Tag Archives: Clyde McPhatter

June 13 in music history

Today: Hank Williams recorded “Jambalaya (On the Bayou)” in 1952 (read more)

“Jambalaya (On the Bayou)” (recorded 13 June 1952) is a song written and recorded by American country music singer Hank Williams that was first released in July 1952. Named for a Creole and Cajun dish, jambalaya, it spawned numerous cover versions and has since achieved popularity in a number of music genres.

hank williams Jambalaya (On the Bayou)
 Benjamin David “Benny” Goodman (May 30, 1909 – June 13, 1986) was an American jazz and swing musician, clarinetist and bandleader, known as the “King of Swing”.  Benny_Goodman
 Clyde Lensley McPhatter (November 15, 1932 – June 13, 1972) was an American R&B singer, perhaps the most widely imitated R&B singer of the 1950s and 1960s, making him a key figure in the shaping of doo-wop and R&B. His high-pitched tenor voice was steeped in the gospel music he sang in much of his younger life. He is best known for his solo hit “A Lover’s Question”.  clyde-mcphatter
 “Mingus” (released June 13, 1979) is the tenth studio album by Joni Mitchell, and a collaboration with jazz musician Charles Mingus. Recorded in the months before his death, it would be Mingus’s final musical project; the album is wholly dedicated to him.  JoniMitchell-Mingus

Spotify Playlist – June 13

Today: Van Morrison released His Band and the Street Choir in 1970

His+Band+and+The+Street+Choir+s

“Why did you leave America
Why did you let me down,
And now that things seem better off,
Why do you come around,
You know I just can’t see you know,
In my new world crystal ball,
You know I just can’t free you now,
That’s not my job at all.”

– Van Morrison 

His Band and the Street Choir is another beautiful phase in the continuing development of one of the few originals left in rock. In his own mysterious way. Van Morrison continues to shake his head, strum his guitar and to sing his songs. He knows it’s too late to stop now and he quit trying to a long, long time ago. Meanwhile, the song he is singing keeps getting better and better.”

– John Landau, Rolling Stone Magazine (1971)

Continue reading Today: Van Morrison released His Band and the Street Choir in 1970

Today: The late Benny Goodman passed away in 1986 – 27 years ago

Benny Goodman was the first celebrated bandleader of the Swing Era, dubbed “The King of Swing,” his popular emergence marking the beginning of the era. He was an accomplished clarinetist whose distinctive playing gave an identity both to his big band and to the smaller units he led simultaneously. The most popular figure of the first few years of the Swing Era, he continued to perform until his death 50 years later.
~William Ruhlmann (allmusic.com)

Moonglow:

From Wikipedia:

Benjamin David “Benny” Goodman (May 30, 1909 – June 13, 1986) was an American jazz and swing musician, clarinetist and bandleader; widely known as the “King of Swing”.

In the mid-1930s, Benny Goodman led one of the most popular musical groups in America. His January 16, 1938 concert at Carnegie Hall in New York City is described by critic Bruce Eder as “the single most important jazz or popular music concert in history: jazz’s ‘coming out’ party to the world of ‘respectable’ music.”

Goodman’s bands launched the careers of many major names in jazz, and during an era of segregation, he also led one of the first well-known racially-integrated jazz groups. Goodman continued to perform to nearly the end of his life, including exploring his interest in classical music.

