Tag Archives: Ian MacDonald

The Beatles 40 best songs: at 19 Helter Skelter

The-Beatles-Helter-Skelter

“I was in Scotland and I read in Melody Maker that Pete Townshend had said: ‘We’ve just made the raunchiest, loudest, most ridiculous rock ‘n’ roll record you’ve ever heard.’ I never actually found out what track it was that The Who had made, but that got me going,  just hearing him talk about it. So I said to the guys, ‘I think we should do a song like that,  something really wild.’ And I wrote Helter Skelter.

You can hear the voices cracking, and we played it so long and so often that by the end of it you can hear Ringo saying,’I’ve got blisters on my fingers’. We just tried to get it louder: ‘Can’t we make the drums sound louder?’ That was really all I wanted to do – to make a very loud, raunchy rock ‘n’ roll record with The Beatles. And I think it’s a pretty good one.”
– Paul McCartney (Anthology)

“Umm, that came about just ’cause I’d read a review of a record which said, ‘and this group really got us wild, there’s echo on everything, they’re screaming their heads off.’ And I just remember thinking, ‘Oh, it’d be great to do one. Pity they’ve done it. Must be great — really screaming record.’ And then I heard their record and it was quite straight, and it was very sort of sophisticated. It wasn’t rough and screaming and tape echo at all. So I thought, ‘Oh well, we’ll do one like that, then.’ And I had this song called “Helter Skelter,” which is just a ridiculous song. So we did it like that, ‘cuz I like noise.”
– Paul McCartney (Radio Luxembourg)

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“Helter Skelter” is written by Paul McCartney, and recorded by the Beatles on their eponymous LP The Beatles, better known as The White Album. A product of McCartney’s deliberate effort to create a sound as loud and dirty as possible, the song has been noted for both its “proto-metal roar” and “unique textures” and is considered by music historians as a key influence in the early development of heavy metal.

The first version was a 27 minute jam that was never released. During the July 18, 1968 sessions, The Beatles recordedthe long version, which was much slower and less intense than the album version. Another recording from the same day was edited down to 4:37 for The Beatles Anthology, Volume III.

“…the first time the Beatles recorded the song at Abbey Road, they got so caught up in its heavy, screeching fury that they jammed on for more than ten minutes on one version, over twelve minutes on a second, and an epic, yet still tightly played, twenty-seven minutes on a third. On September 9, the night they taped the version of ‘Helter Skelter’ heard on the record, they held the length down to four and a half minutes but went just as wild, both on tape and off. Ringo’s impassioned scream, ‘I’ve got blisters on my fingers,’ was caught on tape, but had the Beatles also been filming a video that night, it would have shown George setting fire to an ashtray and running around the studio, wearing it on his head like a crown of fire.”
-Mark Hertsgaard (A Day In The Life: The Music and Artistry of the Beatles)

The Beatles – Helter Skelter:

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The Beatles 40 best songs: At 21 A Hard Day’s Night


A Hard Days Night

“The title came from a throwaway crack from Starr. “We were working all day and then into the night,” he recalled, “[and] I came out thinking it was still day and said, ‘It’s been a hard day,’ and noticing it was dark, ‘ . . . ‘s night!’” When Lennon passed the remark on to director Richard Lester, it instantly became the film’s title. All they had to do was write a song to go with it. “John and I were always looking for titles,” said McCartney. “Once you’ve got a good title, you are halfway there. With ‘A Hard Day’s Night,’ you’ve almost captured them.”” 
– Rolling Stone

“A Hard Day’s Night” is a song written by John Lennon (on the night of 13 April 1964), and credited to Lennon–McCartney, it was released on the movie soundtrack of the same name in 1964. It was later released as a single, with “Things We Said Today” as its B-side.

 “…the next morning I brought in the song… ‘cuz there was a little competition between Paul and I as to who got the A-side — who got the hits. If you notice, in the early days the majority of singles, in the movies and everything, were mine… in the early period I’m dominating the group…. The reason Paul sang on ‘A Hard Day’s Night’ (in the bridge) is because I couldn’t reach the notes. ‘When I’m home, everything seems to be right. When I’m home…’ – which is what we’d do sometimes. One of us couldn’t reach a note but he wanted a different sound, so he’d get the other to do the harmony.”
– John Lennon  (1980, Playboy interview)

aharddaysnight_it

The song featured prominently on the soundtrack to the Beatles’ first feature film, A Hard Day’s Night, and was on their album of the same name. The song topped the charts in both the United Kingdom and United States when it was released as a single. The American and British singles of “A Hard Day’s Night” as well as both the American and British albums of the same title all held the top position in their respective charts for a couple of weeks in August 1964, the first time any artist had accomplished this feat.

Some will say this is a sentimental selection. That’s okay. It is, I love the song, the album and especially the movie. That strange but brilliant opening chord, a chord that is the theme for many discussions and that started the song, the album, a movie of the same name, and really a pop era, we saw the film over and over at our local cinema in the 70s. The cementation of our love for The Beatles started with this chord/song/record/film.

