Today: Neil Young released “Tonight’s the Night” in 1975 (read more)
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Brian Douglas Wilson (born June 20, 1942) is an American musician and the leader, lead vocalist, bassist and chief songwriter of the Beach Boys. Besides being their primary composer, he also functioned as the band’s main producer and arranger. After signing with Capitol Records in mid-1962, Wilson wrote or co-wrote more than two dozen Top 40 hits for the Beach Boys. | |
Eric Allan Dolphy, Jr. (June 20, 1928 – June 29, 1964) was an American jazz alto saxophonist, flutist, and bass clarinetist. On a few occasions, he also played the clarinet, piccolo, and baritone saxophone. Dolphy was one of several multi-instrumentalists to gain prominence in the 1960s. He was also the first important bass clarinet soloist in jazz, and among the earliest significant flute soloists. | |
Chester Burton “Chet” Atkins (June 20, 1924 – June 30, 2001) was an American guitarist and record producer who, along with Owen Bradley, created the smoother country music style known as the Nashville sound, which expanded country’s appeal to adult pop music fans as well. | |
De Stijl is the second studio album by the American garage rock band The White Stripes, released on June 20, 2000 on Sympathy for the Record Industry. The album reached number thirty-eight on Billboard’s Independent Albums chart in 2002, when The White Stripes’ popularity began to grow. It has since become a cult favorite among White Stripes fans, due to the simplicity of the band’s blues/punk fusion. | |
Spotify Playlist – June 20 |
Tag Archives: The White Stripes
June 07 in music history
Happy Birthday, Prince! (read more)Prince (born Prince Rogers Nelson; June 7, 1958) is an American singer, songwriter, musician, and actor. Prince has produced ten platinum albums and thirty Top 40 singles during his career. Prince founded his own recording studio and label; writing, self-producing and playing most, or all, of the instruments on his recordings. In addition, Prince has been a “talent promoter” for the careers of Sheila E., Carmen Electra, The Time and Vanity 6, and his songs have been recorded by these artists and others (including Chaka Khan, The Bangles, Sinéad O’Connor, and even Kim Basinger). He also has several hundred unreleased songs in his “vault”. |
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The White Stripes released Get Behind Me Satan in 2005 (read more)Get Behind Me Satan is the fifth album by American alternative rock band The White Stripes, released on June 7, 2005 on V2 Records. Though still basic in production style, the album marked a distinct change from its guitar-heavy 2003 predecessor, Elephant. |
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Winford Lindsey Stewart (June 7, 1934–July 17, 1985), better known as Wynn StewartAmerican country music performer. He was one of the progenitors of the Bakersfield sound. Although not a huge chart success, he was an inspiration to such greats as Buck Owens and Merle Haggard. |
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Sir Thomas John Woodward, (born 7 June 1940), known by his stage name Tom Jones, is a Welsh singer. Since the mid 1960s, Jones has sung many styles of popular music – pop, rock, R&B, show tunes, country, dance, soul and gospel – and sold over 100 million records.Tom Jones covers Bob Dylan, Leonard Cohen, Billy Joe Shaver, and more (videos) (read more) | |
Dean Martin (born Dino Paul Crocetti; June 7, 1917 – December 25, 1995) was an American singer, film actor, television star and comedian. | |
David Michael “Dave” Navarro (born June 7, 1967) is an American guitarist, singer and songwriter. He is best known as a founding member of thealternative rock band Jane’s Addiction, with whom he has recorded four studio albums, and as a former member of the Red Hot Chili Peppers. Navarro has also been a member of the Jane’s Addiction spin-off bands, Deconstruction and The Panic Channel, and, in 2001, released a solo album, entitledTrust No One. | |
Spotify Playlist – June 07: |
Today: Get behind me Satan by The White Stripes was released in 2005
Get Behind Me Satan is the fifth album by The White Stripes, released on June 7, 2005. We clearly recognize the “White Stripes sound”, but it is also very different from the earlier albums from the band.It relies much more on piano-driven melodies and experimentation with marimba on “The Nurse” and “Forever For Her (Is Over For Me)”, Get Behind Me Satan plays down the punk, garage rock and blues influences (a little bit…) that dominated earlier White Stripes albums.
