Tag Archives: calendar

folk, Jazz, Music Calendar, Rock'n Roll

The wonderful Nanci Griffith was born in 1953 – Happy birthday

Nanci Griffith 1

I got to know Nanci Griffith through the seminal music paper Beat (norwegian music magazine), this music magazine has been extremely important in my musical upbringing. They made it ok to say that you loved country music. This was a big step for us rock/punk youth. Anyway, they praised Nanci Griffith very early and we listened and we agreed, this was very special indeed.

Her voice, her way of singing, especially other peoples’ songs, it was and is beautiful. My first entry into her world was John Prine’s The Speed of The Sound of Loneliness, it is still the best song in her catalogue. Hell, it would be the best song in almost anybody’s catalogue!

Speed of the sound of Loneliness (with John Prine who wrote this masterpiece):

Nanci Griffith, (born Nanci Caroline Griffith, July 6, 1953, Seguin, Texas) is an American singer, guitarist, and songwriter based in Austin, Texas.

Allmusic:  Straddling the fine line between folk and country music, Nanci Griffith has become as well-known for her brilliant, confessional songwriting as her beautiful voice. A self-styled “folkabilly” singer, Griffith began as a kindergarten teacher and occasional folksinger. The country scene took her to heart in the mid-’80s, giving her a reputation as a quality songwriter through hit covers of Griffith’s songs by Kathy Mattea and Suzy Bogguss. Finding no luck with commercial country radio however, Griffith recorded several pop-oriented albums and then returned to her folk roots by the mid-’90s.

Another wonderful cover version, Tecumseh Valley (with a wonderful intro):

 

 

 

 

 

 

 

 

 

Lets include a fantastic Dylan interpretation, Boots of Spanish leather:

 Happy birthday, Nanci!

Other July-06:
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Rock, Rock'n Roll, Rolling Stones, The Best Songs

Brown Sugar by Rolling Stones was released 16 April in 1971

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“The lyric was all to do with the dual combination of drugs and girls. This song was a very instant thing, a definite high point.”
– Mick Jagger

“I’ve got a new one myself. No words yet, but a few words in my head – called Brown Sugar – about a woman who screws one of her black servants. I started to call it Black Pussy but I decided that was too direct, too nitty-gritty.” – Mick Jagger (1969, The True Adventures of Rolling Stones by Stanley Booth)

Brown Sugar is the opening track and lead single from their 1971 album Sticky Fingers. Rolling Stone magazine ranked it #495 on their list of the 500 Greatest Songs of All Time and at #5 on their list of the 100 Greatest Guitar Songs of All Time.

The group sings the lyric with all the enthusiasm of tongue-wagging dogs swooping onto a prime rib, leading up to one of the band’s strongest shout-along choruses. As on other Stones classics of the period like “Honky Tonk Women” and “Bitch,” beefy horns start to duel with the buzzing electric guitars in the instrumental break; few if any other groups have used guitars and horns as deftly in unison. The crowning embellishment is the final choruses, which vary the melody and tempo so that the group sings and make a high-pitched exclamation in a rhythm that very much resembles that of a sexual climax.

– Richie Unterberger (allmusic)

It is credited, like most of their songs, to  Mick Jagger and Keith Richards, but the song was primarily the work of Jagger, who wrote it sometime during the filming of Ned Kelly in 1969.

Brown Sugar from the fantastic concert film Ladies and Gentlemen (1972):

This version of the song features Mick Jagger on vocals, Keith Richards and Mick Taylor on guitar, Charlie Watts on drums, Bill Wyman on bass, Nick Hopkins on piano, Bobby Keys on saxophone, and Jim Price on horns.

Brown Sugar, Lyrics:

Gold coast slave ship bound for cotton fields,
Sold in a market down in new orleans.
Scarred old slaver know he’s doin alright.
Hear him whip the women just around midnight.
Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a young girl should
A-huh.

Drums beating, cold english blood runs hot,
Lady of the house wondrin where it’s gonna stop.
House boy knows that he’s doin alright.
You should a heard him just around midnight.
Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a black girl should
A-huh.

I bet your mama was a tent show queen, and all her boy
Friends were sweet sixteen.
Im no schoolboy but I know what I like,
You should have heard me just around midnight.

Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a young girl should.

I said yeah, I said yeah, I said yeah, I said
Oh just like a, just like a black girl should.

