Today: The late Dusty Springfield was born in 1939 – 74 years ago

dusty-springfield

I just decided I wanted to become someone else… So I became someone else.
~Dusty Springfield

I’m the most misunderstood, misquoted person I know, honestly.
~Dusty Springfield

Britain’s greatest pop diva, …was also the finest white soul singer of her era, a performer of remarkable emotional resonance whose body of work spans the decades and their attendant musical transformations with a consistency and purity unmatched by any of her contemporaries…
~Jason Ankeny (allmusic.com)

Tribute from youtube:

Son of a preacher man (live):

Wikipedia:

Birth name Mary Isobel Catherine Bernadette O’Brien
Also known as Shan, Gladys Thong
Born 16 April 1939
West Hampstead, London, England
Origin Ealing, London, England
Died 2 March 1999 (aged 59)
Henley-on-Thames, Oxfordshire, England
Genres Pop, soul
Occupations Singer, arranger, musician, TV presenter
Instruments Voice, guitar, piano, percussion
Years active 1958–1995

Mary Isobel Catherine Bernadette O’Brien OBE (16 April 1939 – 2 March 1999), known professionally as Dusty Springfield, was an English pop singer and record producer whose career extended from the late 1950s to the 1990s. With her distinctive sensual sound, she was an important blue-eyed soul singer and at her peak was one of the most successful British female performers, with six top 20 singles on the United States Billboard Hot 100 and sixteen on the United Kingdom Singles Chart from 1963 to 1989. She is a member of both the US Rock and Roll and UK Music Halls of Fame. International polls have named Springfield among the best female rock artists of all time. Her image, supported by a peroxide blonde beehive hairstyle, evening gowns, and heavy makeup, made her an icon of the Swinging Sixties.

Dusty_Springfield_in_1966

Born in West London to an Irish Catholic family that enjoyed music, Springfield learned to sing at home. In 1958 she joined her first professional group, The Lana Sisters, and two years later formed a pop-folk vocal trio, The Springfields, with her brother Tom. Her solo career began in 1963 with the upbeat pop hit, “I Only Want to Be with You”. Among the hits that followed were “Wishin’ and Hopin'” (1964), “I Just Don’t Know What to Do with Myself” (1964), “You Don’t Have to Say You Love Me” (1966), and “Son of a Preacher Man” (1968).

As a fan of US pop music, she brought many little-known soul singers to the attention of a wider UK record-buying audience by hosting the first national TV performance of many top-selling Motown artists beginning in 1965. Although never considered a Northern Soul artist in her own right, Springfield’s efforts contributed a great deal to the formation of the genre as a result.

Partly owing to these efforts, a year later she eventually became the best-selling female singer in the world and topped a number of popularity polls, including Melody Maker‘s Best International Vocalist. She was the first UK singer to top the New Musical Express readers’ poll for Female Singer.

dusty springfield

 

To boost her credibility as a soul artist, Springfield went to Memphis, Tennessee, to record Dusty in Memphis, an album of pop and soul music, with the Atlantic Records main production team. Released in 1969, it has been ranked among the greatest albums of all time by the US magazine Rolling Stone and in polls by VH1 artists, New Musical Express readers, and Channel 4 viewers. The album was also awarded a spot in the Grammy Hall of Fame. After its release, Springfield experienced a career slump for several years. However, in collaboration with Pet Shop Boys, she returned to the Top 10 of the UK and US charts in 1987 with “What Have I Done to Deserve This?” Two years later, she had two other UK hits on her own with “Nothing Has Been Proved” and “In Private.” Subsequently in the mid 1990s, owing to the inclusion of “Son of a Preacher Man” on the Pulp Fiction soundtrack, interest in her early output was revived.

