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.. a workmanlike singer and a very accomplished songwriter, who showed occasional flashes of brilliance.
~The Rough Guide to Soul and R&B
“…I’d had nothing directly to do with Motown while I’d been in Detroit, I’d still been around a lotta their artists and seen from a distance how they did things. And so, when I eventually got to Memphis, I could see that it was pretty much the SAME – you know, musicians getting together producing music, with everybody in the same groove… So yeah, working at Stax was very easy, because everybody was open-minded. You know, Al and I first met (legendary MGs guitarist) Steve Cropper at the same time we met Jim Stewart. So what would happen is, Cropper and I would more or less go off to the hotel, sit down and talk about music – and BOOM, almost immediately we’d WRITE something! While Al Bell and Jim Stewart would go off and talk about music and BUSINESS… So yeah, that’s the way it started – and it just moved on from THERE! I later went on to write with Booker T., which was great too. You know, Stax was all about TEAM-work. Like if an artist was recording and needing backing singers, I’d go and sing on THEIR record, and in turn they’d sing on MINE! That’s just the way we DID things.”
– Eddie Floyd (Blues&Soul.com, issue 1067)
Raise Your Hand – Live in Oslo 1967: