Come gather ’round people
Wherever you roam
And admit that the waters
Around you have grown
And accept it that soon
You’ll be drenched to the bone
If your time to you is worth savin’
Then you better start swimmin’ or you’ll sink like a stone
For the times they are a-changin’
Cardiff International Arena
Cardiff, Wales
6 May 2002
Bob Dylan (vocal & guitar)
Charlie Sexton (guitar)
Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar)
Here is a 1993 clip of Jeff Buckley at a poetry event, reading an apology letter he wrote to his idol Bob Dylan. The reading is included on a CD accompanying the book The Spoken Word Revolution Redux.
“Dear Bob,
And I don’t know what purpose this will serve at all.
I don’t know how to start. Last Saturday, my man, Steve Burkowitz, broke it to me that you were told of something I said from the stage and that you’d felt insulted. I need for you to listen to me. I have no way of knowing how my words are translated to you, if they’re whole meaning and context are intact, but the truth is that I was off on a tangent, on a stage, my mind going where it goes, trying to be funny, it wasn’t funny at all and I fucked up, I really fucked up.
And the worst of it isn’t that your boys were at the gig to hear it. It doesn’t really bother me. It just kills me to know that whatever they told you was what you think I think of you-
not that I love you, not that I’ve always listened to you and carried the music with me wherever I go, not that I believe in you and also that your show was great. It was only the separate club crowd that I was cynical about and that’s what I was trying to get at when I said what I said.And I’m sorry that I’ll never get to make another first impression. You were really gracious to me, to even allow me backstage to meet you. I’ll never forget you, what you told me for as long as I live. He said “Make a good record man” and I’m very honored to have met you at all. He said some other shit too,
I’m only sad that I didn’t get a chance to tell you before all this intrigue, the intrigue is not the truth. Lots of eyes will read this letter before it gets to you, Bob, which I accept. Someday you will know exactly what I mean, man to man.
Always be well, Jeff Buckley
And you know who’s going to read this? The President of Sony Records, my A&R man, my manager, his two managers, his friend Ratzo, and this is my personal plea of love to Bob Dylan, and this is what happens when you’re not nobody anymore.”
Here are the songs that Jeff Buckley sang and Bob Dylan wrote.
Just Like A Woman – Jeff Buckley, Live at Palais Theatre, Melbourne on February 27 1996:
The Revelation of Jesus Christ, which God gave unto him, to shew unto his servants things which must shortly come to pass; and he sent and signified it by his angel unto his servant John: Who bare record of the word of God, and of the testimony of Jesus Christ, and of all things that he saw. Blessed is he that readeth, and they that hear the words of this prophecy, and keep those things which are written therein: for the time is at hand.
– Revelation 1:1-3
John the Revelator is a traditional gospel blues call and response song. Music critic Thomas Ward describes it as “one of the most powerful songs in all of pre-war acoustic music … [which] has been hugely influential to blues performers”. Blind Willie Johnson recorded John the Revelator in 1929 (or 1930) and is the first known recording (at least to me) and subsequently a variety of artists have recorded their renditions of the song, often with variations in the verses and music.
The song’s title refers to John of Patmos (or traditionally John the Apostle) in his role as the author of the Book of Revelation. A portion of that book focuses on the opening of seven seals and the resulting apocalyptic events. In its various versions, the song quotes several passages from the Bible in the tradition of American spirituals.
This is a dark and brooding masterpiece!
The Blind Willie Johnson version:
Blind Willie Johnson recorded the song on April 20, 1929 (or 1930) in Atlanta (his second (1929) or his fifth and final recording session for Columbia Records (1930)). He is accompanied by his first wife (probably), Willie B. Harris. Johnson was a gospel blues singer and guitarist. While the lyrics of his songs were usually religious, his music drew from both sacred and blues traditions. It is characterized by his slide guitar accompaniment and tenor voice, and his frequent use of a lower-register ‘growl’ or false bass voice.
And I know no one can sing the blues
Like Blind Willie McTell
~Bob Dylan (“Blind Willie McTell”)
He was a songster of wide repertoire and as fine a 12-string guitarist as ever lived. The dexterity of his playing was extraordinary, and his voice was an unusually smooth tenor. The interplay between voice and guitar also brought into the equation McTell’s intelligence and wit, and it was the fusion of all these elements that led Bob Dylan to write in his 1983 tribute song that ‘no-one can sing the blues like Blind Willie McTell.’
~Michael Gray (The Bob Dylan Encyclopedia)
Willie Samuel McTell was one of the blues’ greatest guitarists, and also one of the finest singers ever to work in blues.
~Bruce Eder (allmusic.com)
To me, country music tells a story about, and deals with, the way people live their lives and what they do.
~Randy Travis
I’ve learned the importance of loving what you do. I have also learned more patience due to the nature of the music business.
~Randy Travis
Like the Beatles in rock, Randy Travis marks a generational shift in country music. When his Storms of Life came out in 1986, country music was still wallowing in the post-urban cowboy recession, chasing elusive crossover dreams. Travis brought the music back to its basics, sounding like nothing so much as a perfect blend of George Jones and Merle Haggard. ~Stephen Thomas Erlewine (allmusic.com)
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