Category Archives: Great albums

October 27: Neil Young released Harvest Moon in 1992

Neil_Young_Harvest_Moon

Harvest Moon is the twentieth studio album by Neil Young. Many of the musicians appearing on it also appeared on his 1972 album Harvest, and it is considered by many to be like a “sequel” to Harvest.

But Neil Young did not agree:
“…people see the correlation between the two, and it’s kind of a plus to be able to refer back 20 years and see the same people and do that. But the thrust of the albums is different, even though the subject matter is similar, so I tend to shy away more from comparisons between them…”

Recovering from a case of tinnitus that had come about after the recording of 1990’s Ragged Glory and its subsequent tour (which produced 1991’s Weld and Arc), Young was determined to return to the studio. Returning to Nashville and joining up with compatriots like Ben Keith, Young put down the electric guitar, returning to the acoustic guitar, piano and banjo that had dominated albums such as Harvest, Comes a Time and Old Ways.

The album earned the 1994 Juno Award for album of the year. The 2009 release Dreamin’ Man is a live album of the subsequent 1992 tour and contains live renditions of all Harvest Moon tracks in a different order.

One of Neil Young’s best albums in my book, many classic songs. I think it’s a far angrier album than Harvest and a record  that is a testament to Young’s experience and growth as a songwriter.

The title track to Neil Young’s Harvest Moon encapsulates the mood of the entire album in a single song. The power of nature and music, as well as a feeling of celebrating lifetime love are the focal points here, and Young captures it all in his typically literate, artless style. The melody is positively gorgeous, and it’s one that could have easily framed a heavier song. The fact that Young uses the word “celebrate” underlines his feelings here, and the exquisite arrangement and backing vocals (which include Linda Ronstadt) underline this.
– Matthew Greenwald (allmusic.com)

Neil Young – Harvest Moon (Official video):

Continue reading October 27: Neil Young released Harvest Moon in 1992

October 25: Electric Ladyland by The Jimi Hendrix Experience was released in 1968

Jimi_Hendrix_-_Electric_Ladyland

“undoubtedly a rock album, albeit rock on the point of evolving into something else.”
– David Stubbs

“one of the greatest double-albums in rock.”
– John Perry

Electric Ladyland is the third and final album of new material by the Jimi Hendrix Experience, released in October 1968 on Reprise Records. It is the only Hendrix studio album professionally produced under his supervision. It topped the Billboard 200 album chart for two weeks in November 1968.

Released October 25, 1968 (some sources says October 16…worth celebrating anyhow)
Recorded Olympic Studios, London and Record Plant Studios, New York, July and December 1967, January 1968, April–August 1968
Genre Psychedelic rock, blues rock, acid rock, hard rock
Length 75:47
Label Reprise, Track, Barclay, Polydor
Producer Jimi Hendrix

All along the watchtower, the best Dylan cover of all time! (live, Isle of Wight):

This is a perfect Hendrix album. It is poppy and funky and original at the same time, and what a great soul singer Hendrix was! I also think it is very inventive, sonically speaking. Jimi Hendrix really searched for “new sounds” on this record, he produced an album that has stood the test of time marvelously.

Continue reading October 25: Electric Ladyland by The Jimi Hendrix Experience was released in 1968

October 20: David Bowie Santa Monica Civic Auditorium 20 October 1972 (audio)

david bowie santa monica 1972

“Steve Martin here, backstage at the Santa Monica Civic Auditorium. It’s a cool night in Los Angeles, and as you may know or not know, the Santa Monica Civic is about a hundred yards from the beach so we have a cool breeze blowing off the ocean through the stage at our backs. The auditorium is packed, as a matter of fact, for the first David Bowie concert in the Los Angeles area. There will be one more tomorrow night, this is the concert tonight which will be recorded by RCA for the next David Bowie album and we expect to hear some new material by this British superstar. David and his group, the Spiders From Mars will enter from the other side of the stage. The auditorium is completely blacked out except for flashing strobe lights. Now the entrance music will be the Ode, or should I say the Ode To Joy which is featured in the movie Clockwork Orange and the house lights are starting to dim… here’s David Bowie.”