Dusty Memphis

 

Awards:

  • inductee of both the US Rock and Roll Hall of Fame (1999) and the UK Music Hall of Fame (2006)
  • She has been placed among the top 25 female artists of all time by readers of Mojo magazine (May 1999), editors of Q magazine (January 2002), and a panel of artists on VH1 TV channel (August 2007)
  • In 2008, Dusty appeared at No. 35 on the Rolling Stone‘s “100 Greatest Singers of All Time”
  • In the 1960s she topped a number of popularity polls, including Melody Maker‘s Best International Vocalist for 1966
  • in 1965 she was the first British singer to top the New Musical Express readers’ polls for Female Singer, and topped that poll again in 1966, 1967, and 1969 as well as gaining the most votes in the British Singer category from 1964 to 1966
  • Her album Dusty in Memphis has been listed among the greatest albums of all time by Rolling Stone and in polls by VH1 artists, New Musical Express readers, and the Channel 4 viewers and in 2001, received the Grammy Hall of Fame award
  • In March 1999 Springfield was scheduled to go to Buckingham Palace to receive her award of Officer, Order of the British Empire. Due to the recurrence of the singer’s breast cancer, officials of Queen Elizabeth II gave permission for the medal to be collected earlier, in January, by Wickham and it was presented to Springfield in hospital with a small group of friends and relatives attending

You Don’t Have To Say You Love (live 1967):

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Brown Sugar by Rolling Stones was released 16 April in 1971

Rolling-Stones-Brown-Sugar

“The lyric was all to do with the dual combination of drugs and girls. This song was a very instant thing, a definite high point.”
– Mick Jagger

“I’ve got a new one myself. No words yet, but a few words in my head – called Brown Sugar – about a woman who screws one of her black servants. I started to call it Black Pussy but I decided that was too direct, too nitty-gritty.” – Mick Jagger (1969, The True Adventures of Rolling Stones by Stanley Booth)

Brown Sugar is the opening track and lead single from their 1971 album Sticky FingersRolling Stone magazine ranked it #495 on their list of the 500 Greatest Songs of All Time and at #5 on their list of the 100 Greatest Guitar Songs of All Time.

The group sings the lyric with all the enthusiasm of tongue-wagging dogs swooping onto a prime rib, leading up to one of the band’s strongest shout-along choruses. As on other Stones classics of the period like “Honky Tonk Women” and “Bitch,” beefy horns start to duel with the buzzing electric guitars in the instrumental break; few if any other groups have used guitars and horns as deftly in unison. The crowning embellishment is the final choruses, which vary the melody and tempo so that the group sings and make a high-pitched exclamation in a rhythm that very much resembles that of a sexual climax.

– Richie Unterberger (allmusic)

It is credited, like most of their songs, to  Mick Jagger and Keith Richards, but the song was primarily the work of Jagger, who wrote it sometime during the filming of Ned Kelly in 1969.

Brown Sugar from the fantastic concert film Ladies and Gentlemen (1972):

This version of the song features Mick Jagger on vocals, Keith Richards and Mick Taylor on guitar, Charlie Watts on drums, Bill Wyman on bass, Nick Hopkins on piano, Bobby Keys on saxophone, and Jim Price on horns.

Brown Sugar, Lyrics:

Gold coast slave ship bound for cotton fields,
Sold in a market down in new orleans.
Scarred old slaver know he’s doin alright.
Hear him whip the women just around midnight.
Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a young girl should
A-huh.

Drums beating, cold english blood runs hot,
Lady of the house wondrin where it’s gonna stop.
House boy knows that he’s doin alright.
You should a heard him just around midnight.
Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a black girl should
A-huh.

I bet your mama was a tent show queen, and all her boy
Friends were sweet sixteen.
Im no schoolboy but I know what I like,
You should have heard me just around midnight.

Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a young girl should.

I said yeah, I said yeah, I said yeah, I said
Oh just like a, just like a black girl should.

Continue reading Brown Sugar by Rolling Stones was released 16 April in 1971

Video of the day: St. Louis Blues by Bessie Smith

stlouis_blues_1929

I hate to see that evening sun go down
I hate to see that evening sun go down
‘Cause, my baby, he’s gone left this town

Released in 1929, St. Louis Blues is a short film featuring blues legend Bessie Smith and an all-African-American cast.  Songwriter W.C. Handy was the musical director of the film.  To my knowledge it is Bessie Smith’s only known film appearance.

