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Bob Dylan: Señor, Amsterdam 2003

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bob dylan amsterdam 2003

Señor, señor, do you know where we’re headin’?
Lincoln County Road or Armageddon?
Seems like I been down this way before
Is there any truth in that, señor?

Interesting version, but not complete…

Heineken Music Hall
Amsterdam, The Netherlands
11 November 2003

  • Bob Dylan (vocal & piano)
  • Freddie Koella (guitar)
  • Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar)
  • Tony Garnier (bass)
  • George Recile (drums & percussion)


Señor, señor, do you know where she is hidin’?
How long are we gonna be ridin’?
How long must I keep my eyes glued to the door?
Will there be any comfort there, señor?

There’s a wicked wind still blowin’ on that upper deck
There’s an iron cross still hangin’ down from around her neck
There’s a marchin’ band still playin’ in that vacant lot
Where she held me in her arms one time and said, “Forget me not”

Señor, señor, I can see that painted wagon
I can smell the tail of the dragon
Can’t stand the suspense anymore
Can you tell me who to contact here, señor?

Well, the last thing I remember before I stripped and kneeled
Was that trainload of fools bogged down in a magnetic field
A gypsy with a broken flag and a flashing ring
Said, “Son, this ain’t a dream no more, it’s the real thing”

Señor, señor, you know their hearts is as hard as leather
Well, give me a minute, let me get it together
I just gotta pick myself up off the floor
I’m ready when you are, señor

Señor, señor, let’s disconnect these cables
Overturn these tables
This place don’t make sense to me no more
Can you tell me what we’re waiting for, señor?

Check out:

-Egil

One thought on “Bob Dylan: Señor, Amsterdam 2003”

  1. I absolutely love this song, and if I had to rate my top 10 Dylan-songs it would definitely be among the strongest contenders. Then again, I have “When the Night Comes falling from the Sky(the bootleg series version)as my all time favourite, so who knows what weight my opinion carries 🙂
    I am also among the few that really love the “Live at Budokan” album btw, so obviously something weird is going on here.

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