All posts by Egil

Today: Roger Miller passed away in 1992 – 20 years ago

The human mind is a wonderful thing, it starts working from before you’re born and doesn’t stop till you sit down to write a song
~Roger Miller

It’s one thing to have talent. It’s another to figure out how to use it.
~Roger Miller

Leaven’s Not The Only Way To Go:

From Wikipedia:

Birth name Roger Dean Miller
Born January 2, 1936
Fort Worth, Texas
Died October 25, 1992 (aged 56)
Los Angeles, California
Genres Country
Occupations Singer-songwriter
Instruments Guitar, fiddle, drums
Years active 1957–1992
Associated acts Bill Anderson, George Jones,Dean Miller, Willie Nelson,Johnny Paycheck, Minnie Pearl,Ray Price, Jim Reeves, Sheb Wooley, Dwight Yoakam, Faron Young
Website www.rogermiller.com

Roger Dean Miller (January 2, 1936 – October 25, 1992) was an American singer, songwriter, musician and actor, best known for his honky tonk-influenced novelty songs. His most recognized tunes included the chart-topping country/pop hits “King of the Road”, “Dang Me” and “England Swings”, all from the mid-1960s Nashville sound era.

After growing up in Oklahoma and serving in the United States Army, Miller began his musical career as a songwriter in the late 1950s, penning such hits as “Billy Bayou” and “Home” for Jim Reeves and “Invitation to the Blues” for Ray Price. He later started a recording career and reached the peak of his fame in the late 1960s, but continued to record and tour into the 1990s, charting his final top 20 country hit “Old Friends” with Willie Nelson in 1982. Later in his life, he wrote the music and lyrics for the 1985 Tony-award winning Broadway musical Big River, in which he also acted.

Miller died from lung cancer in 1992, and was posthumously inducted into the Country Music Hall of Fame three years later. His songs continued to be recorded by younger artists, with covers of “Tall, Tall Trees” by Alan Jackson and “Husbands and Wives” by Brooks & Dunn, each reaching the number one spot on country charts in the 1990’s. The Roger Miller Museum in his home town serves as a tribute to Miller.

You Can’t Roller Skate In A Buffalo Herd & Chug-a-lug:

From allmusic.com – Stephen Thomas Erlewine:
Roger Miller is best known for his humorous novelty songs, which overshadow his considerable songwriting talents as well as his hardcore honky tonk roots. After writing hits for a number of artists in the ’50s, Miller racked up a number of hits during the ’60s which became not only country classics, but popular classics as well.
….read more @ allmusic.com 

Album of the day – All Time Greatest Hits (2003):

From allmusic.com – Stephen Thomas Erlewine:
There have been many collections of Roger Miller’s hitmaking peak on Mercury over the years, but few have been as comprehensive or as good as Mercury/Chronicle’s 2003 CD, All Time Greatest Hits. Spanning 20 tracks over the course of one CD, this contains all the big songs: “Dang Me,” “Chug-a-Lug,” “Do Wacka Do,” “In the Summertime (You Don’t Want My Love),” “King of the Road,” “You Can’t Roller Skate in a Buffalo Herd,” “Kansas City Star,” “England Swings,” and “Husbands and Wives,” among others. All but one track from the seminal 1965 collection Golden Hits is here (“Atta Boy Girl” is the missing culprit — a good song but not enough to tip the scales in favor of the 38-year-old collection), and it spans further than that record, collecting hits from 1967-1970 and ending with the 1986 hit “River in the Rain.” While that final song isn’t quite of the standard of what preceded it, it provides a nice closer to a set of songs that unequivocally proves Miller’s genius. ….read more @ allmusic

Other October 25:

Continue reading Today: Roger Miller passed away in 1992 – 20 years ago

Bob Dylan – The 5th recording session for “The Times They Are A-Changin’” – 24 October 1963 – update

Come writers and critics
Who prophesize with your pen
And keep your eyes wide
The chance won’t come again
And don’t speak too soon
For the wheel’s still in spin
And there’s no tellin’ who
That it’s namin’
For the loser now
Will be later to win
For the times they are a-changin’.
~Bob Dylan (The Times They Are A-Changin’)

“Another thing about Times They Are A-Changin’ – I wanted to say in it that if you have something that you don’t want to lose, and people threaten you, you are not really free.”
~Bob Dylan (to Ray Coleman, May 1965)

49 years ago Dylan did his 5th recording session for “The Time They are A-Changin’” 

Some background info from Wikipedia:

The Times They Are a-Changin’ is the third studio album by American singer-songwriter Bob Dylan, released in January 1964 by Columbia Records.

