DeepdowninLouisiana’crossfromNewOrleans,
waybackupinthewoodsamongtheevergreens.
There stood a log cabin made of earth and wood
Where lived a country boy named Johnny B. Goode,
Who never ever learned to read or write so well
But he could play a guitar just like a ringin’ a bell.
You can’t copyright guitar licks and maybe that’s good, because if you could, Chuck might have hoarded them as he does his Cadillacs. Without The Chuck Berry Riff, we’d lose not just the Beach Boys, but essential elements of the Beatles, the Rolling Stones, Bob Dylan, Bob Seger, and Bruce Springsteen — to mention only the most obvious examples. In a way, what was at the center of the first wave of the British Invasion could be described as a Chuck Berry revival.
~Dave Marsh (The Heart of Rock and Soul)
There’s a scream inside everyone of us at every moment. And every one of us has had the experience of listening to a record and feeling that scream take over. Release. Abandon. Let it all out. Rock and Roll for me is about Eros, not Logos, which is paradoxical since my job is putting the experience in words.
~Paul Williams (Author’s note)
One of our favorite authors here at JV is Paul Williams, and…. he did write about other stuff than Bob Dylan.
We all love lists, so I’ll try out a new series of posts honoring one of his lesser known books:
..the list is chronological, starting back before the beginning and going through the 50′s and the 60′s and the 70′s and the 80′s, and ending for the sake of convenience in 1991. So #1 is not supposed to be ‘better’ than #100. It just got in the line first.
My criteria are simple: the song has to have been released as a seven-inch 45 rpm single in the United States or Great Britain (Robert Johnson’s 78 rpm ten-inch is the exception that proved the rule), and it has be “rock and roll” according to my subjective evaluation…
~Paul Williams (Author’s note)
DeepdowninLouisiana’crossfromNewOrleans,
waybackupinthewoodsamongtheevergreens.
There stood a log cabin made of earth and wood
Where lived a country boy named Johnny B. Goode,
Who never ever learned to read or write so well
But he could play a guitar just like a ringin’ a bell.
You can’t copyright guitar licks and maybe that’s good, because if you could, Chuck might have hoarded them as he does his Cadillacs,. Without The Chuck Berry Riff, we’d lose not just the Beach Boys, but essential elements of the Beatles, the Rolling Stones, Bob Dylan, Bob Seger, and Bruce Springsteen — to mention only the most obvious examples. In a way, what was at the center of the first wave of the British Invasion could be described as a Chuck Berry revival.
~Dave Marsh (The Heart of Rock and Soul)
Live 1958:
another great live version (much later):
From Wikipedia:
Released
March 31, 1958
Format
7″ 45 RPM, 10″ 78 RPM
Recorded
January 6, 1958 at Chess Studios, Chicago, Illinois
Genre
Rock and roll
Length
2:30
Label
Chess
Writer(s)
Chuck Berry
Producer
Little “Bongo” Kraus
“Johnny B. Goode” is a 1958 rock and roll song written and originally performed by Chuck Berry. The song was a major hit among both black and white audiences peaking at #2 on Billboard magazine’s Hot R&B Sides chart and #8 on the Billboard Hot 100.
The song is one of Chuck Berry’s most famous recordings, has been covered by many artists, and has received several honors and accolades. It is also considered to be one of the most recognizable songs in music history.
another version:
Go Go
Go Johnny Go Go (x4)
Johnny B. Goode
Written by Berry in 1955, the song is about a poor country boy who plays a guitar “just like ringing a bell,” and who might one day have his “name in lights.” Berry has acknowledged that the song is partly autobiographical, and originally had “colored boy” in the lyrics, but he changed it to “country boy” to ensure radio play. The title is suggestive that the guitar player is good, and hints at autobiographic elements because Berry was born at 2520 Goode Avenue in St. Louis. The song was initially inspired by Berry’s piano player, Johnnie Johnson, though developed into a song mainly about Berry himself. Though Johnnie Johnson played on many other Chuck Berry songs, it was Lafayette Leake who played piano on this song.
The opening guitar riff on “Johnny B. Goode” is essentially a note-for-note copy of the opening single-note solo on Louis Jordan’s “Ain’t That Just Like a Woman” (1946), played by guitarist Carl Hogan.
Louis Jordan – Ain`t That Just Like A Woman:
Musicians
Chuck Berry – vocals, guitar
Lafayette Leake – piano
Willie Dixon – bass
Fred Below – drums
Bruce Springsteen & Chuck Berry – Johnny B Goode (Live 1995):
Legacy
Berry’s recording of the song was included on the Voyager Golden Record, attached to the Voyager spacecraft as representing rock and roll, one of four American songs included among many cultural achievements of humanity.
When Chuck Berry was inducted into the Rock and Roll Hall of Fame in 1986, he performed “Johnny B. Goode” and “Rock and Roll Music,” backed by Bruce Springsteen and theE Street Band. The Hall of Fame included these songs and “Maybellene” in their list of the 500 songs that shaped Rock and Roll.
It was inducted into the Grammy Hall of Fame in 1999, for its influence as a rock & roll single.
