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The “Infidels” Birthday inspired me to set up a list of Dylan’s best songs recorded in 1983.
I’ve chosen to include 2 versions of “Blind Willie McTell”. This is by far the best song Dylan recorded in 1983… and the both versions are fantastic.
- Blind Willie McTell – electric version (not released)*
- Blind Willie McTell – acoustic version (The Bootleg Series 3)
- Jokerman – Infidels
- Foot of Pride – The Bootleg Series 3
- Someone’s Got A Hold Of My Heart – alt.version (not released)*
- License To Kill – Infidels
- I & I – Infidels
- Lord Protect My Child – The Bootleg Series 3
- Sweetheart Like You – Infidels
- Tell Me – The Bootleg Series 3
* My source is the “Rough Cuts” bootleg:
Check out bobsboots.com
Over to the goodies..
1. Blind Willie McTell – electric version:
Seen the arrow on the doorpost
Saying, “This land is condemned
All the way from New Orleans
To Jerusalem”
I traveled through East Texas
Where many martyrs fell
And I know no one can sing the blues
Like Blind Willie McTellWell, I heard that hoot owl singing
As they were taking down the tents
The stars above the barren trees
Were his only audience
Them charcoal gypsy maidens
Can strut their feathers well
But nobody can sing the blues
Like Blind Willie McTellSee them big plantations burning
Hear the cracking of the whips
Smell that sweet magnolia blooming
See the ghosts of slavery ships
I can hear them tribes a-moaning
Hear that undertaker’s bell
Nobody can sing the blues
Like Blind Willie McTellThere’s a woman by the river
With some fine young handsome man
He’s dressed up like a squire
Bootlegged whiskey in his hand
There’s a chain gang on the highway
I can hear them rebels yell
And I know no one can sing the blues
Like Blind Willie McTellWell, God is in His heaven
And we all want what’s His
But power and greed and corruptible seed
Seem to be all that there is
I’m gazing out the window
Of the St. James Hotel
And I know no one can sing the blues
Like Blind Willie McTell
2. Blind Willie McTell – acoustic version
Studio A, Power Station – New York City, New York
5 May 1983
3. Jokerman
Studio A, Power Station – New York City, New York
14 April 1983
Standing on the waters casting your bread
While the eyes of the idol with the iron head are glowing
Distant ships sailing into the mist
You were born with a snake in both of your fists while a hurricane was blowing
Freedom just around the corner for you
But with the truth so far off, what good will it do?Jokerman dance to the nightingale tune
Bird fly high by the light of the moon
Oh, oh, oh, Jokerman
4. Foot of Pride – The Bootleg Series 3
Studio A, Power Station – New York City, New York
27 April 1983
Like the lion tears the flesh off of a man
So can a woman who passes herself off as a male
They sang “Danny Boy” at his funeral and the Lord’s Prayer
Preacher talking ’bout Christ betrayed
It’s like the earth just opened and swallowed him up
He reached too high, was thrown back to the ground
You know what they say about bein’ nice to the right people on the way up
Sooner or later you gonna meet them comin’ downWell, there ain’t no goin’ back
When your foot of pride come down
Ain’t no goin’ back
5. Someone’s Got A Hold Of My Heart – alt.version
They say, “Eat, drink and be merry
Take the bull by the horns”
I keep seeing visions of you, a lily among thorns
Everything looks a little far away to meGettin’ harder and harder to recognize the trap
Too much information about nothin’
Too much educated rap
It’s just like you told me, just like you said it would beThe moon rising like wildfire
I feel the breath of a storm
Something I got to do tonight
You go inside and stay warmSomeone’s got a hold of my heart
Someone’s got a hold of my heart
Someone’s got a hold of my heart
You—
Yeah, you got a hold of my heart
The BS3 version is a bit different, but great as well:
6. License To Kill
Studio A, Power Station – New York City, New York
13 April 1983
Man thinks ’cause he rules the earth he can do with it as he please
And if things don’t change soon, he will
Oh, man has invented his doom
First step was touching the moonNow, there’s a woman on my block
She just sit there as the night grows still
She say who gonna take away his license to kill?
