Bob Dylan – On This Day – September 15

bob dylan 1991

Right, that’s the way I learned how to record, and that’s the way other people were doing it Now, you don’t do it that way, because the machinery is… they got… you know, it’s like, er… you go in a recording studio now and what I do is obsolete. So, I don’t, half the time, use a decent studio. I mean, we made the last record, we made Street Legal in a rehearsal hall, you know, only because we couldn’t use the studio we booked in town, you know. So, yeah, I could use a good producer, you know, I could make some well-produced records, ‘cause my songs are good enough, I mean, you don’t need but a fairly decent song, you know, to have a well-produced record.
~Bob Dylan (Matt Damsker Interview, Senator Hotel, Augusta, Maine – 15 September 1978)

Historic event

  • September 15 – 1965

    Bob+Dylan 1965
    Could this picture date to September 15, 1965 ?

    Dylan flies to Toronto to rehearse with the Hawks at Friars, a Toronto nightclub. Al Kooper has decided not to tour, so the remainder of the Hawks (Garth Hudson, Rick Danko, and Richard Manuel) are reunited with Robertson and Helen, becoming Dylan’s backing band for the remainder of the historic 1965-1966 world tour. Dylan flies in by private plane, arriving in the early evening at the Four Seasons Hotel.
    ~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)

  • September 15 – 1986
    Robert Shelton visits Dylan on the film set.
    ~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)

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September 15: The Kinks released Something Else in 1967

The_Kinks-Something_Else_By_The_Kinks-Frontal

September 15: The Kinks released Something Else in 1967

Something Else by The Kinks, often called just Something Else, is their fifth UK studio album. Two hit singles are included: “Waterloo Sunset” and “Death of a Clown”. In 2003, the album was ranked #288 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

Something Else is sentimental (of course), sarcastic and hip but at the same time lush and romantic, it has some of the best songs Kinks ever recorded.

The Kinks – Waterloo Sunset:

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September 15: The Jayhawks released Hollywood Town Hall in 1992

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September 15: The Jayhawks released Hollywood Town Hall in 1992

Hollywood Town Hall is a 1992 album by The Jayhawks. It peaked at #11 on the Billboard Heatseekers and #192 on the Billboard 200. It came as a breath of fresh air during “the grunge movement”. It is a fantastic record, easy to like but not simple in any way. It is a strong album all through, no weak tracks. It should have been a monster seller of course, it is radio friendly and it is one of the best albums to drive to ever made.

The Jayhawks – Take me with you when you go:

It manages in a strange way to mix the heartache of Nashville with the west-coast sounds of Laurel Canyon. It has cool riffs and great harmonies, the playing is good and the production sounds big and lush. It sounds like Neil Young mixed with The Louvin Brothers!

There are some really great guests on the album, Nicky Hopkins, Charley Drayton and Benmont Tench contributes to a warm and organic sound.

The Jayhawks – Waiting for the sun (Letterman 1991, network debut):

Talk about wearing your influences on both sleeves: Hollywood Town Hall sounds like the Everly Brothers backed by the Rolling Stones during their ”Dead Flowers” era, with Neil Young sitting in for an occasional vibrato-drenched solo. Yet the Minneapolis-based ‘Hawks wear their hearts proudly. There’s nothing nostalgic about the passion and desperation in every syllable of singer-songwriter Mark Olson’s voice — or in the band’s effortless mix of sawdust harmonies and craggy electric guitars. A
– Entertainment Weekly

Hollywood Town Hall at Spotify:

It was one of the more unlikely major label releases of 1992 — nothing to do with grunge, certainly not a last holdout from ’80s mainstream sludge. On the flip side, it wasn’t really the incipient alternative country/No Depression sound either, for all that there was a clear influence from the likes of Gram Parsons and fellow travelers throughout the grooves. This wasn’t a sepia-toned collection of murder ballads or the similarly minded efforts that were almost overreactions to Nashville’s triumphalism throughout the ’90s. At base, Hollywood Town Hall found a finely balanced point — accessible enough for should-have-been success (sclerotic classic rock station programmers were fools to ignore this while still playing the Eagles into the ground) but bowing to no trends.
Ned Ragget (Allmusic) 4.5/5

– Hallgeir

September 14: Little Richard recorded Tutti Frutti in 1955

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The phrase next to Robert Zimmerman’s picture in the 1959 Hibbing High School Yearbook was “To join Little Richard.”

“Bob Dylan is my brother. I love him same as Bobby Darin is my baby. I feel Bob Dylan is my blood brother. I believe if I didn’t have a place to stay, Bob Dylan would buy me a house. He sat by my bed; he didn’t move for hours. I was in pain that medicine couldn’t stop. My tongue was cut out, leg all tore up, bladder punctured. I was supposed to be dead. Six feet under. God resurrected me; that’s the reason I have to tell the world about it.”
– Little Richard (to John Waters, 1987)

Tutti Frutti (meaning “all fruits” in Italian) is a song written by Little Richard (Richard Wayne Penniman) along with Dorothy LaBostrie that was recorded in 1955 and became his first major hit record. With its opening cry of “A-wop-bom-a-loo-mop-a-lomp-bom-bom!” (a verbal rendition of a drum pattern that Little Richard had imagined) and its hard-driving sound and wild lyrics, it became not only a model for many future Little Richard songs, but also a model for rock and roll itself. The song introduced several of rock music’s most characteristic musical features, including its loud volume and vocal style emphasizing power, and its distinctive beat and rhythm.

It was recorded in September 1955 and released in November the same year.

Continue reading September 14: Little Richard recorded Tutti Frutti in 1955

September 14: Mike Cooley was born in 1966

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Mike Cooley, guitarist, songwriter and singer in one of our favorite bands Drive-By Truckers, was born 14 September 1966.

Happy Birthday, Mike Cooley!

Drive-By Truckers are an alternative country/Southern rock band based in Athens, Georgia, but two of the members (Patterson Hood and Mike Cooley) are originally from The Shoals region of Northern Alabama, and the band strongly identifies with Alabama. Their music uses three guitars as well as bass, drums, and now keyboards.

During a recent solo tour, the Drive by Truckers’ Mike Cooley stopped by the Fretboard Journal magazine offices to perform this tune. “Birthday Boy” originally appeared on the DBT’s album ‘The Big To-Do.’ Cooley also describes the unique guitar he’s playing, built by luthier Scott Baxendale.

Mike Cooley – Birthday Boy:

Drive-By Truckers was co-founded by Mike Cooley and Patterson Hood in Athens, Georgia, in 1996. The two had played in various other bands including Adam’s House Cat which was chosen as a top ten Best Unsigned Band by a Musician contest in the late 1980s. After the demise of Adam’s House Cat, Cooley and Hood performed as a duo under the name “Virgil Kane.” They eventually started a new band, “Horsepussy,” before splitting for a few years. It was during this split that Hood moved to Athens, Georgia and began forming what would become Drive-By Truckers. Cooley soon followed.

Continue reading September 14: Mike Cooley was born in 1966