Category Archives: Music Calendar

Blues, Music Calendar, Soul

August 21: Etta James released Tell Mama in 1968

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August 21: Etta James released Tell Mama in 1968

Something told me it was over
When I saw you and her talking.
Something deep down in my soul said cry girl,
When I saw you and that girl walking.

I would rather,
I would rather go blind, boy,
Than to see you walk away from me, child.

Tell Mama is the eighth studio album by Etta James. The album was released August 21, 1968 on Cadet Records and was produced by Rick Hall. Tell Mama was James’ first album since 1963 to enter the Billboard 200 albums chart and contained her first Top 10 and 20 hits since 1964. It was her second release for the Cadet record label.

Tell Mama (on US TV, Happening ’68, 1968):

Leonard Chess sent Etta James to Muscle Shoals in 1967 (2 August – 6 December), and it really paid off with what might be her best  Cadet album. The record has a fantastic title cut, it has the moving soul ballad I’d Rather Go Blind, it has the incredible The Love of My Man and a many more very fine soul numbers. The tight studio band at Fame Studios really shone next to Etta James. The music they made is timeless soul/blues, it’s a masterclass in record making.

An incredibly good version of I’d Rather Be Blind (Live at Montreux 1975):

“The question of why a rural Alabama town became a conduit for some of the most memorable and instantly identifiable grooves may still be up for debate. The evidence exists in droves and Tell Mama could certainly be considered exhibit A. “
– Lindsay Planer (Allmusic)

One of the best soul albums ever made, and certainly among Etta James’ best records!

Listen to Miss James testify in a  country church style  on It Hurts Me So Much, oh my God how good it is!

Etta James – Tell Mama (Album, The Complete Muscle Shoals Sessions, Spotify):

– Hallgeir

Sources: Liner notes Tell Mama, Wikipedia, Allmusic

Led Zeppelin, Music Calendar, Robert Plant

August 20: Robert Plant Birthday

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It’s sort of a feeling of power onstage. It’s really the ability to make people smile, or just to turn them one way or another for that duration of time, and for it to have some effect later on. I don’t really think it’s power… it’s the goodness.
~Robert Plant

My vocal style I haven’t tried to copy from anyone. It just developed until it became the girlish whine it is today.
~Robert Plant

Whole Lotta Love – live 1970:

Our report from Robert Plant’s concert in Bergen, Norway in 2014:

The headliner on the second day was of course, Robert Plant and his band The Sensational Space shifters. Plant revisited  surprisingly many songs from the Led Zeppelin catalog (and an appreciative audience loved it) plus some new songs and tunes from his post-Zeppelin career. The emphasis was on blues put in a historic context, very modern sounding but also true to it’s roots. He drew the lines from England to Memphis to Africa. This wasn’t a dry history lesson, but a joyful celebration of the blues art form.

Mr. Plant was in a splendid mood, joking and clearly having fun. When he did Whole Lotta Love the audience went wild, he started it as a slow call and response blues before the band kicked in into a full-blown rock’n roll anthem. He then slowed it down again and had a middle act where he incorporated a “Who do you love” segment before finishing the song in Rock heaven. So fresh, but still so true to the original song! This gentleman of Rock delivered way beyond our expectations, the concert was amazing!

 

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Music Calendar, World Music

August 19: Ginger Baker Birthday

Ginger Baker und Jonas Hellborg 1987

“They credited us with the birth of that sort of heavy metal thing. Well, if that’s the case, there should be an immediate abortion.”
~Ginger Baker

If I am playing any music at all it is jazz music.
~Ginger Baker

There are a lot of great drummers. But Ginger Baker is an inspiration because of a certain almost relaxing quality that he brings to the drums. While a lot of drummers are putting speed and power first, Baker put rhythm first.
~bgamall.hubpages.com

Ginger Baker Biography – youtube video:

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Great albums, Music Calendar, The Band

August 17: The Band released Stage Fright in 1970

stage fright

See the man with the stage fright
Just standin’ up there to give it all his might.
And he got caught in the spotlight,
But when we get to the end
He wants to start all over again.

August 17: The Band released Stage Fright in 1970

Stage Fright is the third studio album by The Band. Much more of a rock album than its predecessors, it was a departure from their previous two efforts in that its tone was darker and featured less of the harmony vocal blend that had been a centerpiece of those two albums. It also included the last two recordings by The Band of new songs credited to pianist Richard Manuel; both were co-written with guitarist Robbie Robertson, who would continue to be the group’s dominant lyricist until the group disbanded in 1976. Nonetheless, the tradition of switching instruments that had begun on the previous album continued here, with each musician contributing instrumental parts on at least two different instruments.

Engineered by an up-and-coming Todd Rundgren, and produced by the group themselves for the first time, the album was recorded at the Woodstock Playhouse in their homebase of Woodstock, New York.

Stage Fright (from The Last Waltz):

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Jazz, Miles Davis, Music Calendar

August 17: Miles Davis released Kind of Blue in 1959

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kind-of-blue

“It must have been made in heaven.”
– Jimmy Cobb

August 17: Miles Davis released Kind of Blue in 1959

Kind of Blue is a studio album by American jazz musician Miles Davis, released August 17, 1959, on Columbia Records in the United States. Recording sessions for the album took place at Columbia’s 30th Street Studio in New York City on March 2 and April 22, 1959. The sessions featured Davis’s ensemble sextet, which consisted of pianist Bill Evans (Wynton Kelly on one track), drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian “Cannonball” Adderley.

Though precise figures have been disputed, Kind of Blue has been described by many music writers not only as Davis’s best-selling album, but as the best-selling jazz record of all time. On October 7, 2008, it was certified quadruple platinum in sales by the Recording Industry Association of America (RIAA). It has been regarded by many critics as the greatest jazz album of all time and Davis’s masterpiece.

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The album’s influence on music, including jazz, rock, and classical music, has led music writers to acknowledge it as one of the most influential albums ever made. In 2002, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2003, the album was ranked number 12 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

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