“We knew it would open both the film and the soundtrack LP, so we wanted a particularly strong and effective beginning. The strident guitar chord was the perfect launch.”
– George Martin to Mark Lewisohn (The Complete Beatles recording sessions)

 

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The Beatles 40 best songs: at 31 “Yesterday”

BEATLES_YESTERDAY_USA_7_PIC

I just started playing it and this tune came, ‘cuz that’s what happens. They just, sort of– they COME, you know. It just came and I couldn’t think of any words to it, so originally it was just, ‘Scrambled Egg.’ It was called ‘Scrambled Egg’ for a couple of months, until I thought of ‘Yesterday.’ And that’s it. True story.
—Paul McCartney, 1968

‘Yesterday’ is Paul completely on his own, really. We just helped finishing off the ribbons ’round it, you know — tying it up.
—John Lennon, 1966

Wikipedia:

Yesterday“was originally recorded by the Beatles for their 1965 album Help!. Although credited to “Lennon–McCartney”, the song was written solely by Paul McCartney. At the time of its first appearance, the song was released by the Beatles’ record company as a single in the United States but not in the United Kingdom (for further details see below). Consequently, whilst it topped the American chart in 1965 the song first hit the British top 10 three months after the release of Help! in a cover version by Matt Monro. “Yesterday” was voted the best song of the 20th century in a 1999 BBC Radio 2 poll of music experts and listeners and was also voted the No. 1 Pop song of all time by MTV and Rolling Stone magazine the following year. In 1997, the song was inducted into the Grammy Hall of Fame. Broadcast Music Incorporated (BMI) asserts that it was performed over seven million times in the 20th century alone.

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The Beatles 40 best songs: at 33 “We Can Work It out”

we can work it out 45

 “In We Can Work It Out, Paul did the first half, I did the middle eight. But you’ve got Paul writing, ‘We can work it out, we can work it out’ – real optimistic, y’know, and me impatient: ‘Life is very short and there’s no time for fussing and fighting, my friend.'”
– John Lennon (All We Are Saying by David Sheff)

“I had the idea, the title, had a couple of verses and the basic idea for it, then I took it to John to finish it off and we wrote the middle together. Which is nice: ‘Life is very short. There’s no time for fussing and fighting, my friend.’ Then it was George Harrison’s idea to put the middle into waltz time, like a German waltz. That came on the session, it was one of the cases of the arrangement being done on the session.”
– Paul McCartney (Many Years From Now by Barry Miles)

 Wikipedia:
We Can Work It Out” is  written by Paul McCartney and John Lennon. It was released as a “double A-sided” single with “Day Tripper“, the first time both sides of a single were so designated in an initial release. Both songs were recorded during the Rubber Soul sessions.

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Today: The Beatles recorded “Ticket To Ride” in 1965 – 48 years ago

the beatles ticket to ride

The Beatles were such a prolific album act that it’s sometimes hard to abstract their later singles; here, they ride their roots as a bar band in Liverpool and Hamburg to a new kind of glory.
~Dave Marsh (The Heart of Rock & Soul)

The opening circular riff, played on 12-string guitar by George Harrison, was a signpost for the folk-rock wave that would ride through rock music itself in 1965.
~Richie Unterberger (allmusic.com)

Wikipedia:

Released 9 April 1965
Recorded 15 February 1965,
EMI Studios, London
Genre Rock
Length 3:10
Label Parlophone
Writer Lennon–McCartney
Producer George Martin

Ticket to Ride” is a song by the Beatles from their 1965 album, Help!. It was recorded 15 February 1965 and released two months later. In 2004, this song was ranked number 394 on Rolling Stone‘s list of “The 500 Greatest Songs of All Time”.

The-Beatles-Help

the beatles ticket to ride2

They say this was one of John’s personal favorites, probably because it has his most soulful vocal ever. But “Ticket to Ride” is intricate and interesting all the way through, with Paul playing mean lead guitar and Ringo dispelling all doubt about his prowess as a drummer: The groove comes straight out of his pure backbeat.
~Dave Marsh (The Heart of Rock & Soul)

Original 1965 Promotional Video:

Composition

The song was written primarily by John Lennon (credited to Lennon–McCartney), with Paul McCartney’s contributions in dispute. Lennon said that McCartney’s contribution was limited to “the way Ringo played the drums”. McCartney said that was an incomplete description, and that “we sat down and wrote it together… give him 60 percent of it… we sat down together and worked on that for a full three-hour songwriting session.” This song was also the first song by the band in which McCartney was featured on lead guitar.
The song features a coda with a different tempo that extends the song’s length past three minutes, the first Beatles single ever to do so. Lennon said this double-time section (with the lyric “My baby don’t care”) was one of his “favourite bits” in the song.

Shea Stadium Live 1965 – HQ:

Critical Response

Music critics Richie Unterberger of Allmusic and Ian MacDonald both describe “Ticket to Ride” as an important milestone in the evolution of the musical style of the Beatles. Unterberger said, “the rhythm parts on ‘Ticket to Ride’ were harder and heavier than they had been on any previous Beatles outing, particularly in Ringo Starr’s stormy stutters and rolls.” MacDonald described it as “psychologically deeper than anything the Beatles had recorded before … extraordinary for its time — massive with chiming electric guitars, weighty rhythm, and rumbling floor tom-toms.” MacDonald also notes that the track uses the Indian basis of drone which might have influenced the Kinks’ “See My Friends”.

the beatles ticket to ride3

 

Meaning of ‘Ticket To Ride’

While the song lyrics describe a girl “riding out of the life of the narrator”, the inspiration of the title phrase is unclear. McCartney said it was “a British Railways ticket to the town of Ryde on the Isle of Wight”, and Lennon said it described cards indicating a clean bill of health carried by Hamburg prostitutes in the 1960s. The Beatles played in Hamburg early in their musical career, and “ride/riding” was slang for having sex.

the beatles 1965

So we round off with The Beatles final appearance @ “Ed Sullivan Show” – 14th August 1965

They performed six songs: I Feel Fine, I’m Down, Act Naturally, Ticket To Ride, Yesterday and Help!

Other February 15

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