The White Stripes at Glastonbury 2005 – Blue Orchid:
Continue reading Today: Get behind me Satan by The White Stripes was released in 2005
Muddy Waters recorded – At Newport 1960 – 53 years ago
For many back in the early ’60s, this was their first exposure to live recorded blues, and it’s still pretty damn impressive some 40-plus years down the line. Muddy, with a band featuring Otis Spann, James Cotton, and guitarist Pat Hare, lays it down tough and cool with a set that literally had ’em dancing in the aisles by the set closer, a rippling version of “Got My Mojo Working,” reprised again in a short encore version.
~Cub Koda (allmusic.com)A stomping live document of the period when Waters’ Chicago blues started reaching a wider pop audience. Newport has his classics – “Hoochie Coochie Man,” a torrid “Got My Mojo Working” – delivered by a tough, tight band anchored by harp genius James Cotton.
~rollingstone.com
Got My Mojo Working (part 1 & 2)
Wikipedia:
Released | November 15, 1960 (US) |
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Recorded | July 3, 1960 |
Genre | Chicago blues |
Length | 32:38 |
Label | MCA/Chess |
Producer | Leonard Chess |
At Newport 1960 is a live album by Muddy Waters performed at Newport Jazz Festival in Newport, Rhode Island with his backing band, consisting of Otis Spann (piano, vocals), Pat Hare (guitar), James Cotton (harmonica), Andrew Stevens (bass) and Francis Clay(drums), in July 3. Water’s performances across Europe in the 50s and at Newport helped popularize blues to broader audience, especially to whites. The album is often said to be one of the first blues live albums.
The album was released in the US on November 15 that year, featuring eight songs, from “I Got My Brand On You” to “Goodbye Newport Blues”. In 2001, record label Chess released a remastered version, which includes three bonus tracks recorded in Chicago in June. Although At Newport 1960 never charted, it received critical acclaim and was influential for future bands. It was ranked on several music lists, including at number 348 on Rolling Stones “The 500 Greatest Albums of all Time” in 2003.
Hoochie Coochie Man:
Track listing:
- Original vinyl release in 1960
- “I Got My Brand On You” (Dixon) – 4:24
- “(I’m Your) Hoochie Coochie Man” (Dixon) – 2:50
- “Baby, Please Don’t Go” (Morganfield) – 2:52
- “Soon Forgotten” (Oden) – 4:08
- “Tiger In Your Tank” (Dixon) – 4:12
- “I Feel So Good” (Broonzy) – 2:48
- “Got My Mojo Working” (Foster) – 4:08
- “Got My Mojo Working, Pt. 2” (Foster) – 2:38
- “Goodbye Newport Blues” (Hughes, Morganfield) – 4:38
- Remastered version in 2001
- “I Got My Brand On You” (Dixon) – 4:24
- “(I’m Your) Hoochie Coochie Man” (Dixon) – 2:50
- “Baby, Please Don’t Go” (Morganfield) – 2:52
- “Soon Forgotten” (Oden) – 4:08
- “Tiger In Your Tank” (Dixon) – 4:12
- “I Feel So Good” (Broonzy) – 2:48
- “Got My Mojo Working” (Foster) – 4:08
- “Got My Mojo Working, Pt. 2” (Foster) – 2:38
- “Goodbye Newport Blues” (Hughes, Morganfield) – 4:38
- “I Got My Brand On You” (Dixon) – 2:22
- “Soon Forgotten” (Oden) – 2:41
- “Tiger In Your Tank” (Dixon) – 2:17
- “Meanest Woman” (Morganfield) – 2:18
Personnel:
- Muddy Waters – Guitar, vocals
- Otis Spann – Piano, vocals
- Pat Hare – Guitar
- James Cotton – Harmonica
- Andrew Stephens – Bass
- Francis Clay – Drums
- Jack Tracy – Liner Notes
- Burt Goldblatt – Photography
Spotify (remastered version):
Other July 03:
Continue reading Muddy Waters recorded – At Newport 1960 – 53 years ago
Today: Neil Young released “Tonight’s the Night” in 1975 – 38 years ago
“The record chronicles the post-hippie, post-Vietnam demise of counterculture idealism, and a generation’s long, slow trickle down the drain through drugs, violence, and twisted sexuality. This is Young’s only conceptually cohesive record, and it’s a great one.”
