Ramblin’ Jack Elliott and John Prine on the ‘Bobby Bare and Friends’ TV show back in 1985.
Bobby Bare: Considering you’ve seen everywhere in this vast wide country…where is favorite place? Ramblin’ Jack Elliott: …right there in the front seat of my motor home…movin’.
The whole show is fantastic, and the interviews mention snippets about Bob Dylan several times. John Prine tells about how he ended up buying his first Dylan record.
There is also a nice anecdote from Jack remembering a time when he and Bob Dylan were shown an ‘after hours’ bar in Greenwich Village and includes the tell-tale line: “And some stranger, perfect stranger, who probably didn’t know who Bob was, and so Bob was very comfortable with him…”.
Another highlight is the part where Bobby Bare plays Kris Kristofferson’s song about Elliott to him. Priceless!
Billie Holiday (born Eleanora Harris April 7, 1915 – July 17, 1959) was an American jazz singer and songwriter. Nicknamed “Lady Day” by her friend and musical partner Lester Young, Holiday had a seminal influence on jazz and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo.
Southern trees bear strange fruit, Blood on the leaves and blood at the root, Black bodies swinging in the southern breeze, Strange fruit hanging from the poplar trees.
My two favorite songs by Billie Holiday are Strange Fruit and Speak Low.
Strange Fruit:
Strange Fruit, the haunting song about lynching in America was first recorded by Billie Holiday in 1939.
Strange Fruit is one of the earliest examples of a protest song. It is simple, spare and effective poetry. We must remember that it was written at a time when political protest was not often expressed in music, and still a dangerous thing to do. The three short verses has an unusual and ironic tone and are all the more powerful for it. To take such wonderful scenery and mix it with the brutality of hanging, to speak of lynched men as fruit, to mix up the smell of magnolias with that of burning flesh — this is powerful stuff to this day! We can only imagine the impact of the song when it was released.
Getting the song on record was not easy. Columbia Records, Holiday’s regular label, refused release it. It was Commodore Records, a small outfit run by Milton Gabler that finally released it.
Here is a great documentary about the film that was shown on PBS, it is a must see film:
The film tells a dramatic story of America’s past by using one of the most influential protest songs ever written as its epicenter. The saga brings us face-to-face with the terror of lynching as it spotlights the courage and heroism of those who fought for racial justice when to do so was to risk ostracism and livelihood if white – and death if black. It examines the history of lynching, and the interplay of race, labor, the Left and popular culture that would give rise to the civil rights movement.
Speak Low:
Speak low when you speak, love Our summer day withers away too soon, too soon Speak low when you speak, love Our moment is swift, like ships adrift, we’re swept apart, too soon Speak low, darling, speak low Love is a spark, lost in the dark too soon, too soon
“Speak Low” (1943) is a popular song composed by Kurt Weill, with lyrics by Ogden Nash. It was introduced by Mary Martin and Kenny Baker in the Broadway musical One Touch of Venus (1943). The 1944 hit single was by Guy Lombardo and his orchestra, with vocal by Billy Leach. The tune is a jazz standard that has been widely recorded. The opening line is a (slight mis)quotation from William Shakespeare’s Much Ado About Nothing (1600), where it is spoken by Don Pedro.
