June 30: Dave Van Ronk Birthday

dave van ronk

Van Ronk could howl and whisper, turn blues into ballads and ballads into blues. I loved his style. He was what the city was all about. In Greenwich Village, Van Ronk was king of the street, he reigned supreme.
~Bob Dylan (Chronicles vol.1)

He was gruff, a mass of bristling hair, don’t give a damn attitude, a confident hunter.
~Bob Dylan (Chronicles vol.1)

Guitarist, singer, songwriter, and native New Yorker Dave Van Ronk inspired, aided, and promoted the careers of numerous singer/songwriters who came up in the blues tradition. Most notable of the many musicians he helped over the years was Bob Dylan, whom Van Ronk got to know shortly after Dylan moved to New York in 1961 to pursue a life as a folk/blues singer. Van Ronk’s recorded output was healthy, but he was never as prolific a songwriter as some of his friends from that era, like Dylan or Tom Paxton. Instead, Van Ronk’s genius was derived from his flawless execution and rearranging of classic acoustic blues tunes.
~Richard Skelly (allmusic.com)

“Green Green Rocky Road” (from the DVD “Dave Van Ronk Memories”)

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June 30: Lucinda Williams released Car Wheels On A Gravel Road in 1998

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June 30: Lucinda Williams released Car Wheels On A Gravel Road in 1998

Car Wheels on a Gravel Road is the fifth studio album by Lucinda Williams, released on June 30, 1998, by Mercury Records. It was recorded and co-produced by Williams in Nashville, Tennessee and Canoga Park, California. The album features guest appearances by Steve Earle and Emmylou Harris.

Car Wheels on a Gravel Road won a Grammy Award for Best Contemporary Folk Album.

“Intentionally or not, the album’s common thread seems to be its strongly grounded sense of place — specifically, the Deep South, conveyed through images and numerous references to specific towns. Many songs are set, in some way, in the middle or aftermath of not-quite-resolved love affairs, as Williams meditates on the complexities of human passion. Even her simplest songs have more going on under the surface than their poetic structures might indicate. In the end, Car Wheels on a Gravel Road is Williams’ third straight winner; although she might not be the most prolific songwriter of the ’90s, she’s certainly one of the most brilliant.”
– Steve Huey (Allmusic)

The Title track, Car Wheels On A Gravel Road (Live 2009):

Continue reading June 30: Lucinda Williams released Car Wheels On A Gravel Road in 1998

Documentary: Richard Thompson – Solitary Life BBC 2012

richard thompson
Photo:BBC

Documentary: Richard Thompson – Solitary Life BBC 2012

Personal portrait of the critically-acclaimed and enigmatic British folk rock singer Richard Thompson, providing an insight into his fascinating life alongside exclusive footage. Contributors include Billy Connolly, Bonnie Raitt, ex-wife Linda Thompson, Harry Shearer and Richard’s wife Nancy Covey. The documentary visits him at home in both London and Los Angeles – the first time such intimate access has been granted to this private and complex artist.

In the 60s whilst still a teenager, Thompson wrote generation-defining songs like Meet on the Ledge. As founder member of Fairport Convention, as a duo with then-wife Linda and more recently as a solo artist, Thompson’s unique mix of rock and traditional music has ironically become more popular now in America than in the UK.

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June 29: The late great Bernard Herrmann was born in 1911

Herrmann

June 29: The late great Bernard Herrmann was born in 1911

Bernard Herrmann (June 29, 1911 – December 24, 1975) was an American composer known for his work in film.

An Academy Award-winner (for The Devil and Daniel Webster, 1941; later renamed All That Money Can Buy), Herrmann is particularly known for his collaborations with director Alfred Hitchcock, most famously Psycho, North by Northwest, The Man Who Knew Too Much, and Vertigo. He also composed scores for many other movies, including Citizen Kane, The Day the Earth Stood Still, The Ghost and Mrs. Muir, Cape Fear, and Taxi Driver. He worked extensively in radio drama (composing for Orson Welles), composed the scores for several fantasy films by Ray Harryhausen, and many TV programs, including Rod Serling’s The Twilight Zone and Have Gun–Will Travel.

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Herrmann is still a prominent figure in the world of film music today, despite his death 40 years ago. As such, his career has been studied extensively by biographers and documentarians. His string-only score for Psycho, for example, set the standard when it became a new way to write music for thrillers (rather than big fully orchestrated pieces). In 1992 a documentary, Music for the Movies: Bernard Herrmann, was made about him. Also in 1992 a 2½ hour long National Public Radio documentary was produced on his life — Bernard Herrmann: A Celebration of his Life and Music (Bruce A. Crawford). In 1991, Steven C. Smith wrote a Herrmann biography titled A Heart at Fire’s Center, a quotation from a favorite Stephen Spender poem of Herrmann’s.

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June 28: Gillian Welch released The Harrow & The Harvest in 2011


gillian welch harrow harvest

June 28: Gillian Welch released The Harrow & The Harvest in 2011

The Harrow & the Harvest is stunning for its intimacy, its lack of studio artifice, its warmth and its timeless, if hard won, songcraft.
~Thom Jurek (allmusic.com)

The Harrow & The Harvest is simply one of the richest, most expansive roots albums to be released in some time.
~Douglas Heselgrave (pastemagazine.com)

Our fav song from the album:

Tennessee (live):

Continue reading June 28: Gillian Welch released The Harrow & The Harvest in 2011