I never thought of myself as being a good songwriter. There are a ton of other people that are good songwriters, but I don’t think I’m in the club. What I do well is perform, sometimes sing pretty good, and accompany myself well and arrange fairly well.
If you’re writing anything decent, it’s in you, it’s your spirit coming out. If it’s not an expression of how a person genuinely feels, then it’s not a good song done with any conviction.
The Box Tops – The Letter (Upbeat 1967):
|Birth name||William Alexander Chilton|
|Born||December 28, 1950
Memphis, Tennessee, U.S.
|Died||March 17, 2010 (aged 59)
New Orleans, Louisiana, U.S.
|Genres||Rock ‘n’ roll, power pop, proto-punk, hard rock,blue-eyed soul, indie rock|
|Occupations||Musician, singer, songwriter, record producer|
|Associated acts||Box Tops, Big Star, Tav Falco’s Panther Burns|
A young Alex Chilton w/ Dan Penn:
William Alexander “Alex” Chilton (December 28, 1950 – March 17, 2010) was an American songwriter, guitarist, singerand producer, best known as the lead singer of the Box Tops and Big Star. Chilton’s early commercial success in the 1960s as a teen vocalist for the Box Tops was not repeated in later years with Big Star and in his indie music solo career on small labels, but he drew a loyal following in the indie and alternative music fields and is often cited as an influence by many mainstream rock artists and bands.
Big Star – Thirteen (1972):
Box Tops – I Shall Be Released (Bob Dylan Cover):
Big Star – #1 Record (1972):
…. Big Star’s debut album for the first time decades after its release (as, inevitably, most people must), you may be reminded of Tom Petty & the Heartbreakers or R.E.M., who came after — that is, if you don’t think of the Byrds and the Beatles, circa 1965. What was remarkable about #1 Record in 1972 was that nobody except Big Star (and maybe Badfinger and the Raspberries) wanted to sound like this — simple, light pop with sweet harmonies and jangly guitars. Since then, dozens of bands have rediscovered those pleasures. But in a way, that’s an advantage because, whatever freshness is lost across the years, Big Star’s craft is only confirmed. ….
~William Ruhlmann (allmusic.com)
“It must have been made in heaven.”
– Jimmy Cobb
|Released||August 17, 1959|
|Recorded||March 2 and April 22, 1959, at 30th Street Studio, New York City,New York, United States|
|Producer||Teo Macero, Irving Townsend|
Kind of Blue is a studio album by American jazz musician Miles Davis, released August 17, 1959, on Columbia Records in the United States. Recording sessions for the album took place at Columbia’s 30th Street Studio in New York City on March 2 and April 22, 1959. The sessions featured Davis’s ensemble sextet, which consisted of pianist Bill Evans (Wynton Kelly on one track), drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian “Cannonball” Adderley.
Though precise figures have been disputed, Kind of Blue has been described by many music writers not only as Davis’s best-selling album, but as the best-selling jazz record of all time. On October 7, 2008, it was certified quadruple platinum in sales by the Recording Industry Association of America (RIAA). It has been regarded by many critics as the greatest jazz album of all time and Davis’s masterpiece.
The album’s influence on music, including jazz, rock, and classical music, has led music writers to acknowledge it as one of the most influential albums ever made. In 2002, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2003, the album was ranked number 12 on Rolling Stone magazine’s list of the 500 greatest albums of all time.
Kind of Blue was recorded in two sessions at Columbia Records’ 30th Street Studio in New York City. On March 2, the tracks “So What“, “Freddie Freeloader“, and “Blue in Green” were recorded for side one of the original LP, and on April 22 the tracks “All Blues“, and “Flamenco Sketches” were recorded, making up side two. Production was handled by Teo Macero, who had produced Davis’s previous two LPs, and Irving Townsend.
Kind of Blue isn’t merely an artistic highlight for Miles Davis, it’s an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps because this music never flaunts its genius… It’s the pinnacle of modal jazz — tonality and solos build from the overall key, not chord changes, giving the music a subtly shifting quality… It may be a stretch to say that if you don’t like Kind of Blue, you don’t like jazz — but it’s hard to imagine it as anything other than a cornerstone of any jazz collection.—Stephen T. Erlewine
All songs written and composed by Miles Davis except where noted
1. “So What”
2. “Freddie Freeloader”
3. “Blue in Green” (Miles Davis and Bill Evans)
4. “All Blues”
5. “Flamenco Sketches” (Miles Davis and Bill Evans)
Miles Davis – Kind of Blue 50th Anniversary:
Album of the day: