[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]I cross the Green Mountain
I sit by the stream
Heaven blazing in my head
I dreamed a monstrous dream
Something came up
Out of the sea
Swept through the land of
The rich and the free[/vc_message][/vc_column][/vc_row]
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]This is a song that took ten years to live and ten years to write.
~Bob Dylan (Special Events Arena, El Paso, Texas – November 21, 1978)
I was trying to do something that I don’t know if I was prepared to do. I wanted to defy time, so that the story took place in the present and past at the same time. When you look at a painting, you can see any part of it or see all of it together. I wanted that song to be like a painting.
~Bob Dylan (to Bill Flanagan, March 1985)
Joni Mitchell had an album out called Blue. And it affected me, I couldn’t get it out of my head. And it just stayed in my head and when I wrote that song I wondered, what’s that mean? And then I figured that it was just there, and I guess that’s what happened, y’know.
~Bob Dylan (to Craig McGregor, March 1978)[/vc_message][/vc_column][/vc_row]
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]….would be Like A Rolling Stone because I wrote that after I’d quit. I’d literally quit singing and playing, and I found myself writing this song, this story, this long piece of vomit about twenty pages long, and out of it I took Like A Rolling Stone and made it as a single. And I’d never written anything like that before and it suddenly came to me that that was what I should do, you know. I mean, nobody had ever done that before.
~Bob Dylan (to Martin Bronstein – Feb 1966)
.. The sound is so rich the song never plays the same way twice
~Greil Marcus
The first time I heard Bob Dylan, I was in the car with my mother listening to WMCA, and on came that snare shot that sounded like somebody had kicked open the door to your mind
~Bruce Springsteen (Jan 1988)[/vc_message][/vc_column][/vc_row]
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]When we open our ears – and it may take a dozen listenings before we stop hearing this album in terms of what we expect these songs to sound like, or, for the fans, in terms of the performances we think should have been included – the rewards and surprises of Hard Rain are nearly inexhaustible.
~Paul Williams (Bob Dylan: Performing Artist, Vol 2: The Middle Years 1974-1986)
Hindsight shows that this album introduces the ragged, postmodern Bob Dylan, right from the grungy instrumental ground-pawing ahead of the start of the first number. Moreover the running order now seems surprisingly well thought out. It represents, too, the late phase of the historic Rolling Thunder Revue tour and captures the distinctive, bare-wired sound of Dylan’s existential gypsy band. Stand-out track is ‘Idiot Wind’, which, as Dylan grows ever more engaged, bursts open and pours out its brilliant venom.
~Michael Gray (The Bob Dylan Encyclopedia)[/vc_message][/vc_column][/vc_row]
The 3 best all time (from any artist) officially released concert albums are obviously “Hard Rain”, “Bob Dylan Live 1966, The “Royal Albert Hall” Concert” & “Bob Dylan Live 1975, The Rolling Thunder Revue”. They are all brilliant. Today “Hard Rain” is the best of the lot.
The album received an awful lot bad criticism upon its release, and surprisingly still does. To my ears it has always sounded amazing. Listening to other bootlegs from Rolling thunder 2 & watching the Hard Rain movie (and outtakes), one could easily wish that more songs had been included, and he’d put out a double album. But it is what it is, and it’s incredible. It is also (as noted by Paul Williams) inexhaustible, it still sounds fresh & wonderful today.