“Now!… Well for one thing, the music, the rhyming and rhythm, what I call the mathematics of a song, are more second-nature to me. I used to have to go after a song, seek it out. But now, instead of going to it I stay where I am and let everything disappear and the song rushes to me. Not just the music, the words, too.
~Bob Dylan (to Margaret Steen, Nov 1965)
[SIoMWTMBA].. goes beyond being an exciting rock-music performance. It shares with those slower Blonde on Blonde songs ‘Visions of Johanna’ and ‘Sad-Eyed Lady of the Lowlands’ a greater-than-average duration and a general high seriousness of intention.
~Michael Gray (BD Encyclopedia)
@ #5 on my list of Dylan’s 200 best songs.. the second best song on Blonde On Blonde.
The master version (Blonde On Blonde version) was recorded @ Columbia Music Row Studios – Nashville, Tennessee –17 February 1966 (47 years ago).
This was the the 8th Blonde On Blonde session, produced by Bob Johnston.. and after 20 attempts Dylan was satisfied … with take 20. No other songs were tried @ this session.
….and those lovely drums….
…I know it sounds silly, but I love that song and how it pulls me in, but once I’m in there I always focus on the drummer. It’s a song with so much soul, but the more I listen, I always go back to those killer drums.
~Frank Black (Pixies, etc) (to MOJO’s “Dylan 100 best songs edition” )
Master version (Blonde On Blonde):