Intro & Hang On To Yourself:

Ziggy played guitar, jamming good with weird and gilly
And the spiders from mars. he played it left hand
But made it too far
Became the special man, then we were ziggy’s band

Continue reading October 20: David Bowie Santa Monica Civic Auditorium 20 October 1972 (audio)

October 17: Johnny Cash – American III: Solitary Man was released in 2000

In the liner notes, Johnny Cash writes:

“The song is the thing that matters. Before I can record, I have to hear it, sing it, and know that I can make it feel like my own, or it won’t work. I worked on these songs until I felt like they were my own.”

Released October 17, 2000
Genre Country, americana
Length 42:15
Label American Recordings
Producer John Carter Cash, Rick Rubin

American III: Solitary Man is the third album in the American series by Johnny Cash released in 2000 (and his 85th overall album). The album was notable for being Cash’s highest charting (#11 Country) solo studio LP since his 1976 One Piece at a Time, an album that reached No. 2 Country based on the title cut. To the present day, Cash’s studio albums for American have continued to sell & chart extremely well, as evidenced by the platinum #22 POP, #2 C&W American IV: The Man Comes Around (released one year before his death) and the gold, #1 on both charts, American V: A Hundred Highways.

I see a darkness (with guest Will Oldham, the composer of the song):

Between Unchained and Solitary Man, Cash’s health declined due to various ailments, and he was even hospitalized for pneumonia. His illness forced Cash to curtail his touring. The album American III: Solitary Man contained Cash’s response to his illness, typified by a version of Tom Petty’s “I Won’t Back Down”, as well as a version of U2’s “One”.

One (so much better than any other versions!):

American III: Solitary Man, just like Cash’s two previous albums produced by Rick Rubin, was a Grammy winner, taking home the award for Best Male Country Vocal Performance for Cash’s version of the Neil Diamond classic “Solitary Man”. Cash continued to receive critical appreciation for his American series of albums—on aggregate review site Metacritic.com the third album in Cash’s American series received a score of 80 (despite middling reviews from publications such as L.A. Weekly and Rolling Stone magazine) (from Wikipedia)

Track listing:

  1. I Wont Back Down
  2. Solitary Man
  3. That Lucky Old Sun
  4. One
  5. Nobody
  6. I See A Darkness
  7. The Mercy Seat
  8. Would You Lay With Me (In A Field Of Stone)
  9. Field Of Diamonds
  10. Before My Time
  11. Country Trash
  12. Mary Of The Wild Moor
  13. I’m Leavin’ Now
  14. Wayfaring Stranger

“You can stand me up at the gates of hell/ But I won’t back down”

Pitchfork:

Ryan Kearney

But American III‘s high point is its two-song centerpiece. The first is Will Oldham’s “I See a Darkness”, on which it becomes clear that, perhaps because of his neurological disorder, Cash’s voice isn’t as sure and strong as it once was. When he quavers, with Oldham singing backup, “Is there hope that somehow you can save me from this darkness?” the effect is absolutely devastating. You won’t listen to the song the same after this. The shivers will eventually leave your spine, but the residue remains.

The Mercy Seat:

That song’s transcendent power also stems from its production, which, although still sparse, is relatively lush. The organ and piano that rise to match the guitar remain in use for Nick Cave’s “The Mercy Seat”. Chronicling the first-person thoughts of a man being executed, this song, more than any other on the album, was written for Cash. Building to a rumbling crescendo, he belts out, “And the mercy seat is smokin’/ And I think my head is meltin’.” This would’ve brought even Gary Gilmore to tears.

Continue reading October 17: Johnny Cash – American III: Solitary Man was released in 2000

October 17: Bruce Springsteen released The River in 1980


springsteen The-River

October 17: Bruce Springsteen released The River in 1980

But I remember us riding in my brother’s car
Her body tan and wet down at the reservoir
At night on them banks I’d lie awake
And pull her close just to feel each breath she’d take
Now those memories come back to haunt me
They haunt me like a curse
Is a dream a lie if it don’t come true
Or is it something worse?
~Bruce Springsteen “The River”

Put on your best dress baby
And darlin’, fix your hair up right
Cause there’s a party, honey
Way down beneath the neon lights
~Bruce Springsteen “Out In The Street”

 

Continue reading October 17: Bruce Springsteen released The River in 1980