Benny_Goodman

cut from “Hollywood Hotel” film (1937) – Sing Sing Sing:

Album of the day @ JV:

Other June-13:

Continue reading Today: The late Benny Goodman passed away in 1986 – 27 years ago

Today: Van Morrison released “His Band and the Street Choir” in 1970 – 42 years ago

 Morrison is still a brooder–“Why did you leave America?” he asks over and over on the final cut, and though I’m not exactly sure what he’s talking about, that sounds like a good all-purpose question/accusation to me–but not an obsessive one, and this is another half-step away from the acoustic late-night misery of Astral Weeks. As befits hits, “Domino” and especially “Blue Money” are more celebratory if no more joyous than anything on Moondance, showing off his loose, allusive white r&b at its most immediate. And while half of side two is comparatively humdrum, I play it anyway. A
~Robert Christgau (Consumer guide)

Street Choir – Van Morrison Live at Montreux 1974:

From Wikipedia:

Released 15 November 1970
Recorded March–July 1970, at the A&R Recording Studios, New York City
Genre Folk rock, R&B, blues
Length 41:40
Label Warner Bros.
Producer Van Morrison

His Band and the Street Choir (also referred to as Street Choir) is the fourth solo album by Northern Irish singer-songwriter Van Morrison. It was released on 15 November 1970 by Warner Bros. Records. Originally titled Virgo’s FoolStreet Choir was renamed by Warner Bros. without Morrison’s consent. Recording began in early 1970 with a demo session in a small church in Woodstock, New York. Morrison booked the A&R Studios on 46th Street in New York City in the second quarter of 1970 to produce two sessions of songs that were released on His Band and the Street Choir.

Domino (Midnight Special TV-show, 1977):

Reviewers praised the music of both sessions for its free, relaxed sound, but the lyrics were considered to be simple compared with those of his previous work. Morrison had intended to record the album a cappella with only vocal backing by a vocal group he called the Street Choir, but the songs released on the album that included the choir also featured a backing band. Morrison was dissatisfied with additional vocalists to the original quintet that made up the choir, and these changes and others have led him to regard Street Choir poorly in later years.

“His Band and the Street Choir is a free album. It was recorded with minimal over-dubbing and was obviously intended to show the other side of Moondance. And if it has a flaw it is that, like Moondance, it is too much what it set out to be. A few more numbers with a gravity of ‘Street Choir’ would have made this album as close to perfect as anyone could have stood.”
~John Landau

His Band and the Street Choir was as well received as Morrison’s previous album, MoondanceStreet Choir peaked at number 32 on the Billboard 200 and number 18 on the UK Album Chart. It owes its success mainly to the US Top Ten single “Domino”, which was released before the album and surpassed Morrison’s 1967 hit, “Brown Eyed Girl”. As of 2010, “Domino” remains the most successful single of Morrison’s solo career. Two other singles were released from the album, “Blue Money” and “Call Me Up in Dreamland”; although less successful, they still managed to reach the Billboard Hot 100.

I’ve been working (From Van Morrison in Ireland, 1979 in Dublin and Belfast):

Tracks:

All songs written by Van Morrison.

Side one

  1. “Domino”  – 3:06
  2. “Crazy Face”  – 2:56
  3. “Give Me a Kiss (Just One Sweet Kiss)”  – 2:30
  4. “I’ve Been Working”  – 3:25
  5. “Call Me Up in Dreamland”  – 3:52
  6. “I’ll Be Your Lover, Too”  – 3:57

Side two

  1. “Blue Money”  – 3:40
  2. “Virgo Clowns”  – 4:10
  3. “Gypsy Queen”  – 3:16
  4. “Sweet Jannie”  – 2:11
  5. “If I Ever Needed Someone”  – 3:45
  6. “Street Choir”  – 4:43

Jason Ankeny (allmusic.com):
After the brilliant one-two punch of Astral Weeks and Moondance, His Band and the Street Choir bringsVan Morrison back down to earth, both literally and figuratively. While neither as innovative nor as edgy as its predecessors, His Band and the Street Choir also lacks their overt mysticism; at heart, the album is simply Morrison’s valentine to the R&B that inspired him, resulting in the muscular and joyous tribute “Domino” as well as the bouncy “Blue Money” and “Call Me Up in Dreamland.”

Album of the day:

Other November 15:

Continue reading Today: Van Morrison released “His Band and the Street Choir” in 1970 – 42 years ago