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Music Calendar, pop, Rock, Singer Songwriter

Today: It is 3 years since the great Alex Chilton died

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Alex Chilton, power pop genius died 17. March in 2010 three years ago today.

Paul Westerberg wrote these words in The New York Times three days after Alex Chilton passed away:

It was some years back, the last time I saw Alex Chilton. We miraculously bumped into each other one autumn evening in New York, he in a Memphis Minnie T-shirt, with take-out Thai, en route to his hotel. He invited me along to watch the World Series on TV, and I immediately discarded whatever flimsy obligation I may have had. We watched baseball, talked and laughed, especially about his current residence — he was living in, get this, a tent in Tennessee.

Because we were musicians, our talk inevitably turned toward women, and Al, ever the Southern gentleman, was having a hard time between bites communicating to me the difficulty in … you see, the difficulty in (me taking my last swig that didn’t end up on the wall, as I boldly supplied the punch line) “… in asking a young lady if she’d like to come back to your tent?” We both darn near died there in a fit of laughter.

Yeah, December boys got it bad, as “September Gurls” notes. The great Alex Chilton is gone — folk troubadour, blues shouter, master singer, songwriter and guitarist. Someone should write a tune about him. Then again, nah, that would be impossible. Or just plain stupid.

He is one the all time best pop melody makers, he’s up there with Paul McCartney, Brian Wilson and Pete Townsend. When you hear his songs for the first time you’ll swear you’ve heard it before, but you have not. It is just so instantly recognizable, so familiar and so right!

The Box Tops – The Letter:

Alex Chilton was involved in great music all his life, he was like the music worlds Coen brothers, they may be making some movies that are not fantastic, but they are always good. And in most cases better and more interesting  than anything else out there. Chilton had a very consistent career and deserved so much more recognition than he got.

The Ballad of El Goodo (live, 93):

It is difficult to get across the admiration I have for Alex Chilton, let’s just say that he is one of the all time best and listen to his music.

Oh, and I think we should include that “stupid”song that Mr. Westerberg is talking about above. Alex Chilton, here in a solo Paul Westerberg live clip:

From the Guardians Obituary:

Alex Chilton defined the term cult hero. He was difficult, mercurial, endlessly self-sabotaging and, for a brief time, utterly brilliant. His 70s group Big Star remain almost unknown to the mainstream but are one of the key abiding influences in rock music of any calibre, their short life only fuelling their near-mythical status. “I never travel far without a little Big Star,” sang the Replacements on their strange love song, “Alex Chilton”. Several influential rock groups, from REM to Primal Scream, Teenage Fanclub to Wilco, would echo that sentiment. REM’s Peter Buck once described Big Star as “a Rosetta stone for a whole generation”.

My (Hallgeir) list of Alex Chilton’s top 21 songs (actually 22, I had to include The Letter even if he didn’t write that one):

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Music Calendar

Today: Ry Cooder is 66

ry-cooder

Ryland Peter “Ry” Cooder (born March 15, 1947) is known for his slide guitar work, his interest in roots music from the United States, and, more recently, his collaborations with traditional musicians from many countries. His albums are all quite different from each other but at the same time they are distinctly Ry Cooder in their sound.

Jesus on the mainline:

He was ranked eighth on Rolling Stone magazine’s 2003 list of “The 100 Greatest Guitarists of All Time”. He is also a very good composer and a competent vocalist but this is often overshadowed by his tremendous abilities on the guitar.    

Great live version of “Vigilante Man”:

Her is my top 20 Ry Cooder songs (Spotify link):

Other Mar-15:
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folk, Music Calendar, Singer Songwriter

Today: Happy birthday Eric Andersen

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Eric Andersen (born February 14, 1943, Pittsburgh, Pennsylvania) is an American singer-songwriter.

Eric Andersen has maintained a career as a folk-based singer/songwriter since the 1960s. In contrast to such peers as Tom Paxton and Phil Ochs, Andersen’s writing has had a romantic/philosophical/poetic bent for the most part, rather than a socially conscious one, though one of his best-known songs, “Thirsty Boots,” has as its background the Freedom Rides of the early ’60s. (The song has been recorded by Judy Collins and others.) (allmusic.com/William Ruhlmann)

Eric Andersen on “The Johnny Cash Show” Jan. 6, 1971, singing Born Again:

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