Tag Archives: Steve Earle

Great albums, Music Calendar, Steve Earle

Feb 28: Steve Earle released Train a Comin in 1995

Steve-Earle_train

“This ain’t no part of no unplugged nothin — God, I hate MTV”
~Steve Earle (Liner notes)

I got to thinking,…if I don’t make this record now, I won’t get the chance to make it. .. I’m singing the best I’ve sung in years. Mainly [because of] no dope. Heroin relaxes your vocal cords, it lowers the top of your range a little bit, and then when you try to sing over it…
~Steve Earle (to SPIN in 1995)

I wish I’d never come back home
It don’t feel right since I’ve been grown
I can’t find any of my old friends hangin’ ’round
Won’t nothin’ bring you down like your hometown

Hometown Blues – From Later With Jools Holland 1995:

Wikipedia:

Released February 28, 1995
Genre Folk, country, country rock, bluegrass
Length 40:21
Label Warner Bros.

Train a Comin’ is an acoustic studio album by Steve Earle. The album, Earle’s first in five years, was released in 1995. In addition to Earle, it features Peter Rowan, Norman Blake, Roy Huskey, and Emmylou Harris. The album was nominated for a Grammy for Best Contemporary Folk Album.

steve earle 1995

If you see her out tonight
And she tells you it’s just the lights
That bring her here and not her loneliness
That’s what she says but sometimes she forgets

Sometimes She Forgets:

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Great albums, Music Calendar, Van Morrison

Feb 28: Van Morrison released the album Moondance in 1970

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van morrison Moondance

In Moondance, Morrison bursts forth in warm Technicolor. The Van Morrison that the public would come to know and recognize over the decades—Van the Man, the Belfast Cowboy, etc—essentially makes his first appearance on Moondance.
~Erik Hage

This is Van Morrison’s 6th Symphony; like Beethoven’s equivalent, it’s fixated on the power of nature, but rather than merely sitting in awe, it finds spirituality and redemption in the most basic of things. The pinnacle of Van The Man’s career, and maybe, of non-American soul in general.
~Nick Butler

And It Stoned Me:

And It Stoned Me (live @ Montreux 1980):

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Music Calendar, Steve Earle

Happy 60th Birthday Steve Earle

SteveEarle

“If I can get me out of the way, I can do anything”
– Steve Earle

“I don’t really think in terms of obstacles. My biggest obstacle is always myself.”
~Steve Earle

All we do as songwriters is rewrite the songs that have impressed us till we find our own voice. It’s part of learning the craft.
~Steve Earle

One of Alldylan’s Greatest heroes

Fort Worth Blues:

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Music Calendar

June 06 in music history

Today: Steve Earle released Transcendental Blues in 2000 (read more)

“…what truly makes this one of Earle’s best records is that he refuses to be pulled down by musical decisions. It’s as if he never faced a problem of whether or not to add this or that instrument, or to veer off in this or that direction. He simply had the idea and went with it.” – Ryan Kearny, Pitchfork

 Steve_Earle_Transcendental_Blues_Cover

Today: Ziggy Stardust and The Spiders from Mars was released by David Bowie in 1972 (read more)

The Rise and Fall of Ziggy Stardust and the Spiders from Mars (often shortened to Ziggy Stardust) is a 1972 concept album by English musician David Bowie, which is loosely based on a story of a fictional rock star named Ziggy Stardust. It peaked at No. 5 in the UK and No. 75 in the US on the Billboard Music Charts.

  bowie-ziggystardust
William Everett “Billy” Preston (September 2, 1946 – June 6, 2006) was an American musician whose work included R&B, rock, soul, funk and gospel. Preston became famous first as a session musician with artists including Little Richard, Sam Cooke, Ray Charles and The Beatles, and was later successful as a solo artist with hit pop singles including “Outa-Space”, its sequel, “Space Race”, “Will It Go Round in Circles” and “Nothing from Nothing”, and a string of albums and guest appearances with Eric Clapton, the Red Hot Chili Peppers and others. In addition, Preston was co-author, with The Beach Boys’ Dennis Wilson, of “You Are So Beautiful,” recorded by Preston and later a #5 hit for Joe Cocker. 662px-Billy_Preston
 Levi Stubbles (June 6, 1936 – October 17, 2008), better known by the stage name Levi Stubbs, was an American baritone singer, best known as the lead vocalist of the Motown R&B group Four Tops. He was also a voice artist, portraying villainous characters in films and animated television series, most famously having provided the voice of the alien plant Audrey II in the musical horror film Little Shop of Horrors, and Mother Brain in Captain N: The Game Master.  Levi_Stubbs
 Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophone player. Getz was known as “The Sound” because of his warm, lyrical tone, his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman’s big band, Getz is described by critic Scott Yanow as “one of the all-time great tenor saxophonists”. Getz went on to perform in bebop, cool jazz and third stream, but is perhaps best known for popularizing bossa nova, as in the worldwide hit single “The Girl from Ipanema” (1964).  stan getz

Bob Dylan: People Putting People Down (John Prine), Rome, Italy 6 June 1991 (Video) (read more)

 bob dylan rome 1991

Spotify Playlist – June 06
Great albums, Music Calendar, Steve Earle

Today: Steve Earle released Transcendental Blues in 2000


transcendental blues cover

“Everybody wants to be somebody’s something
Ain’t nobody wants to be blue”

Transcendental realism: “…is a concept stemming from the philosophy of Immanuel Kant that implies individuals have a perfect understanding of the limitations of their own minds.” (-wikipedia)

Blues: “…refers to the “blue devils”, meaning melancholy and sadness…a depressed mood.” (-wikipedia)

Transcendental Blues:  A philosophy that implies individuals have a perfect understanding of their own sadness and the limitations of their own minds (- me)

“transcendence is about being still enough long enough to know when it’s time to move on.” (- Steve Earle, liner notes)

Transcendental Blues (the song, live ACL):

“…what truly makes this one of Earle’s best records is that he refuses to be pulled down by musical decisions. It’s as if he never faced a problem of whether or not to add this or that instrument, or to veer off in this or that direction. He simply had the idea and went with it.” – Ryan Kearny, Pitchfork
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