Produced by Tom Wilson, it is the singer-songwriter’s first collection to feature only original compositions. The album consists mostly of stark, sparsely-arranged story songs concerning issues such as racism, poverty, and social change. The title track is one of Dylan’s most famous; many felt that it captured the spirit of social and political upheaval that characterized the 1960s.

……………
Another session was held the following day, October 24. Master takes of “The Times They Are a-Changin'” and “One Too Many Mornings” were recorded and later included in the final album sequence. A master take for “Lay Down Your Weary Tune” was also recorded, but ultimately left out of the final album; it was eventually released on Biograph. Two more outtakes, “Eternal Circle” and “Suze (The Cough Song)”, were later issued on The Bootleg Series Volumes 1-3 (Rare & Unreleased) 1961-1991.

Albums involved:

ALBUM Release date CODE
The Times They Are A-Changin’ 1964-01-13 TTTAA
Biograph 1985-11-07 BIO
The Bootleg Series Volumes 1–3
(Rare & Unreleased) 1961-1991
1991-03-26 TBS1-3

 

Studio A
Columbia Recording Studio
New York City, New York
October 24, 1963, 10-1 pm

Produced by Tom Wilson.
Engineers: Knuerr and Dauria.

Continue reading Bob Dylan – The 5th recording session for “The Times They Are A-Changin’” – 24 October 1963 – update

Today: Bill Wyman is 76

I didn’t want to stay in the Stones, and be stuck in a position having to play a music I didn’t like anymore and that restricted me from doing all the others things I’m interested in because of time.

I wanted a variety in my life but after a couple of years I thought that music is what I do so maybe I should start doing it again.

From Wikipedia:

Birth name William George Perks
Also known as Lee Wyman
Born 24 October 1936 (age 76)
Lewisham, London EnglandUnited Kingdom
Genres Rock, rock and roll, swing,rhythm and blues, jazz, blues,skiffle
Occupations Musician, composer, author,record producer, film producer,bandleader, photographer,inventor
Instruments Vocals, bass guitar, guitar,keyboards, percussion,autoharp
Years active 1962–present
Labels Velvel, Koch International,Rolling Stones, BMG
Associated acts The Rolling Stones, Bill Wyman’s Rhythm Kings, Wilie & the Poor Boys, The Cliftons
Website www.billwyman.com

Bill Wyman’s Rhythm Kings – Anyway the wind blows:

Bill Wyman (born William George Perks; 24 October 1936) is an English musician best known as the bass guitarist for the English rock and roll band the Rolling Stones from 1962 until 1993. Since 1997, he has recorded and toured with his own band, Bill Wyman’s Rhythm Kings. He has worked producing both records and film, and has scored music for film in movies and television.

Wyman has kept a journal since he was a child after World War II. It has been useful to him as an author who has written seven books, selling two million copies. Wyman’s love of art has additionally led to his proficiency in photography and his photographs have hung in galleries around the world. Wyman’s lack of funds in his early years led him to create and build his own fretless bass guitar. He became an amateur archaeologist and enjoys relic hunting; The Times published a letter about his hobby (Friday 2 March 2007). He designed and markets a patented Bill Wyman signature metal detector, which he has used to find relics in the English countryside dating back to the era of the Roman Empire.

As a businessman, he owns several establishments including the famous Sticky Fingers Café, a rock & roll-themed bistro serving American cuisine first opened in 1989 in the Kensington area of London and later, two additional locations in Cambridge and Manchester, England.

Bill Wyman’s Rhythm Kings – Stuff:

From allmusic – Jason Ankeny:
As a member of the Rolling Stones for three decades, Bill Wyman established himself among the greatest bassists in rock & roll history; in tandem with drummer Charlie Watts, he belonged to one of the most stalwart rhythm sections in popular music, perfectly complementing the theatrics of Mick Jagger and the gritty guitar leads of Keith Richards.  …. read more @ allmusic.com

 

Album of the day – James Brown – Live at The Apollo (1963):

 

Other October 24:

Continue reading Today: Bill Wyman is 76

Today: Dwight Yoakam is 56

The primary purpose in [performing] is to receive that pure inspiration that I derived from it when I was a kid the first time I saw one of those guitar slingers on television cock his leg and throw that guitar down and start doing a song and became completely infatuated with that and the moment that I was able to transport myself to another place, another plane of existence, by doing it alone in a room, you know, and realizing the enormous satisfaction from doing that … I don’t ever want to risk losing that as the primary catalyst for what I do musically.~
~Dwight Yoakam