Bessie Smith – St. Louis Blues (Smith’s performance):

The power and pure feeling  in her singing voice as she belts out the title track  of the movie St. Louis Blues is incredible.

Wikipedia:

Saint Louis Blues” is a popular American song composed by W. C. Handy in the blues style. It remains a fundamental part of jazz musicians’ repertoire. It was also one of the first blues songs to succeed as a pop song. It has been performed by numerous musicians of all styles from Louis Armstrong and Bessie Smith to Count Basie, Glenn Miller, Guy Lombardo, and the Boston Pops Orchestra. It has been called “the jazzman’s Hamlet“.  Published in September 1914 by Handy’s own company, it later gained such popularity that it inspired the dance step the “Foxtrot”.

The version with Bessie Smith and Louis Armstrong on cornet was inducted in the Grammy Hall of Fame in 1993.

The Movie, St. Louis Blues  (it’s a two-reel short).

Bessie Smith finds her gambler lover Jimmy messin’ with a pretty, younger woman.  He leaves and this makes Bessie to pour herself a drink and sing the title song.  It is a small but entertaining movie. Well worth your time.
Continue reading Video of the day: St. Louis Blues by Bessie Smith

Today: The late Bessie Smith was born in 1894 – 119 years ago

It’s a long old road, but I know I’m gonna find the end.
~Bessie Smith

I’ve been poor and I’ve been rich, and rich is better.
~Bessie Smith

Press: Who are your favorite singers?
Bob Dylan: Bessie Smith, Ma Rainey, Billie Holiday and Nancy Sinatra
~Bob Dylan press conference – Paris, May 1966

Downhearted Blues, 1923:

Trouble, trouble, I’ve had it all my days. It seems that trouble’s going to follow me to my grave.
~Bessie Smith (Downhearted Blues)

Wikipedia:

Born April 15, 1894
Chattanooga, Tennessee, United States
Died September 26, 1937 (aged 43)
Clarksdale, Mississippi, United States
Genres Blues, Jazz
Occupations Singer, actress
Instruments Vocals
Years active 1912–1937
Labels Columbia
Associated acts Ma Rainey, Alberta Hunter, Ethel Waters

Bessie Smith (April 15, 1894 – September 26, 1937) was an American blues singer.

Nicknamed The Empress of the Blues, Smith was the most popular female blues singer of the 1920s and 1930s. She is often regarded as one of the greatest singers of her era and, along with Louis Armstrong, a major influence on subsequent jazz vocalists.

She scored a big hit with her first release, a coupling of “Gulf Coast Blues” and “Downhearted Blues”, which its composer Alberta Hunter had already turned into a hit on the Paramount label. Smith became a headliner on the black T.O.B.A. circuit and rose to become its top attraction in the 1920s. Working a heavy theater schedule during the winter months and doing tent tours the rest of the year (eventually traveling in her own railroad car), Smith became the highest-paid black entertainer of her day. Columbia nicknamed her “Queen of the Blues,” but a PR-minded press soon upgraded her title to “Empress”.

Smith was gifted with a powerfully strong voice that recorded very well from her first record, made during the time when recordings were made acoustically. With the coming of electrical recording (circa 1925), the sheer power of her voice was even more evident.

She made 160 recordings for Columbia, often accompanied by the finest musicians of the day, most notably Louis Armstrong, Coleman Hawkins, Fletcher Henderson, James P. Johnson, Joe Smith, and Charlie Green.

Selective awards and recognitions:

Grammy Hall of Fame
Recordings of Bessie Smith were inducted into the Grammy Hall of Fame. This special Grammy Award was established in 1973 to honor recordings that are at least 25 years old and that have “qualitative or historical significance.”

Bessie Smith: Grammy Hall of Fame Award
Year Recorded Title Genre Label Year Inducted
1923 Downhearted Blues Blues (Single) Columbia 2006
1925 St. Louis Blues Jazz (Single) Columbia 1993
1928 “Empty Bed Blues” Blues (Single) Columbia 1983

National Recording Registry

In 2002 Smith’s recording of the single, “Downhearted Blues”, was included by the National Recording Preservation Board in the Library of Congress’ National Recording Registry. The board selects songs on an annual basis that are “culturally, historically, or aesthetically significant.”

“Downhearted Blues” was included in the list of Songs of the Century by the Recording Industry of America and the National Endowment for the Arts in 2001. It is in the Rock and Roll Hall of Fame as one of the 500 songs that shaped rock ‘n’ roll.

Inductions

Year Inducted Category Notes
2008 Nesuhi Ertegun Jazz Hall of Fame Jazz at Lincoln Center, NYC
1989 Grammy Lifetime Achievement Award
1989 Rock and Roll Hall of Fame “Early influences”
1981 Big Band and Jazz Hall of Fame
1980 Blues Hall of Fame

Baby Won’t You Please Come Home (1923):

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Today: Al Green is 67

al green

I’m thankful for every moment.
~Al Green

The music is the message, the message is the music. So that’s my little ministry that the Big Man upstairs gave to me – a little ministry called love and happiness.
~Al Green

If Al decides to turn into Otis Redding after all, we may look back at this repackaging of his earliest recordings as the beginning of a great stylist. If he decides to turn into Diana Ross, as seems at least possible, we will forget it quickly enough.
~Robert Christgau (in 1972 – review of “Al Green” album)

Let’s Stay Together (Live 1972):

President Obama:

 Wikipedia:

Birth name Albert Greene
Also known as The Reverend Al Green
Born April 13, 1946 (age 67)
Origin Forrest City, Arkansas, U.S.
Genres R&B, gospel, soul, smooth soul
Occupations Reverend, vocalist, producer,songwriter
Instruments Vocals, guitar
Years active 1967–present
Labels Hi, Myrrh, The Right Stuff
Associated acts The Creations, Willie Mitchell
Website Official website

Albert Greene (born April 13, 1946), better known as Al Green or Reverend Al Green, is an American singer, better known for scoring a series of soul hit singles in the early 1970s, including “Tired of Being Alone”, “I’m Still In Love With You”, “Love and Happiness” and his signature song, “Let’s Stay Together”. Inducted to the Rock and Roll Hall of Fame in 1995, Green was referred to on the museum’s site as being “one of the most gifted purveyors of soul music”. Green was included in the Rolling Stone list of the 100 Greatest Artists of All Time, ranking at No. 66.

al green 2

Love and Happiness (live – HQ):

Al Green was the first great soul singer of the ’70s and arguably the last great Southern soul singer. With his seductive singles for Hi Records in the early ’70s, Green bridged the gap between deep soul and smooth Philadelphia soul. He incorporated elements of gospel, interjecting his performances with wild moans and wails, but his records were stylish, boasting immaculate productions that rolled along with a tight beat, sexy backing vocals, and lush strings.
~Stephen Thomas Erlewine (allmusic.com)

al green 3

Awards:

  • Inducted to the Rock and Roll Hall of Fame in 1995
  • In 2004, Green was inducted into the Gospel Music Association‘s Gospel Music Hall of Fame
  • In the same year he was inducted into The Songwriters Hall of Fame
  • In 2004, Rolling Stone magazine ranked him No. 65 on their list of the 100 Greatest Artists of All Time
  • He was honored with a Lifetime Achievement Award at the 2009 BET Awards on June 24, 2009 

On August 26, 2004, Green was honored as a BMI Icon at the annual BMI Urban Awards. He joined an impressive list of previous Icon honorees including R&B legends James Brown, Chuck Berry, Little Richard and Bo Diddley

Al Green Live in Chicago 78 (58min):

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