The second session @ Minneapolis’ Sound 80 Studios, and the last recording session for “Blood On The Tracks”.
With the first session being a success, Dylan was more relaxed for this session. He knew & trusted the people he was working with. He was also more open to suggestions. The first song he wanted to try was the pivotal “Tangled Up In Blue”; the master take here proved to even top the brilliant New York version.
In New York “Tangled Up In Blue” had been recorded in the key of E (open tuning configuration), in Minneapolis Dylan first tried it in the key of G. Odegard then suggested: “..I think it would be better, livelier, if we moved it up to A with capos. It would kick ass up a notch” (quote from the book “A Simple Twist of Fate: Bob Dylan and the Making of Blood on the Tracks”). And so they did.. & the master take of one of the greatest songs in history was recorded.
Sound 80 Studio
30 December 1974
6th and last Blood On The Tracks recording session
Producer: David Zimmerman
Engineer: Paul Martinson