From Wikipedia:

Birth name Dwight David Yoakam
Born October 23, 1956 (age 56)
Pikeville, Kentucky,United States
Origin Columbus, Ohio, United States
Genres Country Rock
Occupations Singer-songwriter, actor, director
Instruments Guitar, vocals
Years active 1984–present
Labels Reprise
Audium
New West
Warner Bros. Nashville
Associated acts Buck Owens
Website http://www.dwightyoakam.com/

Dwight David Yoakam (born October 23, 1956) is an American singer-songwriter, actor and film director, most famous for his pioneering country music. Popular since the early 1980s, he has recorded more than twenty-one albums and compilations, charted more than thirty singles on the Billboard Hot Country Songs charts, and sold more than 25 million records.

Guitars, Cadillacs:

From allmusic.com – Stephen Thomas Erlewine:

With his stripped-down approach to traditional honky tonk and Bakersfield country, Dwight Yoakamhelped return country music to its roots in the late ’80s. Like his idols Buck Owens, Merle Haggard, andHank Williams, Yoakam never played by Nashville’s rules; consequently, he never dominated the charts like his contemporary Randy Travis. Then again, Travis never played around with the sound and style of country music like Yoakam. On each of his records, he twists around the form enough to make it seem like he doesn’t respect all of country’s traditions. Appropriately, his core audience was composed mainly of roots rock and rock & roll fans, not the mainstream country audience. Nevertheless, he was frequently able to chart in the country Top Ten, and he remained one of the most respected and adventurous recording country artists well into the ’90s.
…read more over @ allmusic.com 

a medley performed @ The Grand Ole Opry:

 

Album of the day – Guitars, Cadillacs, etc etc (1986):

From allmusic.com – Thom Jurek:
Dwight Yoakam’s Guitars, Cadillacs, Etc., Etc. began as an EP issued on the California Oak label. When Reprise signed him, they added four more tracks to the mix to round it out as an album. Yoakam, a Kentuckian, brought country music back into its own medium by reviving the classic Bakersfield sound with the help of his producer and lead guitarist, former Detroiter Pete Anderson. As a result, the “new traditionalist” movement was born, but Yoakam was always a cut or three above the rest, as this album displays in spades. Guitars, Cadillacs, Etc., Etc. kicks off with a smoking cover of Johnny Horton’s “Honky Tonk Man,” a song now so closely associated with Yoakam, the original has all but been forgotten. But this is only the beginning. Yoakam’s own songs such as “Bury Me,” a duet with Maria McKee, and “South of Cincinnati” reference both the pastoral and dark sides of his native state. “South of Cincinnati” is a paean to those who left Kentucky for Ohio in search of jobs, and “Bury Me” celebrates the land itself. In addition, the title track, with Anderson’s Don Rich-influenced guitar style, walks the Buck Owens line until the line extends to Yoakam. With fiddles and backing vocals, Yoakam’s street poetry is both poignant and profound, built into a barroom anthem. In addition to this there is the gorgeous “Miner’s Prayer,” an acoustic number powered by dobro (courtesy of David Mansfield), flat-picked guitar, and Yoakam’s singing of his grandfather and generations like him who lived and died in the mines of Kentucky. Here Bill Monroe meets Ralph Stanley meets Bob Dylan.  .. read more @ allmusic.com

Other October 23:

Continue reading Today: Dwight Yoakam is 56

Bob Dylan – The 4th recording session for “The Times They Are A-Changin’” – 23 October 1963 – update

OLD post … You’re being redirected to a newer version……

“The message isn’t in the words, …. I don’t do anything with a sort of message.
I’m just transferring my thoughts into music. Nobody can give you a message like that.”
~Bob Dylan (to Ray Coleman, May 1965)

To me, that song [When The Ship Comes In] says a whole lot. Patti LaBelle should do that. You know? You know, there again, that comes from hanging out at a lot of poetry gatherings. Those kind of images are very romantic. They’re very gothic and romantic at the same time. And they have a sweetness to it, also. So It’s a combination of a lot of different elements at the time. That’s not a contrived line. That’s not sitting down and writing a song. Those kind of songs, they just come out. They’re in you so they’ve got to come out.
~Bob Dylan (to Paul Zollo, April 1991)

49 years ago Dylan did his 4th recording session for “The Time They are A-Changin'” 

Some background info from Wikipedia:

The Times They Are a-Changin’ is the third studio album by American singer-songwriter Bob Dylan, released in January 1964 by Columbia Records.

