Don’t play what’s there, play what’s not there.
– Miles Davis
Miles Davis is my definition of cool.
– Bob Dylan
I discovered Miles Davis through Prince. Prince talked about Miles and they played together, they played each others songs and I got curious. My first meet with Miles Davis was in the eighties, the years that some hard-core Miles fans consider the decline or the lost years. Not for me, I love 80s Miles Davis, and what I heard made me go back in time. What a world that opened up!
I got to see him in concert, once in 1988. To a young and recent fan it was mind-blowing!
Tutu, Stuttgart 1988:
Throughout a professional career lasting 50 years, Miles Davis played the trumpet in a lyrical, introspective, and melodic style, often employing a stemless Harmon mute to make his sound more personal and intimate. But if his approach to his instrument was constant, his approach to jazz was dazzlingly protean. To examine his career is to examine the history of jazz from the mid-’40s to the early ’90s, since he was in the thick of almost every important innovation and stylistic development in the music during that period, and he often led the way in those changes, both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions. It can even be argued that jazz stopped evolving when Davis wasn’t there to push it forward.
– William Ruhlmann
The best Jazz song in music history, So What:
I have choses On The Corner (1972) as today’s album, my favorite Miles record is Kind of Blue, but I thought it would be nice to focus on one of my other favorites. It is a an album that was loathed when it was released. Miles Davis was accused of selling out (just as he was in the 80s). When listening to the album today it is hard to understand what he was selling out to…
At the time, everyone loathed Miles Davis’s On the Corner – even the people who played on it. But now, some of the coolest names in music are proud to name it as a major influence. – Paul Tingen (The Guardian)
other 26 May: