“(Jim Dickinson is)…. that magical musical maestro from Memphis…. he was the kind of guy you could call to play piano, fix a tractor, or make red cole slaw from scratch.”
-Bob Dylan
“There are cool cats and there are cool Memphis cats but no one, not Elvis, not Jerry Lee, not even the Wolf came close to epitomizing Memphis and cool like Jim Dickinson did. He was the Top Cat Daddy, an inspiration, a mentor and my friend.
If you knew his music and understood his role as one of the links between black and white culture and between blues and rock and roll, you know what I’m talking about. If he is unfamiliar to you, now’s as good time as any to get to know him, even though he’s checked out of the motel.”
-Joe Nick Patoski
John Brown (from his great 1972 album “Dixie Fried” – words by Bob Dylan):
Hiram King “Hank” Williams, Sr. (September 17, 1923 – January 1, 1953) was an American singer-songwriter and musician. Regarded as one of the most significant and influential American singers and songwriters of the 20th century, Williams recorded 35 singles (five released posthumously) that would place in the Top 10 of the Billboard Country & Western Best Sellers chart, including 11 that ranked number one.
“Key to the Highway” is a blues standard that has been performed and recorded by several blues and other artists. Blues pianist Charlie Segar first recorded the song in 1940. When Little Walter updated the song in 1958 in an electric Chicago blues style, it became a success on the R&B record chart. A variety of artists have since interpreted the song, including Eric Clapton, who recorded several versions.
OLD post … You’re being redirected to a newer version……
July 3: Muddy Waters At Newport was released in 1960
For many back in the early ’60s, this was their first exposure to live recorded blues, and it’s still pretty damn impressive some 40-plus years down the line. Muddy, with a band featuring Otis Spann, James Cotton, and guitarist Pat Hare, lays it down tough and cool with a set that literally had ’em dancing in the aisles by the set closer, a rippling version of “Got My Mojo Working,” reprised again in a short encore version.
~Cub Koda (allmusic.com)
A stomping live document of the period when Waters’ Chicago blues started reaching a wider pop audience. Newport has his classics – “Hoochie Coochie Man,” a torrid “Got My Mojo Working” – delivered by a tough, tight band anchored by harp genius James Cotton.
~rollingstone.com
