Category Archives: Great albums

Great albums, Rolling Stones

August 29: The Rolling Stones released “Steel Wheels” in 1989

Rolling Stones - Steel Wheels

“All the ambivalence, recriminations, attempted rapprochement and psychological one-upmanship evident on Steel Wheels testify that the Stones are right in the element that has historically spawned their best music – a murky, dangerously charged environment in which nothing is merely what it seems. Against all odds, and at this late date, the Stones have once again generated an album that will have the world dancing to deeply troubling, unresolved emotions.”
~Anthony DeCurtis (Rolling Stone Magazine)

“The Stones sound good, and Mick and Keith both get off a killer ballad apiece with “Almost Hear You Sigh” and “Slipping Away,” respectively. It doesn’t make for a great Stones album, but it’s not bad, and it feels like a comeback – which it was supposed to, after all.”
~Stephen Thomas Erlewine (allmusic.com)

All rancor and bad vibes, Dirty Work was the Stones; all impartiality and bad boys grown up, the reunion is an amazing simulation. Charlie’s groove enlivens–and IDs–the mature sentiments while gibes at “conscience” and “reason” hint obliquely at self-awareness. But for Mick, self-awareness means above all accepting one’s status as a pop star. Maybe he thinks “So get off the fence/It’s creasing your butt” saves “Mixed Emotions” from its own conventionality. Probably he thinks giving Keith two vocals is democracy and roots. Certainly he thinks he needs the money. Wrong, wrong, and wrong again. B-
~Robert Christgau (robertchristgau.com)

Critical reception was mostly good. The “glossy” sound troubled some people, but there are some really good songs here.

Here is one of the highlights

Blinded By Love

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Bob Dylan, Bob Dylan albums, Bob Dylan Concerts, Great albums, The Band

August 27: Another Self Portrait The Bootleg Series Vol. 10 by Bob Dylan was released in 2013

Unknown

“…one of the most important, coherent and fulfilling Bob Dylan albums ever released.”
– David Fricke (Rolling Stone Magazine)

The Bootleg Series Vol. 10: Another Self Portrait (1969–1971) is an album of unreleased recordings, demo recordings, alternative takes mostly from Bob Dylan’s 1970 albums Self Portrait and New Morning, and a couple of live tracks from the Isle of Wight Festival (1969), released on August 27, 2013. It is the latest addition in the series of official “bootleg” recordings issued by Columbia Records.

Pretty Saro (official video)

The cover is new artwork by Bob Dylan. The liner notes have been written by Greil Marcus, who wrote the original Self Portrait review for Rolling Stone that infamously asked, “What is this shit?”. Also included is an extensive essay from journalist Michael Simmons. The set also contains rare photographs of that era from John Cohen and Al Clayton.

“For fans, this is more than a curiosity, it’s an indispensable addition to the catalog.”
– Thom Jurek (allmusic)

I wrote about what I liked best about this bootleg series release when it came out last year:

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Bruce Springsteen, Great albums, List

30 best live albums countdown: 15 – Live/1975–85 by Bruce Springsteen and The E Street band

live1975-85
It’s not enough. By anyone else’s standards, of course, Bruce Springsteen & the E Street Band Live/1975-85 is an embarrassment of riches — five albums and ten years’ worth of barroom, hockey-arena and baseball-stadium dynamite; greatest hits, ace covers, love songs, work songs, out-of-work songs — the ultimate rock-concert experience of the past decade finally packaged for living-room consumption, a special gift of thanks to the fans who shared those 1001 nights of stomp & sweat and the best possible consolation prize for the poor bastards who could never get tickets.

~David Fricke – rollingstone.com

“Jon Landau sent a four-song cassette of ‘Born in the U.S.A.‘, ‘Seeds’, ‘The River‘ and ‘War‘ down to my house with a note attached saying he ‘thought we might have something here’. Over the following months we listened to 10 years of tapes, the music did the talkin’, and this album and its story began to emerge. We hope you have as much fun with it as we did. I’d like to thank Jon for his friendship and perseverance and the E Street Band for 1,001 nights of comradeship and good rockin’. They’re all about the best bunch of people you can have at your side when you’re goin’ on a long drive.”
– Bruce Springsteen (liner notes)

Live/1975–85 is a live album by Bruce Springsteen & the E Street Band. It consists of 40 tracks recorded at various concerts between 1975 and 1985. It was released as a box set with either five vinyl records, three cassettes, or three CDs. There was also a record club only release which came on three 8-track cartridges, which is extremely hard to find.

Thunder Road – October 18, 1975 at The Roxy Theatre:

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Great albums, List, Live, Rolling Stones

30 best live albums countdown: 16 – Get Yer Ya-Ya’s out! The Rolling Stones in Concert by The Rolling Stones

rolling-stones-get-yer-ya-yas-out

#16: Get Yer Ya-Ya’s out! The Rolling Stones in Concert – The Rolling Stones

“I have no doubt that it’s the best rock concert ever put on record.”
~Lester Bangs

“Recorded during their American tour in late 1969, and centered around live versions of material from the Beggars Banquet-Let It Bleed era. Often acclaimed as one of the top live rock albums of all time, its appeal has dimmed a little today…  it’s certainly the Stones’ best official live recording.”
~Richie Unterberger (allmusic.com)

Carol – 27 Nov 1969:

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Concert films, Great albums, List, Live, Talking Heads

30 best live albums countdown: 17 – Stop Making Sense by Talking Heads

talking-heads-stop-making-sense

#17: Stop Making Sense – Talking Heads (1984)

Stop Making Sense is a live 1984 album by Talking Heads, the soundtrack to the film of the same name. Stop Making Sense spanned three live shows at the Pantages Theater in Los Angeles (Dec 1983).

“Stop Making Sense the album” cannot be separated from “Stop Making Sense the movie”, this is a two for one deal. When I write Stop Making Sense I mean them both. I’ve seen Stop Making Sense 4 times in the cinema and countless times on video/dvd/blu-ray. I have the album on vinyl, cd and digital files. When I hear the music I see the movie in my head.

And it’s a great movie!

The beginning is iconic. David Byrne comes shuffling out on an empty stage, starts a cassette-player with a rhythm track and play along with an acoustic guitar as he sings Psycho Killer.

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