“We’re in the mud and scum of things, moaning, crying and lying
“I’m very grateful. I’m an old cat, but I feel very fortunate to have seen Lightnin’ Hopkins and Freddie King. I saw Ernest Tubb play and Gary Stewart, so it’s kind of a combination of not just the different forms of music that’s influenced me, but the great musicians in that form of music. I guess it’s the ‘character’ in their songwriting that’s influenced me.”
Photo by Ken Regan
Bob Dylan and Bruce Springsteen meet for the first time backstage during the Rolling Thunder Revue tour in New Haven, CT.
Russell Tyrone Jones (November 15, 1968 – November 13, 2004) was an American rapper and occasional producer, who went by the stage name Ol’ Dirty Bastard, ODB, Ason Unique, Osirus, Rainman, and Big Baby Jesus. He was one of the founding members of the Wu-Tang Clan, a rap group primarily from Staten Island, New York that first rose to mainstream prominence with their 1993 debut album Enter the Wu-Tang (36 Chambers).
After establishing the Wu-Tang Clan, Ol’ Dirty Bastard went on to pursue a successful solo career. However, his professional success was hampered by frequent legal troubles, including incarceration. He died in late 2004 of a drug overdose, two days before his 36th birthday. Prior to his death, Ol’ Dirty Bastard managed to record his third solo album, which has been repeatedly delayed and as of 2012 has not been released.
C.R.E.A.M. (Wu Tang Clan)
Album of The Day:
Enter the Wu-Tang (36 Chambers) (1993)
Steve Huey (allmusic.com):
Along with Dr. Dre’s The Chronic, the Wu-Tang Clan’s debut, Enter the Wu-Tang (36 Chambers), was one of the most influential rap albums of the ’90s. Its spare yet atmospheric production — courtesy of RZA — mapped out the sonic blueprint that countless other hardcore rappers would follow for years to come. It laid the groundwork for the rebirth of New York hip-hop in the hardcore age, paving the way for everybody from Biggie and Jay-Z to Nas and Mobb Deep. Moreover, it introduced a colorful cast of hugely talented MCs, some of whom ranked among the best and most unique individual rappers of the decade. Some were outsized, theatrical personalities, others were cerebral storytellers and lyrical technicians, but each had his own distinctive style, which made for an album of tremendous variety and consistency. Every track on Enter the Wu-Tang is packed with fresh, inventive rhymes, which are filled with martial arts metaphors, pop culture references (everything from Voltron to Lucky Charms cereal commercials to Barbra Streisand’s “The Way We Were”), bizarre threats of violence, and a truly twisted sense of humor. ... read more @ allmusic.com