Tag Archives: Blues

June 10: The late great Howlin Wolf was born in 1910 – 105 years ago


Howlin'_Wolf_1972

June 10: The late great Howlin Wolf was born in 1910 – 105 years ago

Chester Arthur Burnett (June 10, 1910 – January 10, 1976), known as Howlin’ Wolf, was an influential American blues singer, guitarist and harmonica player.

With a booming voice and looming physical presence, Burnett is commonly ranked among the leading performers in electric blues; musician and critic Cub Koda declared, “no one could match Howlin’ Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.” A number of songs written or popularized by Burnett—such as “Smokestack Lightnin'”, “Back Door Man”, “Killing Floor” and “Spoonful”—have become blues and blues rock standards.

Allmusic:

“A Robert Johnson may have possessed more lyrical insight, a Muddy Waters more dignity, and a B.B. King certainly more technical expertise, but no one could match him for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.”

Very fine documentary, The Howlin’ Wolf Story – The Secret History Of Rock and Roll (playlist with 8 videos):

Buddy Guy (to Rolling Stone Magazine):

“And he used to put on such a show. He would get down on the floor, crawl like a wolf and sing in that voice: “I’m a tail dragger.” He would do this boogie-woogie thing, around and around — like the kids used to do with the hula hoops, where you had to go around and around at your waist, to keep the hoop going. That was the kind of shit he was doing. I’d see that and think, “Man, there goes the Wolf.“”

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Classic Concert: Gunsmoke Blues

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Classic Concert: Gunsmoke Blues with Muddy Waters, Big Mama Thornton and Big Joe Turner

By day, Link Wyler was a character actor who often appeared on TV Westerns, most notably Gunsmoke. By night, Wyler was a passionate blues fan, and in 1971, when he discovered that Muddy Waters, Big Joe Turner, Big Mama Thornton, and George “Harmonica” Smith would be making their way up the West Coast as part of a package tour, he persuaded several cameramen from Gunsmoke to pack up their camera equipment and sound gear and follow the tour for the weekend, catching up with them at a college gig in Oregon.

Gunsmoke Blues is the result, which features the long-lost footage from this weekend adventure, capturing these master blues artists in fine and funky form. Selections include “Got My Mojo Working,” “Long Distance Call,” and “Mannish Boy” Muddy Waters, “Shake, Rattle and Roll” Big Joe Turner, “Ball and Chain” Big Mama Thornton, and “Leaving Chicago” George “Harmonica” Smith.

This is a “must-see”! Just incredible all through.

Gunsmoke Blues (full concert):

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May 18: The late Big Joe Turner was born in 1911

Big Joe Turner2

May 18: The late Big Joe Turner was born in 1911

High water risin’—risin’ night and day
All the gold and silver are bein’ stolen away
Big Joe Turner lookin’ east and west
From the dark room of his mind
He made it to Kansas City
Twelfth Street and Vine
Nothin’ standing there
High water everywhere
– Bob Dylan (High Water (for Charley Patton)

The premier blues shouter of the postwar era, Big Joe Turner’s roar could rattle the very foundation of any gin joint he sang within — and that’s without a microphone. Turner was a resilient figure in the history of blues — he effortlessly spanned boogie-woogie, jump blues, even the first wave of rock & roll, enjoying great success in each genre.
~Bill Dahl (allmusic.com)

Shake, Rattle & Roll:

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Bob Dylan and Taj Mahal – Happy birthday bluesman Taj Mahal

taj mahal

Bob Dylan and Taj Mahal – Happy birthday bluesman Taj Mahal

Henry Saint Clair Fredericks (born May 17, 1942),who uses the stage name Taj Mahal, is an American Grammy Award winning blues musician. He incorporates elements of world music into his music. A self-taught singer-songwriter and film composer who plays the guitar, banjo and harmonica (among many other instruments), Mahal has done much to reshape the definition and scope of blues music over the course of his almost 50 year career by fusing it with nontraditional forms, including sounds from the Caribbean, Africa and the South Pacific.

He has done some Dylan songs, and he add his own signature to his interpretations. I have also included a short show with George Harrison, Bob Dylan, John Fogerty and Taj Mahal.

Taj Mahal & The Phantom Blues Band – Bob Dylan’s 115th Dream (Audio from the Amnesty album, Chimes Of Freedom: The Songs Of Bob Dylan Honoring 50 Years Of Amnesty International):

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The Best Songs: John The Revelator

John_the_Revelator_single_cover

The Best Songs: John The Revelator

The Revelation of Jesus Christ, which God gave unto him, to shew unto his servants things which must shortly come to pass; and he sent and signified it by his angel unto his servant John: Who bare record of the word of God, and of the testimony of Jesus Christ, and of all things that he saw. Blessed is he that readeth, and they that hear the words of this prophecy, and keep those things which are written therein: for the time is at hand.
– Revelation 1:1-3

John the Revelator is a traditional gospel blues call and response song.  Music critic Thomas Ward describes it as “one of the most powerful songs in all of pre-war acoustic music … [which] has been hugely influential to blues performers”. Blind Willie Johnson recorded John the Revelator in 1929 (or 1930) and is the first known recording (at least to me) and subsequently a variety of artists have recorded their renditions of the song, often with variations in the verses and music.

The song’s title refers to John of Patmos (or traditionally John the Apostle) in his role as the author of the Book of Revelation. A portion of that book focuses on the opening of seven seals and the resulting apocalyptic events. In its various versions, the song quotes several passages from the Bible in the tradition of American spirituals.

This is a dark and brooding masterpiece!

The Blind Willie Johnson version:

Blind Willie Johnson recorded the song on April 20, 1929 (or 1930) in Atlanta (his second (1929) or his fifth and final recording session for Columbia Records (1930)). He is accompanied by his first wife (probably), Willie B. Harris. Johnson was a gospel blues singer and guitarist. While the lyrics of his songs were usually religious, his music drew from both sacred and blues traditions. It is characterized by his slide guitar accompaniment and tenor voice, and his frequent use of a lower-register ‘growl’ or false bass voice.

Blind Willie Johnson – John The Revelator:

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