Then, after the semi-acoustic set, Dylan dedicates a heartfelt version of “Moon River” to Stevie Ray Vaughan, following it with a rather magnificent cover of a Robert Hunter
song, “Friend of the Devil.”
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)
Notes:
Only known version of Moon River
First Friend Of The Devil
Moon River was dedicated to Stevie Ray Vaughan who died in a helicopter crash the night before after having played at an Eric Clapton concert in Alpine Valley.
Bob Dylan & George Harrison: August 1, 1971, New York
The Concert for Bangladesh (or Bangla Desh, as the country name was spelt originally) was the name for two benefit concerts organised by George Harrison and Ravi Shankar, held at 2.30 and 8 pm on Sunday, 1 August 1971, playing to a total of 40,000 people at Madison Square Garden in New York City. The shows were organised to raise international awareness and fund relief efforts for refugees from East Pakistan (now Bangladesh), following the 1970 Bhola cyclone and the civil war-related Bangladesh atrocities. The concerts were followed by a bestselling live album, a boxed three-record set, and Apple Films’ concert documentary, which opened in cinemas in the spring of 1972.The event was the first-ever benefit concert of such a magnitude and featured a supergroup of performers that included Harrison, fellow ex-Beatle Ringo Starr, Bob Dylan, Eric Clapton, Billy Preston, Leon Russell and the band Badfinger. In addition, Shankar and another legend of Indian music, Ali Akbar Khan, performed a separate set. Decades later, Shankar would say of the overwhelming success of the event: “In one day, the whole world knew the name of Bangladesh. It was a fantastic occasion …” ~Wikipedia
This was Dylan’s first live performance in two years. Harrison had to twist his arm to get him to take part in the benefit concert, and we can be very glad he did: it’s a stunning performance (both shows), modest, confident, richly textured, with Dylan feeling and communicating genuine love for the music he’s playing (in the case of” Blowin’ in the Wind” this was his first public performance of the song in seven years). Most of all, Dylan’s voice on this midsummer afternoon and evening has a rare, penetrating beauty that is immediately noticeable to almost anyone who hears it. This is, in a very real sense, the Dylan a large part of his audience dreams of hearing; this is the voice to fit the stereotyped or mythic image of Bob Dylan, guitar strumming poet laureate of the 1960s.
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)
Madison Square Garden New York City, New York 1 August 1971 Rehearsals before the Bangla Desh Concert
On the 26th of july, 1999, in a club in Manhattan, Bob Dylan delivered one of his greatest performances ever of his well-loved 1966 epic “Visions of Johanna.” As if to acknowledge and signal his awareness of the power and freshness of this latest reinterpretation, the singer-bandleader effectively changed the title of the song halfway through, by starting to sing the chorus as: “And these visions of Madonna are now all that remain/ … have kept me up past the dawn.”
~Paul Williams (Bob Dylan: Performing Artist Volume 3: Mind Out Of Time 1986 And Beyond)
Tramps New York City, New York 26 July 1999
Bob Dylan (vocal & guitar)
Charlie Sexton (guitar)
Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar)
1999 Never Ending Tour – 1999.07.17 – Blockbuster-Sony Music Entertainment Centre (The E-Centre) – Camden, NJ
1. The Sound Of Silence
2. That’ll Be The Day
4. The Wanderer
3. Knockin’ On Heaven’s Door
“Easily for me, the most moving part of his set was when Dylan came out for “Sounds of Silence.” Maybe it was the ghost of another Kennedy tragedy hanging over the proceedings, or maybe it was the arrangement, much slower than the original Simon & Garfunkel single (and pretty much the way Simon’s been doing the song for the last 15 years or so) with Simon playing the melody on electric (finally doing some picking) but a lot of it had to do with Dylan being on stage. Dylan has presence and Simon for all his hand motions during his set just doesn’t — not at this show anyway. Dylan was singing in one of his spookier voices and immediately you knew that he was singing strongly as well.” – Peter Stone Brown (Boblinks)
From Bjorner.com:
Bob Dylan (vocal & acoustic guitar)
Paul Simon (vocal & electric guitar)
Mark Stewart (electric & acoustic guitar, dobro. Mandolin, cello)
Vincent Nguini (electric guitar)
Chris Botti (trumpet)
Jay Ashby (slide trombone, percussion)
Andy Snitzer (soprano saxophone, tenor saxophone, synthesizer)
Tony Cedras (keyboards, accordion), Alain Mallet (keyboards)
Bakithi Kumalo (bass)
Jamey Haddad (percussion)
Steve Shehan (percussion)
Steve Gadd (drums).