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Today: The Beatles played the Rooftop concert, Apple building 30 Jan 1969

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“I’d like to say thank you on behalf of the group and ourselves, and I hope we passed the audition” – John Lennon 

Trying to come up with a conclusion for the film, Let it be, it was suggested that the band play an unannounced lunchtime concert on the roof of the Apple building. On 30 January, The Beatles with Preston played on the rooftop in the cold wind for 42 minutes, about half of which ended up in the film.

The songs performed in the Rooftop concert, Apple building:

  • Get Back (5 versions)
  • I Want You (She’s So Heavy)
  • Don’t Let Me Down (2 versions)
  • I’ve Got A Feeling
  • One After 909
  • Danny Boy (in between the main songs)
  • Dig A Pony (2 versions)
  • God Save The Queen (incompl.)
  • A Pretty Girl Is Like A Melody (between main songs)

The Concert:

The Beatles started with a rehearsal of “Get Back,” then played the five songs which are shown in the film. After repeating “I’ve Got a Feeling” and “Don’t Let Me Down,” takes which were left out of the film, the Beatles are shown in the film closing with another pass at “Get Back” as the police arrive to shut down the show.  (Wikipedia)

The songs were used as a whole or in parts on the album, in the film and later on Anthology 3 and on the re-release/reworking of Let it be, Let it be…naked.

The Apple building concert was the first live gig since The Beatles stopped touring 29. August 1966 (tired of  screaming girls and not beeing able to hear themselves through the screams) and it was to be their last. It’s a fantastic show, sweet and short, really makes us long for more. It gives us a glimpse of what could have been, and it shows us what a magnificent live band they were.

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 “We went on the roof in order to resolve the live concert idea, because it was much simpler than going anywhere else; also nobody had ever done that, so it would be interesting to see what happened when we started playing up there. It was a nice little social study.

We set up a camera in the Apple reception area, behind a window so nobody could see it, and we filmed people coming in. The police and everybody came in saying, ‘You can’t do that! You’ve got to stop.'” – George Harrison (Anthology)

Whatever animosity there was between the four guys it doesn’t show, it looks like they have the time of their life, it is a magnificent live farewell.

It is also one of the most bootlegged shows in rock’n roll history, both on audio and film.

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Let’s hope for an official Let it Be Blu-Ray release, maybe with the rooftop concert as a separate extra feature (with all available footage).

Other January 30:

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Today: Blind Lemon Jefferson passed away in 1929 – 83 years ago

Blind Lemon

 

Country blues guitarist and vocalist Blind Lemon Jefferson is indisputably one of the main figures in country blues. He was of the highest in many regards, being one of the founders of Texas blues (along with Texas Alexander), one of the most influential country bluesmen of all time, one of the most popular bluesmen of the 1920s, and the first truly commercially successful male blues performer.
~Joslyn Layne (allmusic.com)

See That My Grave Is Kept Clean:

Well, there’s one kind of favor I’ll ask of you
Well, there’s one kind of favor I’ll ask of you
There’s just one kind of favor I’ll ask of you
You can see that my grave is kept clean

Here is Bob Dylan’s take (from his first album – “Bob Dylan” (1962)):

From Wikipedia:

Birth name Lemon Henry Jefferson
Born September 24, 1893
Origin Coutchman, Texas, United States
Died December 19, 1929 (aged 36)
Chicago, Illinois, United States
Genres Blues
Occupations Singer-songwriter, guitarist
Years active 1926–1929

“Blind” Lemon Jefferson (Lemon Henry Jefferson; September 24, 1893 – December 19, 1929) was an American blues singer and guitarist from Texas. He was one of the most popular blues singers of the 1920s, and has been titled “Father of the Texas Blues”.

Jefferson’s singing and self-accompaniment were distinctive as a result of his high-pitched voice and originality on the guitar. Though his recordings sold well, he was not so influential on some younger blues singers of his generation, who could not imitate him as they could other commercially successful artists. However, later blues and rock and roll musicians attempted to imitate both his songs and his musical style. His recordings would later influence such legends as B.B. King, T-Bone Walker, Lightnin’ Hopkins, Son Houseand Robert Johnson.

Matchbox Blues:

Carl Perkins – Matchbox (1956):

Album of the Day:

Blind Lemon Jefferson [Milestone] (1961):

BLJ

Other December 19:

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