Category Archives: Classic Concert

Classic Concert, Ry Cooder

Classic Concert: Ry Cooder & The Moula Banda Rhythm Aces in Santa Cruz CA 1987

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“Let’s Have A Ball”

Ry Cooder & The Moula Banda Rhythm Aces
Live At The Catalyst, Santa Cruz, CA March 25. 1987

“Let’s Have A Ball” is a 90-minute Ry Cooder concert film by Les Blank, better known for Burden of Dreams (1982), his chronicle of the trials of Werner Herzog and company during the making of Fitzcarraldo. He also made the fantastic, The Blues Accordin’ to Lightnin’ Hopkins.

“Let’s Have A Ball” catches Ry Cooder and his band playing during their Get Rhythm tour. The film was screened in Europe and elsewhere but not in the US, and for now remains unavailable officially.

This is too bad, it is a great concert film, the sound quality and performances are tremendous.

Highlights:
The slow and heavy Down in Mississippi, the vocal virtuosos and Cooder’s guitar are out of this world!
The 16-minute version of Down In Hollywood where everyone, singers included, gets to show off their solo prowess.

Track Listing:
1. Let’s Have a Ball
2. Jesus on the Mainline
3. How Can a Poor Man Stand Such Times and Live?
4. Jesus hits like the atombomb
5. Down In Mississippi
6. Maria Elena
7. Just a Little Bit
8. The Things That Make You Rich Make Me Poor
9. Crazy Bout an Automobile (Every Woman I Know)
10. Chain Gang
11. Down in Hollywood
12. Good Night Irene

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Classic Concert, Tom Waits

Classic Concert: Tom Waits Rockpalast 1977

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Classic Concert: Tom Waits Rockpalast 1977

Excellent quality recording of Tom Waits, live at WDR Studios, in Koln, Germany on April 18th, 1977. Running time is 79 minutes, the quality is 8 out of 10. The performance is great, classic, jazzy Tom Waits. I’ve collected the whole show into one playlist.

Rockpalast (Rock Palace) is a German music television show that broadcasts live on German television station Westdeutscher Rundfunk (WDR).Rockpalast started in 1974 and continues to this day. Hundreds of rock and jazz bands have performed on Rockpalast. Some acts were recorded for broadcast and for retail sale. All-night marathon shows called “Rock Night” (Rocknacht) were produced once or twice a year from 1977 through 1986 and simulcast throughout Europe via the Eurovision network of TV broadcasters. This was one of the most important influences on my musical education growing up. I longed and lived for those “Rock nights”. We all did, and we arranged all night parties when they aired. Ah, good times!

This is early jazz-quartet style Tom Waits as opposed to the more ragged and loose Waits he turned into after Swordfish Trombones and Rain Dogs. It is different but I love both eras. This is maybe the best tv-concert from that period.

Enjoy!

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Classic Concert, Concert films, Willy DeVille

Classic concert: Mink DeVille at Winterland SF June 7 1978

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Ace Records press picture
Ace Records press picture

Classic concert: Mink DeVille at Winterland San Francisco June 7 1978

Bob Dylan in a Post-MusiCares Conversation with Bill Flanagan:
ARE THERE ANY OTHER PERFORMERS BESIDES BILLY LEE RILEY THAT YOU CAN RECOMMEND FOR THE HALL OF FAME?

Yeah sure, Willy DeVille for one, he stood out, his voice and presentation ought to have gotten him in there by now.

I AGREE WITH YOU, MAYBE HE’S BEEN OVERLOOKED. HE CARRIED A LOT OF HISTORY. THE DRIFTERS, BEN E. KING, SOLOMON BURKE, STREET CORNER DOO WOP AND JOHN LEE HOOKER WERE ALL THERE IN WHAT HE DID AND HOW HE PERFORMED.

I think so too.

YOU SUGGESTED THAT SOME OF THE ACTS IN THE HALL OF FAME MIGHT NOT BE TRUE ROCK & ROLL. YOU MENTIONED THE MAMAS AND THE PAPAS, ABBA, ALICE COOPER. I HAVE TO STICK UP FOR STEELY DAN. NOT EVERYTHING THEY DID WAS ROCK & ROLL BUT “BODHISATTVA,” “SHOW BIZ KIDS,” “MY OLD SCHOOL” – THOSE SONGS ROCKED LIKE A BASTARD.

Yeah they might have rocked like a bastard, and I’m not saying that they didn’t, but put on any one of those records and then put on “In The Heat of the Moment” by Willy or “Steady Driving Man” or even “Cadillac Walk.” I’m not going to belittle Steely Dan but there is a difference.

