[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Edna Gundersen: Was playing at Woodstock [1994] a special moment?
Bob Dylan: Nah, it was just another show, really. We just blew in and blew out of there. You do wonder if you’re coming across, because you feel so small on a stage like that.[/vc_message][/vc_column][/vc_row]
Never Ending Tour 1994
Start date
February 5, 1994
End date
November 13, 1994
Legs
5
No. of shows
14 in Asia
73 in North America
17 in Europe
–
104 in Total
A fine N.E.T. year with 3 very special moments:
Playing “Masters of War” in Hiroshima
The Great Music Experience – Nara, Japan
Woodstock 94
Please use the Comments section to post your personal favourites from 2000.
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]I don’t even consider this work as part of my life. Not even close. My life doesn’t revolve around my work. Not even a little bit. I mean, I’ve got millions of fans and I know that and I’m more than happy to go out there and play for them… But that’s not my life. My life is private and personal and completely filled up.
-Bob Dylan (Rome Press Conference, July 23, 2001)[/vc_message][/vc_column][/vc_row]
Facts from Wikipedia:
Start date
February 25, 2001
End date
November 24, 2001
Legs
6
No. of shows
13 in Asia
9 in Oceania
62 in North America
22 in Europe
–
106 in Total
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]The closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It’s that thin, that wild mercury sound. It’s metallic and bright gold, with whatever that conjures up. That’s my particular sound.
~Bob Dylan (to Ron Rosenbaum – Nov 1977)
He had a piano in his room at the hotel and during the day I would go up there and he would teach me a song. I would be like a cassette machine. I would play the song over and over on the piano for him. This served a double purpose. One, he could concentrate on writing the lyrics and didn’t have to mess with playing the piano; two, I could go to the studio early that night and teach it to the band before he even got there, so they could be playing the song before he even walked through the door.
~Al Kooper (talking about BoB recording sessions)[/vc_message][/vc_column][/vc_row]
Columbia Music Row Studios
Nashville, Tennessee
9-10 March 1966
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Something was happening there and you can just tell
that from the unbelievably non-linear set-list. It was
almost as if Bob decided the set last night would
possess the qualities of a cubist painting and then he
just turned it all upside down and inside out! From
the outset with Larry’s prominent playing of the
opening chords of, “Tangled Up In Blue”, you
absolutely had no doubt that tonight’s performance
would be something you’d never quite get over…
-Charles Cicirella (boblinks.com)[/vc_message][/vc_column][/vc_row]
Park West
Chicago, Illinois
8 March 2004
Bob Dylan (vocal & piano)
Freddie Koella (guitar)
Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar)
Tony Garnier (bass)
George Recile & Richie Hayward (drums & percussion)
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]The closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It’s that thin, that wild mercury sound. It’s metallic and bright gold, with whatever that conjures up. That’s my particular sound.
~Bob Dylan (to Ron Rosenbaum – Nov 1977)
Well I cut it in between. I was touring and I was doing it whenever I got a chance to get into the studio. So it was in the works for a while. I could only do maybe two or three songs at a time.
~Bob Dylan (to Jan Wenner – Nov 1969)[/vc_message][/vc_column][/vc_row]