7. I & I – Infidels
Studio A, Power Station – New York City, New York
27 April 1983
Been so long since a strange woman has slept in my bed
Look how sweet she sleeps, how free must be her dreams
In another lifetime she must have owned the world, or been faithfully wed
To some righteous king who wrote psalms beside moonlit streamsI and I
In creation where one’s nature neither honors nor forgives
I and I
One says to the other, no man sees my face and lives
8. Lord Protect My Child – The Bootleg Series 3
Studio A, Power Station – New York City, New York
2 May 1983
For his age, he’s wise
He’s got his mother’s eyes
There’s gladness in his heart
He’s young and he’s wild
My only prayer is, if I can’t be there
Lord, protect my childAs his youth now unfolds
He is centuries old
Just to see him at play makes me smile
No matter what happens to me
No matter what my destiny
Lord, protect my child
9. Sweetheart Like You – Infidels
Studio A, Power Station – New York City, New York
18 April 1983
Well, the pressure’s down, the boss ain’t here
He gone North, he ain’t around
They say that vanity got the best of him
But he sure left here after sundown
By the way, that’s a cute hat
And that smile’s so hard to resist
But what’s a sweetheart like you doin’ in a dump like this?You know, I once knew a woman who looked like you
She wanted a whole man, not just a half
She used to call me sweet daddy when I was only a child
You kind of remind me of her when you laugh
In order to deal in this game, got to make the queen disappear
It’s done with a flick of the wrist
What’s a sweetheart like you doin’ in a dump like this?
10. Tell Me – The Bootleg Series 3
Studio A, Power Station – New York City, New York
21 April 1983
Tell me–I’ve got to know
Tell me–tell me before I go
Does that flame still burn, Does that fire still glow
Or has it died out and melted like the snow
Tell me
Tell meTell me–what are you focused upon
Tell me–will it come to me after you’re gone
Tell me quick with a glance on the side
Shall I hold you close or shall I let you go by
Tell me
Tell me
-Egil
Yes, I agree, that’s why I would replace the plodding “Bully” and irritating “Sundown” on original LP with “Foot of Pride” and “Willie McTell” respectively. Sorry, wasn’t very clear with my original post I’m afraid.
So my ideal “Infidels” track-list would be:
1. Jokerman
2. Sweetheart Like You
3. Foot of Pride
4. License to Kill
5. Man of Peace
6. Blind Willie McTell
7. I and I
8. Don’t Fall Apart on Me Tonight
Hope this is more clear!
Hi again Mark,
alright.. This makes more sense 🙂
Thanks again for your input.
-Egil
Think I would merely swap ‘Neighborhood Bully’ and ‘Union Sundown’ for ‘Foot of Pride’ and ‘Blind Willie McTell’ (tracks 3 and 6) respectively. If that had been the album Dylan had actually released it would not only have been his greatest of the 80s, but certainly an underdog contender for his finest album ever. ‘Infidels’ was the first Dylan album I ever heard, and with this entry-point I started to love his music, so I’m definitely showing a bit of favouritism here. With time and age I think ‘Infidels’ is definitely over-produced (the Knopfler-Dorfsman’s treatment, of course), but still undeniably a guilty pleasure.
Hi Mark.. and thanks for taking the time to write a comment!
Personally I don’t like either ‘Neighborhood Bully’ or ‘Union Sundown’ very much…. but always nice to hear other peoples opinions 🙂
Egil
I would have gladly dropped License to Kill, Don’t Fall Apart on Me Tonight, Sweetheart Like Like You, and Union Sundown for Foot of Pride, Blind Willie McTell, Lord Protect My Child, and Tell Me. Even better- what a double album it would have been!!!!!
Think the “Rough Cuts” versions of “Jokerman” and “Sweetheart Like You” are on a level with their more polished successors on the “Infidels” album. You get extremely interesting lyric variations which are, in no way, inferior to the so-called ‘official’ versions. As always with Dylan you can never have a ‘definitive’ version of any song. Alternate takes and live versions are as worthy as the ‘official’ studio versions.
Thanks, the alternate Someone’s Got… has a great arrangement and killer groove. The BS version though has tremendously expressive singing, so it edges it out for me.
Thanks for the input AWFF,
Agree… Their both great, a close call again.. I think I need to add the BS3 version to my post… 🙂
-Egil
Great to have them both!
Would personally argue that the acoustic version of Blind Willie McTell is superior (the space created in the sonic landscape by only having a guitar and piano suit the lyrics more than the 80’s drum beat and Mick Taylor slide guitar.) Having said that they are both incredible, and Dylan plays some wonderful harmonica on the electric version.
Hi Robert – thanks for the feedback
Both versions of BWMT are brilliant.. hard to put one over the other… A shared number one would probably be better 🙂
-Egil