Produced by Tom Wilson, it is the singer-songwriter’s first collection to feature only original compositions. The album consists mostly of stark, sparsely-arranged story songs concerning issues such as racism, poverty, and social change. The title track is one of Dylan’s most famous; many felt that it captured the spirit of social and political upheaval that characterized the 1960s.

Sessions did not resume for more than two months. During the interim, Dylan toured briefly with Joan Baez, performing a number of key concerts that raised his profile in the media. When Dylan returned to Studio A on October 23, he had six more original compositions ready for recording. Master takes for “The Lonesome Death of Hattie Carroll” and “When the Ship Comes In” were both culled from the October 23 session. A master take for “Percy’s Song” was also recorded, but it was ultimately set aside and was not officially released until Biograph in 1985.

Albums involved:

ALBUM Release date CODE
The Times They Are A-Changin’ 1964-01-13 TTTAA
Biograph 1985-11-07 BIO
Love @ Theft bonus disc 2001-09-11 LTB

Studio A
Columbia Recording Studio
New York City, New York
October 23, 1963, 10-1 pm

Produced by Tom Wilson.
Engineers: Knuerr and Dauria.

Songs:

  1. The Lonesome Death Of Hattie Carroll
  2. The Lonesome Death Of Hattie Carroll
  3. When The Ship Comes In
  4. When The Ship Comes In
  5. The Times They Are A-Changin’
  6. Percy’s Song – BIO
    “….the exquisitely performed ‘protest’ number ‘Percy’s Song’…”
    ~Michael Gray (The Bob Dylan Encyclopedia)

    “Percy’s song” makes one think Dylan could have had a career as a courtroom lawyer….. “Percy’s song” is long – too long, I think, for the simple story it tells; the appeal here is the melody and Dylan’s evident affection for this tune and for the repeating lines, “turn. turn, turn again… turn, turn to the rain and the wind.” He weaves a spell with these lines, passing along the spell they wove on him….
    ~Paul Williams (Performing artist 60-73)

  7. The Lonesome Death Of Hattie Carroll
  8. The Lonesome Death Of Hattie Carroll – TTTAA
    “The Lonesome Death of Hattie Carroll” is an extremely moving song that has stood the test of time better than any of Dylan’s other early topical songs of this sort… Dylan sings it from the heart; he really cares about the woman who died – her dignity and the value of her life come through in the song, it is a memorial to her and a tribute to people like her as much as an attack on her killer and people like him and the system that coddles them.
    ~Paul Williams (Performin Artist 60-73)

    “Although a song such as his magnificent ‘Lonesome Death of Hattie Carroll’ makes an ordinary worker into a kind of heroine, Dylan makes this happen as a device, not an end in itself: a device for strengthening an essentially political and social polemic.
    ~Michael Gray (The Bob Dylan Encyclopedia)



  9. When The Ship Comes In
  10. When The Ship Comes In – TTTAA
    “Even as words on the page, though, the song has a charm very much its own—like a glimpse into a world both real and unreal: morally mature (if severe) yet child-like in conception. The internal rhyming is so effective, driving the vision along in the rhythm of the oncoming ship as it meets, again and again, relentlessly, the swell of the sea: ‘And the song, will, lift, as the main, sail, shifts / And the boat, drifts . . .’ and this internal rhyming collaborates perfectly with the alliterative effects (as well, of course, as with the tune): ‘Then the sands will roll out a carpet of gold / For your weary toes to be a-touchin’. . .’ The child-like allegory comes over as a quite unexceptionable moral cleanliness—a convincing wisdom. …” ~Michael Gray (The Bob Dylan Encyclopedia)


  11. The Times They Are A-Changin’ – L&TB
    (note: either this take or take 16 was released on L&TB)

  12. The Times They Are A-Changin’
  13. The Times They Are A-Changin’
  14. The Times They Are A-Changin’
  15. The Times They Are A-Changin’
  16. The Times They Are A-Changin’
  17. East Laredo Blues
  18. Key To The Highway (Charles Segar/Willie Broonzy)
  19. That’s All Right Mama (Arthur Crudup)


Related articles @ JV:

References:

-Egil