Amen.

I’ve been a huge Mink Deville/Willy DeVille fan since I saw him at the 9th Rockpalast Night on tv in 1981. He behaved like a superstar from the beginning, he was just so cool.

Today’s Classic Concert was found in the archives of the late promoter, Bill Graham, who booked DeVille into the popular Winterland in the summer of 1978 on the same bill as Nick Lowe with Rockpile and Elvis Costello & the Attractions.

The best material from his first two albums are present here, including “Spanish Stroll,” “Mixed Up, Shook Up Girl,” “Guardian Angel,” “Cadillac Walk,” “Steady Drivin’ Man,” and “Soul Twist.” He gives a great vocal performance on a number of these songs, especially, “Soul Twist.” You should also check out the May 5 Concert at Capitol Theatre the same year, equally good but with lesser video quality (slightly).

Mink DeVille at Winterland 1978 the full set:

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Beatles, Classic Concert

Feb 9: The Beatles first Ed Sullivan Show 1964

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The Beatles first Ed Sullivan Show February 9th, 1964

On this day 51 years ago, The Beatles made their first live American television appearance on The Ed Sullivan Show.

At 8 o’clock 73 million people gathered in front their TVs to see The Beatles’s first live performance in USA. 60% of the televisions in the U.S. were tuned in to The Beatles on The Ed Sullivan Show.

“It was very important. We came out of nowhere with funny hair, looking like marionettes or something. That was very influential. I think that was really one of the big things that broke us – the hairdo more than the music, originally. A lot of people’s fathers had wanted to turn us off. They told their kids, ‘Don’t be fooled, they’re wearing wigs.’

A lot of fathers did turn it off, but a lot of mothers and children made them keep it on. All these kids are now grown-up, and telling us they remember it. It’s like, ‘Where were you when Kennedy was shot?’ I get people like Dan Aykroyd saying, ‘Oh man, I remember that Sunday night; we didn’t know what had hit us – just sitting there watching Ed Sullivan’s show.’ Up until then there were jugglers and comedians like Jerry Lewis, and then, suddenly, The Beatles!”
– Paul McCartney (Anthology)

Set list:
All My Loving
Til There Was You
She Loves You
I Saw Her Standing There
I Wanna Hold Your Hand

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Classic Concert, Concert films, Film, Leonard Cohen, Live

Classic documentary: Leonard Cohen Bird On A Wire (1974)

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Classic Documentary: Leonard Cohen Bird On The Wire  (Documentary, 1974)

On March 18th 1972, Leonard Cohen began a 20-city European tour, beginning in Dublin and ending in Jerusalem on April 21st. Other cities included London at the Royal Albert Hall, Paris, Stockholm, Vienna, Amsterdam, Copenhagen, Berlin and Tel Aviv. This film is an impression of what happened during that tour.

israel_gig

Bird on a Wire is a great documentary of Leonard Cohen in his prime. Tony Palmer was given complete and intimate access to Cohen, filming him on stage, backstage, on the bus and in hotel rooms. The band is incredible. There are songs where Jennifer Warnes and Donna Washburn stand behind Cohen and sing over his shoulder, sharing one microphone. Most of the concert footage is very close on Cohen’s face, giving the movie a strangely intimate feel.

The movie begins a couple of days before the Tel Aviv concert. This is not just a concert film. The live performances are interspersed with insightful interviews in which Cohen talks about a range of topics:  “I don’t have a good voice, everybody knows that” and the difficulties of performing personal songs night after night on stage. Cohen has always been candid but it doesn’t get more personal than this.

The world premiere of this feature film by Tony Palmer was at the Rainbow Theater on July 5, 1974, in London. The original version cost over 120.000 USD to produce, but Cohen was not satisfied. He spent six months in England editing and rearranging the film to show the deeper elements in music, the conditions that produced it, and his interaction with the audiences. It contains songs from albums as well as concerts, including those of Berlin, Vienna, Copenhagen, and Israel in March and April 1972. It is a documentary rather than an art film.
– Ira Nadel: Life in Art and Dorman & Rawlins: Prophet of the Heart

The footage from the last show in Jerusalem is amazing.  Halfway through the show, Cohen walks off stage, quoting Kabbalah and saying that he just wasn’t giving a good concert.

A stoned(he seems so) Cohen jokes about being “bombed in Jerusalem” and after smoking some ( a lot of) cigarettes, he goes back on stage to deliver a legendary encore that included Famous Blue Raincoat.

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