All posts by Egil

Bob Dylan’s Songs: Rainy Day Women #12 & 35

Well, they’ll stone ya when you’re trying to be so good
They’ll stone ya just a-like they said they would
They’ll stone ya when you’re tryin’ to go home
Then they’ll stone ya when you’re there all alone
But I would not feel so all alone
Everybody must get stoned

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Rainy Day Women happens to deal with a minority of, you know, cripples and orientals and, uh, you know, and the world in which they live, you realize, you know, you understand, you know. It’s another sort of a North Mexican kind of a thing, uh, very protesty. Very, very protesty. And, uh, one of the protestiest of all things I ever protested against in my protest years. But, uh…
~Bob Dylan (to Klas Burling – April 1966)[/vc_message][/vc_column][/vc_row]

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]The memorable joke in the chorus is about marijuana (although it could just as easily be about alcohol), but the song as a whole is about persecution, specifically criticism, and the message in the chorus is a straightforward one: it happens to everybody, so don’t feel bad (and, implicitly, don’t be such a victim about it).
The combination drunk party/revival meeting sound of the song is wonderful, a product of the unique musical chemistry Dylan and the Nashville studio musicians (under the leadership of Charlie McCoy and producer Bob Johnston, with help from Kooper and Robertson) achieved during these freewheeling ses- sions. This is not country music. This is not Dylan music as defined by any earlier Dylan album. It’s only rock and roll in the broadest, most all-encompassing sense..
-Paul Williams[/vc_message][/vc_column][/vc_row]

Continue reading Bob Dylan’s Songs: Rainy Day Women #12 & 35

Bob Dylan’s best songs – Brownsville Girl





bob dylan knocked out

Bob Dylan’s best songs – Brownsville Girl – #18

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Well, in the course of life you find yourself with different people in different rooms. Working with Sam [Sheppard] was not necessarily easier, but it was certainly less meaningless. In every case writing a song is done faster when you got someone like Sam and are not on your own.
~Bob Dylan (Oct, 1997 – press conference)

it is ‘a masterpiece, a song that must rank among the five or six best songs Dylan has ever written.’
~Stephen Scobie

When Dylan is working at this level of creativity—a level that puts him head and shoulders above everyone else—there’s a magic evocativeness about everything he writes that gives the words enormous possibilities..
~ Nigel Hinton[/vc_message][/vc_column][/vc_row]

#18 on my list of Dylan’s 200 best songs.

It was originally recorded as “New Danville Girl” @ Cherokee Studio, Hollywood, Los Angeles, California 6 December 1984. Overdubbed May 1986 for the “Knocked Out Loaded” album.

It’s an amazing song with cinematic lyrics co-written with Sam Sheppard.

New Danville Girl (recorded 1984-12-06):

Lyrics to “New Danville Girl” added down towards the end of the post..

Dylan has only performed it once, on August 6, 1986 @ Mid-State Fairground – Paso Robles, California:

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Altogether, the delivery is astonishing. Not a false moment, not a foot wrong. Keeping up a curious tension between the very measured, slightly too slow musical accompaniment and the urgency of his voice, he gives a faultless performance, infinitely fluid and expressive, from beginning to end a plausible, intelligent and immensely humane persona and narrator, alert to the turbulent complexities of every moment. It’s a long tour de force not a moment too long, and the Dylan who incandesces through it is the full Bob Dylan of genius and generous intelligence, fully engaged.
~Michael Gray (The Bob Dylan Encyclopedia)[/vc_message][/vc_column][/vc_row]

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Bob Dylan Performing “Series of Dreams” in Osaka, Japan, 1994 (video)





[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]I was thinking of a series of dreams
Where nothing comes up to the top
Everything stays down where it’s wounded
And comes to a permanent stop
Wasn’t thinking of anything specific
Like in a dream, when someone wakes up and screams
Nothing too very scientific
Just thinking of a series of dreams[/vc_message][/vc_column][/vc_row]

Osaka-jo Hall
Osaka, Japan
12 February 1994

  • Bob Dylan (vocal & guitar)
  • Bucky Baxter (pedal steel guitar & electric slide guitar)
  • John Jackson (guitar)
  • Tony Garnier (bass)
  • Winston Watson (drums & percussion)

I was thinking of a series of dreams
Where nothing comes up to the top
Everything stays down where it’s wounded
And comes to a permanent stop
Wasn’t thinking of anything specific
Like in a dream, when someone wakes up and screams
Nothing too very scientific
Just thinking of a series of dreams

Thinking of a series of dreams
Where the time and the tempo fly
And there’s no exit in any direction
‘Cept the one that you can’t see with your eyes
Wasn’t making any great connection
Wasn’t falling for any intricate scheme
Nothing that would pass inspection
Just thinking of a series of dreams

Dreams where the umbrella is folded
Into the path you are hurled
And the cards are no good that you’re holding
Unless they’re from another world

In one, the surface was frozen
In another, I witnessed a crime
In one, I was running, and in another
All I seemed to be doing was climb
Wasn’t looking for any special assistance
Not going to any great extremes
I’d already gone the distance
Just thinking of a series of dreams

Dreams where the umbrella is folded
Into the path you are hurled
And the cards are no good that you’re holding
Unless they’re from another world
I’d already gone the distance
Just thinking of a series of dreams

Bob Dylan in Osaka – Feb 12, 1994:

[vc_row][vc_column][vc_separator][vc_btn title=”Alldylan / Borntolisten @ Facebook” color=”blue” i_icon_fontawesome=”fa fa-facebook-official” add_icon=”true” link=”url:https%3A%2F%2Fwww.facebook.com%2FJohannasVisions%2F||target:%20_blank|”][/vc_column][/vc_row][vc_row][vc_column][vc_message message_box_style=”outline” icon_fontawesome=”fa fa-link” css_animation=”bounceIn”]

Check out:

[/vc_message][/vc_column][/vc_row]
-Egil

Bob Dylan and Robbie Robertson (quotes, videos & pictures)





Rich Danko, Robbie Robertson, and Bob Dylan, Seattle Center Coliseum, February 9, 1974.
Rich Danko, Robbie Robertson, and Bob Dylan, Seattle Center Coliseum, February 9, 1974.

Happy 74th Birthday Robbie Robertson.

  1. Bob Dylan quotes (about Robbie Robertson)
  2. Robbie Robertson quotes & video (about Bob Dylan)
  3. Sweet music

Bob Dylan quotes (about Robbie Robertson)

Continue reading Bob Dylan and Robbie Robertson (quotes, videos & pictures)

July 5: Bob Dylan @ St. James’ Park, Newcastle, England 1984 (videos)

bob dylan newcastle 1984

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Playing his first show in Newcastle in 18 years, and to an English-speaking audience for rhe first time on this tour, Dylan clearly enjoys the experience. One highlight is a lengthy “Knockin’ on Heaven’s Door,” Dylan’s harmonica dueling with Santana’s guitar. The next day the Newcastle Evening Chronicle proclaims that, “Dylan the magician had breathed the kiss of life all over his work.” The concert is recorded officially, and “License to Kill” and “Tombstone Blues” both feature on Real Live.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)[/vc_message][/vc_column][/vc_row]

St. James’ Park
Newcastle, England
5 July 1984

  • Bob Dylan (vocal & guitar)
  • Mick Taylor (guitar)
  • Ian McLagan (keyboards)
  • Greg Sutton (bass), Colin Allen (drums)

Continue reading July 5: Bob Dylan @ St. James’ Park, Newcastle, England 1984 (videos)