In the autumn, Dylan made what many found a surprising appearance on ‘Saturday Night Live” on NBC-TV on October 20, performing three of the songs from the album, backed by five musicians and three female gospel singers ( and looking, despite the fire- and -brimstone lyrics sung, strangely tame: almost domesticated).
-Michael Gray (Bob Dylan Encyclopedia)
He sang three songs that night. The least memorable was the first, a reluctantly delivered “Gotta Serve Somebody,” complete with a botched lyric. The other two — a passionate acoustic “I Believe in You” and, finally, a proselytizingly blazing “When You Gonna Wake Up” highlighted by searing support from Terry Young (organ) and Fred Tackett (lead guitar) — remain transcendent to this day.
-Villagevoice (Saturday Night Live’s Forty Essential Music Moments, Ranked)
Woody Guthrie had died (after fifteen years of illness) on October 3, 1967, and, apparently at Dylan’s suggestion, plans were made to hold a benefit concert in his honor. The concert took place January 20, 1968, at Carnegie Hall; Dylan appeared backed by the Band (other performers included Odetta, Pete Seeger, Jack Elliot, and Judy Collins), and played three Woody Guthrie songs: “Grand Coulee Dam,” “Dear Mrs. Roosevelt,” and “I Ain’t Got No Home.” These performances were later released on a Columbia album called A Tribute to Woody Guthrie, Part 1. Dylan and the Band are in fine form here – their performances are inventive, exuberant, and sublimely musical.
-Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)
Carnegie Hall
New York City, New York
20 January 1968 The Woody Guthrie Memorial Concert. Afternoon show.
On January 12, as a warm-up for two stadium shows in Brazil and ten further dates in Paris and London, he played his first club gig in over twenty-five years, at Toad’s Place in New Haven. The seven hundred lucky witnesses saw this forty-eightyear-old man play for a total of four and a half hours.
Starting at a quarter to nine, with a cover of Joe South’s ‘Walk a Mile in My Shoes’ (‘before you accuse, criticize, or abuse I walk a mile in my shoes’), Dylan finally left the Toad’s stage at twenty minutes past two in the morning, after four sets, interspersed by three breaks of just twentyfive minutes each, having played fifty songs in total, only eight of which derived from his supposed halcyon days of 1963-66.
~Clinton Heylin (Behind The Shades)
Toad’s Place
New Haven, Connecticut
12 January 1990