May 10: The late “Mother” Maybelle Carter was born in 1909
“Mother” Maybelle Carter (May 10, 1909 – October 23, 1978) was an American country musician. She is best known as a member of the historic Carter Family act in the 1920s and 1930s and also as a member of Mother Maybelle and the Carter Sisters.
Perhaps the most remarkable of Maybelle’s many talents was her skill as a guitarist. She revolutionized the instrument’s role by developing a style in which she played melody lines on the bass strings with her thumb while rhythmically strumming with her fingers. Her innovative technique, to this day known as the Carter Scratch, influenced the guitar’s shift from rhythm to lead instrument.
My heroes are the ones who survived doing it wrong, who made mistakes, but recovered from them.
~Bono
Singer, poet, activist, believer: few icons in the history of rock & roll have created art with the consciousness and passion of Bono, and only a handful have done it as successfully. Whether preaching about “three chords and the truth” or donning ironic personas, the first and only frontman for seminal Irish rock band U2 has always stood unequivocally for hope, faith, and love — and in so doing has touched millions of fans, as well as sold millions of records.
~Jonathan Miller (allmusic.com)
Arthur Alexander (May 10, 1940 – June 9, 1993) was an American country songwriter and soul singer. Jason Ankeny, music critic forAllmusic, said Alexander was a “country-soul pioneer” and that, though largely unknown, “his music is the stuff of genius, a poignant and deeply intimate body of work on par with the best of his contemporaries.” Alexander wrote songs publicized by such stars asThe Beatles, Elvis Presley, Otis Redding, Tina Turner and Jerry Lee Lewis.
“Come On” was chosen as the Rolling Stones’s debut single. Released in the late spring of 1963, it reached number 21 on the UK single charts.
Sid Vicious, born John Simon Ritchie (10 May 1957 – 2 February 1979), was an English musician who was the bass guitarist and vocalist of the punk group Sex Pistols. Vicious joined the Sex Pistols in early 1977 to replace Glen Matlock. Since his skills on bass guitar were questionable, Vicious only performed bass on one song on the band’s sole studio album Never Mind the Bollocks. During the brief drug-filled ascendancy of the Sex Pistols, Vicious met his girlfriend and manager Nancy Spungen, who died of a stab wound whilst staying in the Hotel Chelsea, Manhattan, with Vicious. Vicious died of a heroin overdose while on bail on suspicion of her murder.
Live @ The Fillmore is Lucinda Williams’ eighth album, and her first live album. It was released in 2005. Though rated highly for the live performance, the album received criticism for only containing album tracks, including 11 from her previous album, 2003’s World Without Tears.
The primary purpose in [performing] is to receive that pure inspiration that I derived from it when I was a kid the first time I saw one of those guitar slingers on television cock his leg and throw that guitar down and start doing a song and became completely infatuated with that and the moment that I was able to transport myself to another place, another plane of existence, by doing it alone in a room, you know, and realizing the enormous satisfaction from doing that … I don’t ever want to risk losing that as the primary catalyst for what I do musically.~
~Dwight Yoakam
From Wikipedia:
Birth name
Dwight David Yoakam
Born
October 23, 1956 (age 57)
Pikeville, Kentucky,United States
Dwight David Yoakam (born October 23, 1956) is an American singer-songwriter, actor and film director, most famous for his pioneering country music. Popular since the early 1980s, he has recorded more than twenty-one albums and compilations, charted more than thirty singles on the Billboard Hot Country Songs charts, and sold more than 25 million records.
Guitars, Cadillacs:
From allmusic.com – Stephen Thomas Erlewine:
With his stripped-down approach to traditional honky tonk and Bakersfield country, Dwight Yoakamhelped return country music to its roots in the late ’80s. Like his idols Buck Owens, Merle Haggard, andHank Williams, Yoakam never played by Nashville’s rules; consequently, he never dominated the charts like his contemporary Randy Travis. Then again, Travis never played around with the sound and style of country music like Yoakam. On each of his records, he twists around the form enough to make it seem like he doesn’t respect all of country’s traditions. Appropriately, his core audience was composed mainly of roots rock and rock & roll fans, not the mainstream country audience. Nevertheless, he was frequently able to chart in the country Top Ten, and he remained one of the most respected and adventurous recording country artists well into the ’90s. …read more over @ allmusic.com
a medley performed @ The Grand Ole Opry:
Album of the day – Guitars, Cadillacs, etc etc (1986):
From allmusic.com – Thom Jurek:
Dwight Yoakam’s Guitars, Cadillacs, Etc., Etc. began as an EP issued on the California Oak label. When Reprise signed him, they added four more tracks to the mix to round it out as an album. Yoakam, a Kentuckian, brought country music back into its own medium by reviving the classic Bakersfield sound with the help of his producer and lead guitarist, former Detroiter Pete Anderson. As a result, the “new traditionalist” movement was born, but Yoakam was always a cut or three above the rest, as this album displays in spades. Guitars, Cadillacs, Etc., Etc. kicks off with a smoking cover of Johnny Horton’s “Honky Tonk Man,” a song now so closely associated with Yoakam, the original has all but been forgotten. But this is only the beginning. Yoakam’s own songs such as “Bury Me,” a duet with Maria McKee, and “South of Cincinnati” reference both the pastoral and dark sides of his native state. “South of Cincinnati” is a paean to those who left Kentucky for Ohio in search of jobs, and “Bury Me” celebrates the land itself. In addition, the title track, with Anderson’s Don Rich-influenced guitar style, walks the Buck Owens line until the line extends to Yoakam. With fiddles and backing vocals, Yoakam’s street poetry is both poignant and profound, built into a barroom anthem. In addition to this there is the gorgeous “Miner’s Prayer,” an acoustic number powered by dobro (courtesy of David Mansfield), flat-picked guitar, and Yoakam’s singing of his grandfather and generations like him who lived and died in the mines of Kentucky. Here Bill Monroe meets Ralph Stanley meets Bob Dylan. .. read more @ allmusic.com
Music can change the world because it can change people.
~Bono
My heroes are the ones who survived doing it wrong, who made mistakes, but recovered from them.
~Bono
Singer, poet, activist, believer: few icons in the history of rock & roll have created art with the consciousness and passion of Bono, and only a handful have done it as successfully. Whether preaching about “three chords and the truth” or donning ironic personas, the first and only frontman for seminal Irish rock band U2 has always stood unequivocally for hope, faith, and love — and in so doing has touched millions of fans, as well as sold millions of records.
~Jonathan Miller (allmusic.com)
Paul David Hewson (born 10 May 1960), known by his stage name Bono, is an Irish singer, musician, venture capitalist and humanitarian best known for being the main vocalist of the Dublin-based rock band U2. Bono was born and raised in Dublin, Ireland, and attended Mount Temple Comprehensive School where he met his future wife, Alison Stewart, and the future members of U2. Bono writes almost all U2 lyrics, frequently using religious and social, and occasional political themes. During their early years, Bono’s lyrics contributed to U2’s rebellious and spiritual tone. As the band matured, his lyrics became inspired more by personal experiences shared with members of U2.
One – Live Vertigo Tour (2005/6):
Outside the band, he has collaborated and recorded with numerous artists, is managing director and a managing partner of Elevation Partners, and has refurbished and owns The Clarence Hotel in Dublin with The Edge. Bono is also widely known for his activism concerning Africa, for which he co-founded DATA, EDUN, the ONE Campaign and Product Red. He has organised and played in several benefit concerts and has met with influential politicians. Bono has been praised and criticised for his activism and involvement with U2. He has been nominated for the Nobel Peace Prize, was granted an honorary knighthood by Queen Elizabeth II of the United Kingdom, and, with Bill and Melinda Gates, was named Time Person of the Year in 2005, among other awards and nominations.
–
I like U2 a lot, but, well, U2 are actually pretty original. But they’re Irish; they’re Celtic – they’ve got that thing goin’. You’ve gotta get away from America in order to make anything stick. America will just bombard you with too much shit. You have to make a conscious attempt to stay away from all the garbage.
~Bob Dylan (to Kurt Loder – October 1987)
Love rescue me (feat. Ziggy Marley & Keith Richards):
The primary purpose in [performing] is to receive that pure inspiration that I derived from it when I was a kid the first time I saw one of those guitar slingers on television cock his leg and throw that guitar down and start doing a song and became completely infatuated with that and the moment that I was able to transport myself to another place, another plane of existence, by doing it alone in a room, you know, and realizing the enormous satisfaction from doing that … I don’t ever want to risk losing that as the primary catalyst for what I do musically.~
~Dwight Yoakam
From Wikipedia:
Birth name
Dwight David Yoakam
Born
October 23, 1956 (age 56)
Pikeville, Kentucky,United States
Dwight David Yoakam (born October 23, 1956) is an American singer-songwriter, actor and film director, most famous for his pioneering country music. Popular since the early 1980s, he has recorded more than twenty-one albums and compilations, charted more than thirty singles on the Billboard Hot Country Songs charts, and sold more than 25 million records.
Guitars, Cadillacs:
From allmusic.com – Stephen Thomas Erlewine:
With his stripped-down approach to traditional honky tonk and Bakersfield country, Dwight Yoakamhelped return country music to its roots in the late ’80s. Like his idols Buck Owens, Merle Haggard, andHank Williams, Yoakam never played by Nashville’s rules; consequently, he never dominated the charts like his contemporary Randy Travis. Then again, Travis never played around with the sound and style of country music like Yoakam. On each of his records, he twists around the form enough to make it seem like he doesn’t respect all of country’s traditions. Appropriately, his core audience was composed mainly of roots rock and rock & roll fans, not the mainstream country audience. Nevertheless, he was frequently able to chart in the country Top Ten, and he remained one of the most respected and adventurous recording country artists well into the ’90s. …read more over @ allmusic.com
a medley performed @ The Grand Ole Opry:
Album of the day – Guitars, Cadillacs, etc etc (1986):
From allmusic.com – Thom Jurek:
Dwight Yoakam’s Guitars, Cadillacs, Etc., Etc. began as an EP issued on the California Oak label. When Reprise signed him, they added four more tracks to the mix to round it out as an album. Yoakam, a Kentuckian, brought country music back into its own medium by reviving the classic Bakersfield sound with the help of his producer and lead guitarist, former Detroiter Pete Anderson. As a result, the “new traditionalist” movement was born, but Yoakam was always a cut or three above the rest, as this album displays in spades. Guitars, Cadillacs, Etc., Etc. kicks off with a smoking cover of Johnny Horton’s “Honky Tonk Man,” a song now so closely associated with Yoakam, the original has all but been forgotten. But this is only the beginning. Yoakam’s own songs such as “Bury Me,” a duet with Maria McKee, and “South of Cincinnati” reference both the pastoral and dark sides of his native state. “South of Cincinnati” is a paean to those who left Kentucky for Ohio in search of jobs, and “Bury Me” celebrates the land itself. In addition, the title track, with Anderson’s Don Rich-influenced guitar style, walks the Buck Owens line until the line extends to Yoakam. With fiddles and backing vocals, Yoakam’s street poetry is both poignant and profound, built into a barroom anthem. In addition to this there is the gorgeous “Miner’s Prayer,” an acoustic number powered by dobro (courtesy of David Mansfield), flat-picked guitar, and Yoakam’s singing of his grandfather and generations like him who lived and died in the mines of Kentucky. Here Bill Monroe meets Ralph Stanley meets Bob Dylan. .. read more @ allmusic.com
