….this concert is filmed, with three songs appearing in Renaldo and Clara: “It Ain’t Me, Babe,” which appears on the promotional EP as well, “Just Like a Woman,” and “Knockin’ on Heaven’s Door.” It is a relatively intimate venue with just 1,850 capacity; and the whole Revue responds with a particularly fine show. Before the concert, a scene is filmed of Sara Dylan as a hitchhiker being picked up in a Rolls Royce. Again, this is not included in the film.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)
Yet another wonderful Rolling Thunder 75 concert.
Harvard Square Theatre
Cambridge, Massachusetts
20 November 1975
Bob Dylan (vocal, guitar)
Bob Neuwirth (guitar)
T-bone J. Henry Burnett (guitar)
Roger McGuinn (guitar)
Steven Soles (guitar)
Mick Ronson (guitar)
David Mansfield (steel guitar, violin, mandolin ,dobro)
CBS is proud to introduce a major new figure in American folk music—Bob Dylan.
Excitement has been running high since the young man with a guitar ambled into a
recording studio for two sessions in November, 1961. For at only 20, Dylan is the most unusual
new talent in American folk music.
His talent takes many forms. He is one of the most compelling white blues singers ever
recorded. He is a songwriter of exceptional facility and cleverness. He is an uncommonly
skillful guitar player and harmonica player.
~Stacey Williams (“Bob Dylan” LP. liner notes – March 1962)
Dylan comes across as obsessed with the romance of dying, but the speed, energy and attack
in his guitar, harmonica and voice show how fresh and excellently ‘unprofessional’ he was.
…..
Yet what comes through from the album as a whole is a remarkable skill and more than a hint
of a highly distinctive vision.
~Michael Gray (The Bob Dylan Encyclopedia)
Wikipedia:
Released
March 19, 1962
Recorded
November 20 and 22, 1961,Columbia Recording Studio, New York City, New York, United States
Genre
Folk
Length
36:54
Label
Columbia
Producer
John H. Hammond
Bob Dylan is the debut album by American singer-songwriter Bob Dylan, released in March 1962 by Columbia Records. Produced by Columbia’s legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, “Talkin’ New York” and “Song to Woody”.
Oh all the money that in my whole life I did spend
Be it mine right or wrongfully
I let it slip gladly past the hands of my friends
To tie up the time most forcefully
But the bottles are done
We’ve killed each one
And the table’s full and overflowed
And the corner sign
Says it’s closing time
So I’ll bid farewell and be down the road
–
Dylan is part of an all-star cast who have convened at the Shrine to celebrate Frank Sinatra’s eightieth birthday. While cameras roll and Sinatra is seated in A 18, DyIan unveils a remarkable version of” Restless Farewell,” all five verses sung with a nervy precision, accompanied by his usual musical misfits and a string quartet. The whole thing is actually rather moving, as is Sinatra’s seemingly genuine enthusiasm for the performance, which is subsequently broadcast on cable TV.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)
Shrine Auditorium Los Angeles, California 19 November 1995 Frank Sinatra 80th Birthday Tribute
Bob Dylan (vocal & guitar)
Bucky Baxter (pedal steel guitar & electric slide guitar)
John Jackson (guitar)
Tony Garnier (bass)
Winston Watson (drums & percussion)
….. and a string quartet with unidentified musicians
2001 was a fine year for Bob Dylan’s “Never Ending Tour”.
.. the show was superbly recorded and much of the atmosphere does come across. “Forever Young” sounds like a benediction on the self-healing residents of the suffering city. “A Hard Rain’s A-Gonna Fall” and, especially, “Blowin’ In The Wind” with its line “and too many people have died” have a special feel to them; a feeling that you can sense is being supplied almost as much by the audience as the performers. “Searching For A Soldier’s Grave” and Fred Rose’s song “Wait For The Light To Shine” cannot help but do the same, and the carefully-controlled lighting effects all added to the ambience.
~Andrew Muir (One More Night: Bob Dylan’s Never Ending Tour)
A great & very special New York concert only 2 months after 9/11.
I wasn’t quite sure how to do it and what material to use. I would have liked to do old folk songs with acoustic instruments, but there was a lot of input from other sources as to what would be right for the MTV audience. The record company said, “You can’t do that, it’s too obscure.” At one time, I would have argued, but there’s no point. OK, so what’s not obscure? They said Knockin’ on Heaven ‘s Door.
~Bob Dylan (to Edna Gundersen May 1995)
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