The Beatles were such a prolific album act that it’s sometimes hard to abstract their later singles; here, they ride their roots as a bar band in Liverpool and Hamburg to a new kind of glory.
~Dave Marsh (The Heart of Rock & Soul)

The opening circular riff, played on 12-string guitar by George Harrison, was a signpost for the folk-rock wave that would ride through rock music itself in 1965.
~Richie Unterberger (allmusic.com)

Wikipedia:

Released	9 April 1965
Recorded	15 February 1965, EMI Studios, London
Genre	Rock
Length	3:10
Label	Parlophone
Writer	Lennon–McCartney
Producer	George Martin

“Ticket to Ride” is a song by the Beatles from their 1965 album, Help!. It was recorded 15 February 1965 and released two months later. In 2004, this song was ranked number 394 on Rolling Stone‘s list of “The 500 Greatest Songs of All Time”.

They say this was one of John’s personal favorites, probably because it has his most soulful vocal ever. But “Ticket to Ride” is intricate and interesting all the way through, with Paul playing mean lead guitar and Ringo dispelling all doubt about his prowess as a drummer: The groove comes straight out of his pure backbeat.
~Dave Marsh (The Heart of Rock & Soul)

Original 1965 Promotional Video:

Composition

The song was written primarily by John Lennon (credited to Lennon–McCartney), with Paul McCartney’s contributions in dispute. Lennon said that McCartney’s contribution was limited to “the way Ringo played the drums”. McCartney said that was an incomplete description, and that “we sat down and wrote it together… give him 60 percent of it… we sat down together and worked on that for a full three-hour songwriting session.” This song was also the first song by the band in which McCartney was featured on lead guitar.
The song features a coda with a different tempo that extends the song’s length past three minutes, the first Beatles single ever to do so. Lennon said this double-time section (with the lyric “My baby don’t care”) was one of his “favourite bits” in the song.

Shea Stadium Live 1965 – HQ:

Critical Response

Music critics Richie Unterberger of Allmusic and Ian MacDonald both describe “Ticket to Ride” as an important milestone in the evolution of the musical style of the Beatles. Unterberger said, “the rhythm parts on ‘Ticket to Ride’ were harder and heavier than they had been on any previous Beatles outing, particularly in Ringo Starr’s stormy stutters and rolls.” MacDonald described it as “psychologically deeper than anything the Beatles had recorded before … extraordinary for its time — massive with chiming electric guitars, weighty rhythm, and rumbling floor tom-toms.” MacDonald also notes that the track uses the Indian basis of drone which might have influenced the Kinks’ “See My Friends”.

 

Meaning of ‘Ticket To Ride’

While the song lyrics describe a girl “riding out of the life of the narrator”, the inspiration of the title phrase is unclear. McCartney said it was “a British Railways ticket to the town of Ryde on the Isle of Wight”, and Lennon said it described cards indicating a clean bill of health carried by Hamburg prostitutes in the 1960s. The Beatles played in Hamburg early in their musical career, and “ride/riding” was slang for having sex.

So we round off with The Beatles final appearance @ “Ed Sullivan Show” – 14th August 1965

They performed six songs: I Feel Fine, I’m Down, Act Naturally, Ticket To Ride, Yesterday and Help!

Other February 15

• Glyn Thomas Johns (born 15 February 1942 in Epsom, Surrey) is an English musician, recording engineer and record producer.
  

  Birth name	Glyn Thomas Johns
  Born	15 February 1942 (age 71)
  Origin	Epsom, Surrey, England
  Genres	Rock
  Occupations	Producer, engineer, musician
  Associated acts	Various artists

  w/Mick Jagger

• “Shake, Rattle and Roll” is a twelve bar blues-form rock and roll song, written in 1954 by Jesse Stone under his assumed songwriting name Charles E. Calhoun. It was originally recorded by Big Joe Turner, and most successfully by Bill Haley & His Comets. The song as sung by Big Joe Turner is ranked #126 on the Rolling Stone magazine’s list of The 500 Greatest Songs of All Time.
  

  Released	April 1954
  Format	10″ 78 rpm record
  Recorded	New York February 15, 1954
  Genre	Rock & Roll
  Length	2:59
  Label	Atlantic (Cat. no. 1026)
  Writer(s)	Charles E. Calhoun aka Jesse Stone

  –

• Brian Holland (born February 15, 1941, in Detroit, Michigan) is an American songwriter and record producer, best known as a member of Holland–Dozier–Holland, the songwritingand production team that was responsible for much of the Motown sound and numerous hit records by artists such as Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers. Holland, along with Lamont Dozier, served as the team’s musical arranger and producer.
  

-Egil