Category Archives: Beatles

August 15: The Beatles played at Shea Stadium in 1965

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August 15: The Beatles played at Shea Stadium in 1965

“Now, ladies and gentlemen, honoured by their country, decorated by their Queen, loved here in America, here are The Beatles!”
– Ed Sullivan

The Shea Stadium concert on 15 August was record-breaking and one of the most famous concert events of its era.  Over 55,000 people saw the concert.  “Beatlemania” was at one of its highest marks at the Shea show. Film footage taken at the concert shows many teenagers and women crying, screaming, and even fainting. The crowd noise was such that security guards can be seen covering their ears as The Beatles enter the field.

Shea2

 

The Beatles interview before Shea Stadium:

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August 9: The Beatles recorded Mother Nature’s Son in 1968

paul mccartney

Paul [wrote this]. That was from a lecture of Maharishi where he was talking about nature, and I had a piece called “I’m just a child of nature,” which turned into “Jealous Guy” years later. Both inspired from the same lecture of Maharishi.
~John Lennon (September 1980, Playboy interviews)

August 9: The Beatles recorded Mother Nature’s Son in 1968, well, they started to record the song.

Wikipedia:

Released 22 November 1968
Recorded 9 & 20 August 1968
Genre Folk
Length 2:48
Label Apple Records
Writer Lennon–McCartney
Producer George Martin

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August 6: The Beatles released “Help!” in 1965

The_Beatles-Help_-Frontal

.. a big step forward, exploring doubt, loneliness, alienation, adult sexual longing, acoustic guitars, electric piano, bongos, castanets, and the finest George songs known to man. … Help! was utterly ruined in its U.S. version, which cut half the songs and added worthless orchestral soundtrack filler, so it’s always been underrated. But Help! is the first chapter in the astounding creative takeoff the Beatles were just beginning: the soulful bereavement of “Ticket to Ride,” the impossibly erotic gentleness of “Tell Me What You See,” the desperate falsetto and electric punch of “You’re Going to Lose That Girl.”
~rollingstone.com

…. the album’s masterpiece is McCartney’s brooding, deceptively simple chamber-pop ballad “Yesterday.” …  it’s compositionally complex, one of the first major pop songs to draw directly from classical music, juxtaposing acoustic guitar with a string quartet, shifting from minor to major chords. It set the stage for one of the most groundbreaking and innovative periods in The Beatles’ career, not to mention pop music in general.
~Mark Kemp (pastemagazine.com)

From Wikipedia:

Released 6 August 1965
Recorded 15–19 February, 13 April, 10 May& 14–17 June 1965,
EMI Studios, London
Genre Rock
Length 34:20
Label Parlophone
Producer George Martin

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The Beatles: Revolver covered

The-Beatles-Revolver

 

One of the greatest albums ever…

The Beatles had initiated a second pop revolution – one which while galvanising their existing rivals and inspiring many new ones, left all of them far behind.
~Ian MacDonald (Revolution in the Head: The Beatles’ Records and the Sixties)

Check out:  August 5: The Beatles released “Revolver” in 1966

There are many fine cover versions of the songs from this album.

Here are some of my favorites:

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August 5: The Beatles released “Revolver” in 1966

The-Beatles-Revolver

 

“twice as good and four times as startling as Rubber Soul, with sound effects, Oriental drones, jazz bands, transcendentalist lyrics, all kinds of rhythmic and harmonic surprises, and a filter that made John Lennon sound like God singing through a foghorn.”
~Robert Christgau

The Beatles had initiated a second pop revolution – one which while galvanising their existing rivals and inspiring many new ones, left all of them far behind.
~Ian MacDonald (Revolution in the Head: The Beatles’ Records and the Sixties)

….. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it’s still as emulated as it was upon its original release.
~Stephen Thomas Erlewine (allmusic.com)

 

Released 5 August 1966
Recorded 6 April – 21 June 1966,
EMI Studios, London
Genre Rock, psychedelic rock
Length 35:01
Label Parlophone (UK), Capitol (US)
Producer George Martin

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