neil Young inducts Tom Waits into the Rock & Roll Hall of Fame:

Continue reading December 7: Tom Waits is 65 Happy Birthday

Today: Tom Waits is 63

[He’s got a voice sounding] “like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car.”
~Daniel Durchholz

“I like beautiful melodies telling me terrible things.”
― Tom Waits

“We are buried beneath the weight of information, which is being confused with knowledge; quantity is being confused with abundance and wealth with happiness.
We are monkeys with money and guns.”
― Tom Waits

Neil Young inducts Tom Waits into the Rock & Roll Hall of Fame:

Clap Hands:

From Wikipedia:

Birth name Thomas Alan Waits
Born December 7, 1949 (age 63)
Pomona, California,United States
Genres Rock, experimental
Occupations Singer-songwriter, musician, actor, composer
Instruments Vocals, piano, guitar
Years active 1972–present
Labels Asylum Records, Island Records, ANTI-
Website Official website

Thomas Alan “Tom” Waits (born December 7, 1949) is an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding “like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car.” With this trademark growl, his incorporation of pre-rock music styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music, Waits has built up a distinctive musical persona. He has worked as a composer for movies and musical plays and has acted in supporting roles in films including Paradise Alley and Bram Stoker’s Dracula; he also starred in the 1986 film Down by Law. He was nominated for an Academy Award for his soundtrack work on One from the Heart.

16 shells from a thirty-ought-six – live 85:

Lyrically, Waits’ songs frequently present atmospheric portrayals of grotesque, often seedy characters and places—although he has also shown a penchant for more conventional ballads. He has a cult following and has influenced subsequent songwriters despite having little radio or music video support. His songs are best-known through cover versions by more commercial artists: “Jersey Girl”, performed by Bruce Springsteen, “Ol’ ’55”, performed by the Eagles, and “Downtown Train”, performed by Rod Stewart. Although Waits’ albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries. He has been nominated for a number of major music awards and has won Grammy Awards for two albums, Bone Machine and Mule Variations. In 2011, Waits was inducted into the Rock and Roll Hall of Fame.

Waits lives in Sonoma County, California with his wife, Kathleen Brennan, and three children.

Alice – Live from Amsterdam 2004:

Album of the day:

Swordfishtrombones (1983)

……. The music can be primitive, moving to odd time signatures, while Waits alternately howls and wheezes in his gravelly bass voice. He seems to have moved on from Hoagy Carmichael and Louis Armstrong to Kurt Weill and Howlin’ Wolf (as impersonated by Captain Beefheart). Waits seems to have had trouble interesting a record label in the album, which was cut 13 months before it was released, but when it appeared, rock critics predictably raved: after all, it sounded weird and it didn’t have a chance of selling. Actually, it did make the bottom of the best-seller charts, like most of Waits’ albums, and now that he was with a label based in Europe, even charted there. Artistically, Swordfishtrombones marked an evolution of which Waits had not seemed capable (though there were hints of this sound on his last two Asylum albums), and in career terms it reinvented him.
~William Ruhlmann (allmusic.com)

Other December 07:

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