We “knew“ he had to play the standard” setlist tonight, but he took us by surprise yet again. This might mean that a new standard setlist is busy being born. Only two changes from the Stavern show; Watching the River Flow opens (Most Likely You Go.. opened @ Stavern) and Tweedle Dee & Tweedle Dum replaced “Blind Willie McTell” at #11.
It was a wonderful evening @ Bendiksbukta, great area, not too much people & good festival logistics. All these things were bad at Stavernfestivalen. But most important off course; the show was in a different league. Almost every song performance was better than last shows performances, even the brilliant Stavern-version of “Girl From The North Country” was slightly better @ Bendiksbukta.
Grateful Dead and Bob Dylan July 12 1987 (full concert)
The Bob Dylan and the Grateful Dead 1987 Tour was a concert tour by Bob Dylan and the Grateful Dead taking place in the summer of 1987 and consisting of six concerts. Each concert began with a lengthy set by the Grateful Dead of their own material (sometime broken into a first and second set, per the Dead’s own practice), followed by a roughly 90 minute set of the Dead acting as Dylan’s backup band. The Dead had long performed many Dylan songs in their own concerts, so they were well-versed in Dylan’s repertoire.
“Dylan repainted his masterpieces. “It’s All Over Now, Baby Blue” and “Ballad of a Thin Man” sputtered at first, but when Dylan and the Dead found the groove, the music soared. Whether prompted by a swirl from Brent’s organ, a bomb from Phil’s bass, or Bob Weir’s physical exuberance, Dylan found new paths to the soul of his creations. Watching the legends teeter towards disaster without a safety net made the ensuing crescendos more exhilarating.”
– Howard Weiner (Live for Live music)
Reviewer, “ing” at The Internet Archive:
“I was there and…
… listening back to this I think it is even better than I remember! The crowd was amped up. No doubt it was a lot of the newbie Touch of Grey fanbase there but it was an event and the energy fo the event was palpable (heh, running in from the gate, I tripped and fell and for a moment I looked up at the stampeding herd coming toward me and envisioned another Cleveland (The Who) happening (with me as the victim!)so I got up SO quick and hobbled toward the stage with my twisted ankle still smarting and laces still untied… but ultimately getting a fairly good spot not too far from the stage.
But LISTEN to this show… the band is pretty well on and the drums are particularly quite tight, something that I found annoying in many of the mid 80s shows (the loose drumming thing the guys seemed into most of the time). Jerry is singing pretty well and quite passionately, even getting some good crowd response (check out the Dew!). Jerry’s playing is really sweet. And: Pedal Steel! Need I say more? As to them playing rushed as some have said, I think it is more that they are playing tight… they aren’t as wasted… maybe they had to keep their heads together given the size of the crowd but I didn’t get the sense the show was rushed… it was a fun day.
And for the record, i have to say that I disagree with most people about not liking the whole Dylan and the Dead combo. I thought it was a great concept. Sure, it was a little thrown together due to their schedules and various habits said powers-that-be may have been battling at the time… But — hey that was part of what they were doing then and ultimately it was all about a sense of spontaneity and lighthearted fun and just putting it out there…”
Mr. Tambourine Man is a song written, composed, and performed by Bob Dylan, who released his original version of it on his 1965 album Bringing It All Back Home. The Byrds also recorded a version of the song that they released in the same year as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100chart and the UK Singles Chart, as well as being the title track of their first album, Mr. Tambourine Man. The Byrds’ recording of the song was influential in initiating the musical subgenre of folk rock, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single’s success.
Aurora Aksnes (born 15 June 1996), known mononymously as Aurora (stylised as AURORA) is a Norwegian singer-songwriter. Her debut EP Running with the Wolves was released through Decca Records in May 2015, receiving widespread approval from online music blogs and national press.
She has sung Mr. Tambourine Man on several occasions, I’ve picked some of them. She gives the song an overworldy ethereal quality. She brings something new to this masterpiece of a song and it’s a testament to the everlasting quality of the tune. Even if it’s very true to the source material.
Bob Dylan says the stigma of slavery ruined America and he doubts the country can get rid of the shame because it was “founded on the backs of slaves.”
Bob Dylan told in a recent interview with Rolling Stone Magazine that in America “people are at each other’s throats just because they are of a different color, it will hold any nation back.” He went on to say that black people know that some white people “didn’t want to give up slavery.”
Dylan continued with, “If slavery had been given up in a more peaceful way, America would be far ahead today.”
When asked on his opinion if President Barack Obama was helping to shift a change, Dylan said: “I don’t have any opinion on that. You have to change your heart if you want to change.”
My third choice of songs from Bob Dylan’s new album is the “angry speech”, Pay in Blood. I call it an angry speech because it is clearly a man with lot on his mind who vents his thoughts in this song, or maybe it is three men? It is not a story-song (as such), this is someone’s view of their world at a particular moment. This man is, Bob Dylan, on one level. It’s about his life, but it is also so much more. Again I think it paints a picture of Americas past and present.
We “knew“ he had to play the standard” setlist tonight, but he took us by surprise yet again. This might mean that a new standard setlist is busy being born. Only two changes from the Stavern show; Watching the River Flow opens (Most Likely You Go.. opened @ Stavern) and Tweedle Dee & Tweedle Dum replaced “Blind Willie McTell” at #11.
Mr. Tambourine Man is a song written, composed, and performed by Bob Dylan, who released his original version of it on his 1965 album Bringing It All Back Home. The Byrds also recorded a version of the song that they released in the same year as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100chart and the UK Singles Chart, as well as being the title track of their first album, Mr. Tambourine Man. The Byrds’ recording of the song was influential in initiating the musical subgenre of folk rock, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single’s success.
