August 23: The late great Keith Moon was born in 1946
We lived the life with Keith Moon. It was all Spinal Tap magnified a thousand times.
— Roger Daltrey
From Wikipedia:
Birth name
Keith John Moon
Born
23 August 1946
Wembley, Middlesex, England
Died
7 September 1978 (aged 32)
Westminster, London
Genres
Rock, art rock, hard rock,power pop
Occupations
Musician, songwriter, producer, actor
Instruments
Drums, percussion, vocals,bugle, trumpet, tuba
Years active
1962–1978
Associated acts
The Who, Plastic Ono Band, Jeff Beck Group
Keith John Moon (23 August 1946– 7 September 1978) was an English musician, best known for being the drummer of the English rock group The Who. He gained acclaim for his exuberant and creative drumming style, and notoriety for his eccentric and often self-destructive behaviour, earning him the nickname “Moon the Loon”. Moon joined The Who in 1964. He played on all albums and singles from their debut, 1964’s “Zoot Suit”, to 1978’s Who Are You, which was released three weeks before his death.
Rolling Stone hailed it as the best ever live album, and they may still be right…
~Chris Jones (BBC – 2007)
From youtube: The Who at Leeds for their greatest live in 1970! it’s the ONLY VIDEO of this concert!
Fortune Teller (0:00 to 0:05) –
Happy Jack (0:06 to 0:13) –
I’m a Boy (0:14 to 0:33) –
A Quick One While He’s Away (0:34 to 2:09) –
Christmas (2:10 to 3:05) –
Pinball Wizard (3:06 to 3:22) –
Go to The Mirror (3:22 to 3:26) –
Smash The Mirror (3:27 to 3:35)-
Tommy’s Holliday Camp (3:36 to 3:45) –
We’re Not Gonna Take It (with See Me, Feel Me) (3:46 at the end)
1970 Original LP – Full Album:
Wikipedia:
Released
16 May 1970
Recorded
14 February 1970,
University of Leeds,
Leeds, West Riding of Yorkshire,
England, United Kingdom
Genre
Rock
Length
36:24
Label
Decca/MCA
Producer
Jon Astley, Kit Lambert, and The Who
Live at Leeds is The Who’s first live album, and is the only live album that was released while the group were still actively recording and performing with their best known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. Initially released in the United States on 16 May 1970, by Decca and MCA and the United Kingdom on 23 May 1970, by Track and Polydor, the album has been reissued on several occasions and in several different formats. As of 2005, the album is ranked number 170 on Rolling Stone magazine’s list of the 500 greatest albums of all time.
The album has been cited as the best live rock recording of all time by The Telegraph, The Independent, The New York Times,the BBC, and Rolling Stone. It is included in the book 1001 Albums You Must Hear Before You Die, and in Q magazine’s list of Loudest Albums of All Time. A Rolling Stone readers’ poll in 2012 ranked it the best live album of all time.
Shakin’ All Over:
Release History:
The original LP was released on 16 May 1970 in stereophonic format. The album was reissued on Compact Disc in 1985 by MCA in the US, and in 1987 by Polydor in Germany.
In 1995, the album was reissued as a remixed CD including more songs than the original vinyl edition, as well as song introductions and other banter that had been edited out of the original release. For the remix, new vocal overdubs from Daltrey, Townshend and Entwistle were recorded to address occasional flaws in the original tapes or performances.
In 2001, the album was released again as a part of the Universal Deluxe Edition series. The Deluxe Edition includes more chat between the songs, and the entirety of the band’s Tommy set as performed at Leeds. Again, new overdubs from the vocalists were employed at select points.
In October 2010, Universal Music announced the impending release of a 40th Anniversary edition of the album which would not only contain the full Leeds show from 14 February 1970 but also the band’s complete performance from Hull which was recorded the following evening as well as a heavyweight vinyl reproduction of the original six-track album, memorabilia and a replica 7 Inch Single of ‘Summertime Blues/ Heaven & Hell’. This performance had previously been unavailable because of a problem with the recording of John Entwistle’s bass guitar on the first six songs. To fix this problem his performance at the Leeds show was overdubbed over these tracks of the Hull performance using digital technology.
