..Well, there were two good songs on S. P., DAYS OF FORTY-NINE and COPPER KETTLE… and without those two LPs there’d be no New Morning. Anyway I’m just starting to get back on my feet as far as my music goes… Al, do you use amphetamine?
~Bob Dylan (A.J. Weberman Interview, Jan 1971)
This is a quirky album, from a Dylan not pointing a way for anyone, but from a great artist remaining at his work knowingly in the face of not being creatively on top form in the phenomenal way he had been in the period 1964–68.Warm and abiding, it sounds better and better as the years go by.
~Michael Gray (The Bob Dylan Encyclopedia)
The album has a feeling of”starting over” about it, as the title and the back cover photo (Dylan with blues singer Victoria Spivey in 1961-he looks very young) both suggest.
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)
The Man in Me:
From Wikipedia:
Released
October 19, 1970
Recorded
June–August 1970 at Studio B and Studio E, Columbia Studio Building, 49 East 52nd Street, New York City
Genre
Rock, country rock, country
Length
35:21
Label
Columbia
Producer
Bob Johnston
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Bob Dylan recorded “The Man In Me” @ Studio E, Columbia Recording Studios, NYC in 1970
The man in me will do nearly any task
And as for compensation, there’s little he would ask
Take a woman like you
To get through to the man in me
The Point Depot Dublin, Ireland 5 February 1991
Bob Dylan (vocal & guitar)
John Jackson (guitar)
Cesar Diaz (guitar)
Tony Garnier (bass)
Ian Wallace (drums)
Storm clouds are raging all around my door
I think to myself I might not take it anymore
Take a woman like your kind
To find the man in me
But, oh, what a wonderful feeling
Just to know that you are near
Sets my heart a-reeling
From my toes up to my ears
The man in me will hide sometimes to keep from bein’ seen
But that’s just because he doesn’t want to turn into some machine
Took a woman like you
To get through to the man in me