~Dave Marsh (The New Rolling Stone Record Guide)“Tonight’s the Night is that one rare record I will never tire of.”
~Chris Fallon (PopMatters)
The title cut:
Wikipedia:
Released | June 20, 1975 |
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Recorded | August–September 1973 at Studio Instrument Rentals, Hollywood, CA (except “Come On Baby”: Fillmore East, NYC, March 1970; “Lookout Joe”: Broken Arrow Ranch, December 1972 and “Borrowed Tune”: Broken Arrow Ranch, December 1973) |
Genre | Rock |
Length | 44:52 |
Label | Reprise |
Producer | David Briggs, Tim Mulligan, Neil Young, Elliot Mazer (track 10 only) |
Tonight’s the Night is the sixth studio album by Canadian musician Neil Young, released in 1975 on Reprise Records, catalogue MS 2221. It was recorded in 1973 (most of it on a single day, August 26), its release delayed for two years. It peaked at #25 on theBillboard 200. In 2003, the album was ranked number 331 on Rolling Stone magazine’s list of the 500 greatest albums of all time.
Roll Another Number (For the road):
Content:
Tonight’s the Night is a direct expression of grief. Crazy Horse guitarist Danny Whitten and Young’s friend and roadie Bruce Berry had both died of drug overdoses in the months before the songs were written. The title track mentions Berry by name, while Whitten’s guitar and vocal work highlight “Come on Baby Let’s Go Downtown”; the latter was recorded live in 1970. The song would later appear, unedited, on a live album from the same concerts, Live at the Fillmore East, with Whitten credited as the sole author.
Fans have long speculated that an alternate version of Tonight’s the Night exists. Neil Young’s father, Scott Young, wrote of it in his memoir, Neil and Me:
Ten years after the original recording, David Briggs and I talked about Tonight’s the Night, on which he had shared the producer credit with Neil. At home a couple of weeks earlier he had come across the original tape, the one that wasn’t put out. “I want to tell you, it is a handful. It is unrelenting. There is no relief in it at all. It does not release you for one second. It’s like some guy having you by the throat from the first note, and all the way to the end.” After all the real smooth stuff Neil had been doing, David felt most critics and others simply failed to read what they should have into Tonight’s the Night — that it was an artist making a giant growth step. Neil came in during this conversation, which was in his living room. When David stopped Neil said, “You’ve got that original? I thought it was lost. I’ve never been able to find it. We’ll bring it out someday, that original.”
Here is “Roll Another Number” (unreleased from the Acetate tape):
Tonight’s the Night (unreleased – from the acetate tape):
This should end any lingering doubts as to whether the real Neil Young is the desperate recluse who released two albums in the late ’60s or the sweet eccentric who became a superstar shortly thereafter. Better carpentered than Time Fades Away and less cranky than On the Beach, it extends their basic weirdness into a howling facedown with heroin and death itself. It’s far from metal machine music–just simple, powerful rock and roll. But there’s lots of pain with the pleasure, as after all is only “natural.” In Boulder, it reportedly gets angry phone calls whenever it’s played on the radio. What better recommendation could you ask? A
~Robert Christgau (robertchristgau.com)
Track listing:
All songs written and composed by Neil Young, except when noted.
Side one
- “Tonight’s the Night” – 4:39
- “Speakin’ Out” – 4:56
- “World on a String” – 2:27
- “Borrowed Tune” – 3:26 (based on “Lady Jane” by The Rolling Stones)
- “Come on Baby Let’s Go Downtown” (Live) – 3:35 (Whitten/Young)
- “Mellow My Mind” – 3:07
Side two
- “Roll Another Number (for the Road)” – 3:02
- “Albuquerque” – 4:02
- “New Mama” – 2:11
- “Lookout Joe” – 3:57
- “Tired Eyes” – 4:38
- “Tonight’s the Night—Part II” – 4:52
Musicians:
- Neil Young – vocals, piano, guitar, harmonica, vibes
- Ben Keith – pedal steel guitar, vocals, slide guitar
- Nils Lofgren – guitar, piano, vocals
- Danny Whitten – guitar, vocals
- Jack Nitzsche – electric piano, piano
- Billy Talbot – bass
- Tim Drummond – bass
- Ralph Molina – drums, vocals
- Kenny Buttrey – drums
- George Whitsell – vocals
Album @ spotify: